A Clash of Gods
Chapter 89: Sword in picture
Yang Ning pondered for a moment, carefully wrapped the long flute in black silk carefully, and put it in the drawer of the dressing table, and then came to the opposite room.
He thought that there was something in this room. After entering, he found that the room was empty. There was only a wooden board in the corner, and a pile of hay was randomly piled on the edge.
He walked over and found that in the corner of the wall, there were still two brushes and a inkstone. The ink inside the inkstone had already coagulated, and he reached for it, but it was just the most common inkstone. The ink inside the inkstone was already as hard as stone.
He was strange in his heart, thinking that there was a woman living here, could it be that this inkstone was also left by that woman?
I glanced at my eyes and suddenly found a yellowed paper on the ground. I picked it up and looked at it. The paper was very broken, but there seemed to be a picture drawn on it. The piece of paper was incomplete and I could n’t see clearly what was drawn on it. I was wondering what it was, but I saw that half a sheet of paper appeared under the haystack. At the moment, the hay was pulled away, and I saw that it was a mess of paper.
Yang Ning picked up a relatively complete piece of paper, got up and leaned over to the edge of the window. By looking at the moonlight, he found that it was really a small figure.
The painter is actually not very good, but it can be clearly seen that the villain in the painting seems to have a long sword in his hand, slanting upward, but his legs are slightly bent, and the movement is quite strange.
Yang Ning was suddenly stunned, thinking that the woman who lived in this yard even knew sword skills?
This picture is clearly a very strange sword move.
He turned around hurriedly and moved all the hay away in the past, and then picked up all the paper scattered in the ground, adding up to 40 or 50 sheets, which were thick and thick.
More than a dozen of them are broken, but most of them are still intact, but they are yellow and yellow. Yang Ning, holding the paper, went out and sat on the threshold in front of the door. He was not worried. It will be seen that people in the entire old house treat this courtyard as a ghost house, and no one dares to come near, let alone someone will suddenly come over the wall.
He looked through them one by one. Sure enough, these papers were all sword moves.
The villains on the paper painted very casually, but only roughly outlined the body of the hands, feet and body, that is, the long sword in that hand, and only a thin long line, but for the moves of the long sword, it was quite expressive.
Except for a few pictures, the movements of the people in the painting are normal, most of them are weird, some are lying on the ground, some are lying on the ground, some are lying on the ground, or squatting on the ground, or jumping or jumping, the changes in sword moves are also Bizarre.
In addition to practicing unarmed combat before Yang Ning ’s crossing, he naturally also practiced using weapons to shoot. Although he has not touched such a long sword, he has still used it. Both are long swords, although the difference in tricks is not small. But there are still similarities in many places.
But many of the moves in the picture are beyond the scope of their own familiarity.
He even felt that some moves were impossible at all, completely violating the laws of physical activity. For example, one of the moves was holding the sword with the right hand, but the right hand was raised above the head, while the long sword went around behind and slanted. Under the left hip, this movement looks unusually awkward. With normal swordsmanship, it is impossible to have such an unreasonable trick, and in Yang Ning's view, such a trick does not seem to have any lethal effect on the enemy.
He suddenly thought that there was a kind of swordsmanship not for hurting the enemy, but for performance. Many noblemen, and many dancers were raised in the house. Although many of the dances showed the femininity of women, there were still some Dance is very special, sword dance is one of them.
This kind of dance also shows its strength and fierceness in the feminine beauty of the woman. The dance is matched by swords, which is both rigid and soft, and has a unique beauty.
However, Jian Wu is created for dance after all. It only emphasizes the peculiar movement and beauty, but it has no practical value.
Yang Ning saw this strange sword move, plus a woman who once lived in this room, and immediately thought that these pictures might be a set of sword dances, or maybe the woman was lonely and bored here, so she would only spend her free time. Draw out this set of sword dance.
He thought about it, and picked up a wooden stick in the courtyard, imitating the movement just now, and also raised his right hand over the top, learning to wrap the stick from the top of his head to the back, and the stick tipped to his left hip. As soon as I got started, I felt awkward and extremely unnatural. Do not say that this action is easy to make, but it is necessary to take this action and it will take some time.
Waiting for this posture, Yang Ning felt like a fool, shook his head and smiled bitterly, thinking that he was a big man. If this is a sword dance, it would be danced by a woman. The flexibility of the woman's body may be able to perform this posture beautifully. , A big man himself, can't show beauty anyway.
He dropped the stick, sat down again, read a few more photos, and suddenly frowned, realizing a problem.
Looking at the paintings on this picture, it is full of strength, and although it is a very casual sketch, the stroke of the pen shows a sense of free and easy.
Yang Ning frowned.
