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The beautiful rich girl played by Yu Chu needs to slap Xiaobaihua domineeringly.

Looking at this plot in the script, Yu Chu can make up for Su Mo's countless ways of pretending to be pitiful.

Sure enough, just as the play was about to start, Su Mo ran over to find the director and shyly said in a low voice that for the effect of the play, she could accept the real fight.

The director was a little surprised, but he pondered for a while. For the sake of effect, he did not refuse. After discussing it with Yu Chu, he decided to fight.

Yu Chu knew something.

If it's a real fight, it's good for the play itself, and the conflict is suddenly more real and more touching.

But not necessarily for actors.

If Su Mo wanted to be pitiful, after the TV series aired, it would definitely be a group of people who called him cruel.

But it is not impossible.

The point of conflict in this scene is the conflict between the two people. The rich woman is straightforward, while Xiaobaihua and the rich girl have a disagreement. The two quarreled. The rich girl was so angry that she slapped her.

It seems that rich girls are not at all arrogant.

But Yu Chu can act very well.

After the two stood up, the director called the start again, Su Mo pushed Yu Chu according to the script, and anger appeared on her beautiful face:

"I just don't agree with your actions!"

On the other hand, the fashionable girl opposite Yanli is obviously more aggressive, "You don't agree? Do I need you to agree with me? I can do whatever I want!"

Yu Chu played a willful and charming young lady very vividly. At the same time, of course, because Jiaoman is very real, it does feel a little bit awkward.

The little white flower in the opposite scene looked even more pitiful. She was pushed hard and tried to persuade her former friend, "But you shouldn't be like this, that's not what a good person should do, you"

Before he finished speaking, the imposing Bai Fumei raised a slap. The slap was clear and unpretentious, and his voice was even colder: "I don't need you to teach me!"

Su Mo received a firm slap, fainted slightly, and felt resentment in her heart. But thinking that she was sold miserably, she immediately covered her face and burst into tears.

Both the director and the staff couldn't help showing pity, looking at Su Mo in the camera.

Next, it was time for Yu Chu to leave.

Close-up of the camera on the girl's face.

In this last shot, there was not even a single line. Bai Fumei was silent in the shot. The moment of silence seemed to reveal a fragility that was not in line with her saucy personality in the past.

There was a ray of water in her eyes, but it was quickly wiped away by her white hands. The eldest lady raised her head, snorted coldly like any proud moment before, turned around and walked away on high heels.

As if the silence just now was an illusion, she still had a flamboyant appearance, even when she left, she was aggressive, and her posture was as if she would never look back once she left.

Keeping his posture and walking out of the camera, the director called out blankly, Yu Chu restrained his emotions and turned his head.

Su Mo covered the slap print on her face, and didn't look up in order to look pitiful. She didn't raise her head until she heard the call, and pitifully waited for others to comfort her.

But she was dumbfounded and found that the staff all smiled admiringly at Yu Chu, and some even wiped their faces, "Oh my God, South American, you played so well, I understand this role a little bit."

Su Mo didn't see the girl's final expression, but everyone's reaction was the exact opposite of what she expected.

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