He knows that the handwriting of men and women is actually very different. Most of the women ’s strokes are delicate and serious, and the brushstrokes are quite soft, but these sword stroke portraits are full of freehand and power, and the brushstrokes are very heavy. The brushes are different from the pens of later generations. The vellus hair is originally a soft thing. If it is not full of its own strength and able to move freely, a little force will make the handwriting take shape.
Although these portraits are free and easy, they are not in shape. Yang Ning looks more and more like a man's handwriting. He feels strange in his heart, thinking that he used to live in this courtyard.
Gu Qinghan said that once lived a woman, one thing is certain, the former owner of this yard must be a woman, even if someone is here to serve, it can only be a maidservant and a servant, it is impossible to let a man wait here, that man What is the relationship with the hostess in this yard?
He pondered and turned the paper. It didn't take long for his brain to shine, and he actually found a pattern in the painting paper.
Of these dozens of drawing papers, seven or eight are lying on the ground, and five or six are squatting on the ground. The sword movement that he saw before is not only one, one of them Zhang was quite similar to that one, but his right hand was held high above his head, but the long sword did not bypass his head backwards, but slanted to the left front, and the left hand was raised with a single palm, sticking to his forehead.
He groaned a little, and then dozens of pieces of drawing paper were sorted into categories, and all the lying down were put together, and the sword moves were similarly put together. After sorting for a moment, they were divided into six piles.
Intuition tells him that these sword moves are very strange, and it is not as simple as sword dance, I am afraid that there are other strange things.
Although there are also torn papers in it, Yang Ning tried to recover them as much as possible, and it was really impossible to recover them. He could only make judgments based on the remaining residual images.
After being divided into six piles, Yang Ning saw that the pieces of drawing paper lying on the ground were the most complete and intact, and carefully read the eight pieces of drawing paper.
When he sorted it out, he actually saw that the sword strokes of these eight pieces of drawing paper were obviously in front and behind, forming a whole, but there was no number on the picture quality, and it did not indicate which one to start with.
Thinking while arranging the order of the eight pieces of paper, the easiest thing to judge from these eight pieces of paper is the first one, lying on the ground, holding a piece in the right hand, and picking up the tip of the sword slightly, without much movement, it is easy to fall Judging from the hands-on style.
Yang Ning has practiced fighting. One thing he knows very well. Sometimes the most important part of a set of kung fu is the first move of the starting hand. Only when there is no mistake in the starting hand, can the subsequent moves be played out. There was an error at the beginning, then the second move immediately following will naturally have a deviation, so it will go wrong all the way.
Having determined the first move, Yang Ning felt quite strenuous in sorting out the following moves, just because every subsequent move was very weird, and the number of ways was not a sword move that ordinary people can think of, and one of them was The left leg lifted slightly, and the long sword actually passed under the leg, obliquely upward, and the posture was extremely strange.
He hopes to find the connection in the picture quality, for example, there is a very natural transition from this move to the next move, but the only common point of the eight stroke lying paper is that the body is lying down. What kind of contact can be found on the move ~ www.wuxiaspot.com ~ is really difficult.
Yang Ning ran over and picked up the wooden stick. He lay down on the steps in front of the door. He first held the wooden stick and picked it up according to his hand. He thought of the movement of the other seven pictures in his mind. The trick could come out naturally. He closed his eyes and thoughtlessly. For a long time, he suddenly lifted his arm and turned his wrist to the left. Before the wooden stick touched the body, he suddenly fell down and the whole action was like a picture. There was a Wu hook.
He opened his eyes and looked up slightly at his movements. He saw that the stick in his hand was almost straight with his right leg, only a slight deviation, and he hurriedly got up and looked at the drawing paper. His own action, but the long sword on the drawing is parallel to the right leg.
Although there was a slight deviation, Yang Ning was still quite excited. He thought about pondering for a long time, and finally came up with the conversion between the two moves. Although he did not know whether it was right or not, at least he still made an attempt. It seems simple, but if you can't go deep into it and think about how to better match the sword, you may not be able to do it.
In fact, Yang Ning didn't know whether the moves on these paintings were of any value at this time, or just that someone deliberately painted these weird movements to dispel boredom, and even those who painted these pictures might not be able to make these movements. However, Yang Ning thought again that this yard is strange and mysterious, which is full of mystery. This pile of painting paper is yellow and old, and it has been around for a long time. Since it is still in the house, there may be some ways in it.
He had inadvertently obtained the Liuhe Divine Power from Mu Shenjun and the Xiaoyao from the Skeleton. They all got it inadvertently. Liuhe Divine Power is needless to say, but Xiaoyao is a magical mystery. It is a pity if these paintings are really a swordsmanship, and if you ignore them and miss them.
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