A treasure-appraisal maniac

It is said that a person's height determines his vision and character, and this is absolutely true.

Now Lu Fei, money and power have become numb to him. In one sentence, he picked up a small foreign-style building worth several billion for nothing. Ordinary people would definitely go crazy with excitement, but there was no fluctuation in Lu Fei's heart. Just like an ordinary person eating two fried dough sticks at a breakfast restaurant and meeting a friend to help with the checkout, they won't be too touched.

Because two fried dough sticks are equally insignificant to ordinary people.

What can excite Lu Fei now are antiques with great collection value, because compared to wealth, antiques are Lu Fei's biggest hobby. Therefore, seeing this rare treasure in the world, "Thousands of Miles" "Picture of Rivers and Mountains", Lu Fei was much happier than getting the small foreign-style building.

The room was spacious enough, and the ten-meter-long scroll was fully unfolded on the carpet. Lu Fei first looked down from a high position to get a bird's eye view of the whole picture, then squatted down and carefully appreciated it frame by frame from the beginning, and his face also showed a natural look that he had not seen for a long time. smile.

This masterpiece can be divided into three major sections. From right to left, there is a poem inscribed by the mad emperor Qianlong, followed by a postscript written by Cai Jing of the Song Dynasty across the water, and an inscribed poem written by Li Puxian of the Yuan Dynasty on the end paper. .

Open the scroll cover and you will see three vermilion seals and the poem at the beginning.

At the beginning, the top of the mountain goes straight into the sky, and then there are rolling hills and lofty mountains. The scenery changes with every step, and gradually gets better.

The miraculous craftsmanship of nature emerges from the painter's brush. From the mountains and villages in the foreground, the peaks rise from the painting on the other side. The two wings slowly extend, facing the rising mountains far away, which serves as a beautiful successor.

There is a bridge across the river on the lower left side of the peaks and connects with the next group of scenery.

After climbing the double mountain, you can see the deep mansion, and you can see hermits in white everywhere, walking and stopping, as if composing poetry or composing music, and continuing to move forward, there is another bridge. Although this bridge has a small span, it is on the bridge. Build a gazebo.

Continuing forward, we are facing the river. The distant view is vast and undulating, like a fairyland.

After landing, the cliff mountain road winds and leads to the deep courtyard. The waterfalls in the mountains splash and flow into the river again. The scenery from high to far is fascinating. Where the mountains are gentle is a magnificent bridge across the river.

The cross-river bridge leading to the second section of the beautiful scenery is spectacular. It has wooden beams and columns with thirty-two pedals underneath. There is a palace-style two-story pavilion in the middle, which is like a rainbow. It is very spectacular.

The jagged rhythm of the peaks in this section is obviously intensified. Then the peaks turn to the left, the flat slope extends, and Qiongdao, which penetrates directly into the river, stretches out the momentum. Then, the close-up mountains and Jiangzhu Fishing Village are connected to Qiongdao.

connected to this

There are graceful peaks again, and there are quaint small bridges and bridges with pavilions in the villages in the mountains mentioned in the poem at the front of the volume, clustering around the peaks of the whole volume, seeming to reach the sky, reaching a climax.

The peaks on the left side of the peak complement the winding river flowing deep into the painting. They play a turning role and become the knot of the second section.

Walking here has endless meanings. You can step ashore from the cross-river bridge, with buildings lined up on both sides. You can climb over the mountains, walk through the valleys, and then climb up the mountains to see a plain with scattered villages and houses.

The cliffs on the edge of the plain are quite dangerous, but the mountains on the other side give the village an incomparable sense of security.

However, this village seems to be isolated and cannot lead to the next place. Return to the original path and enjoy the scenery. The villages in the valley, the fishing boats on the river beach, and the carefree and secluded life attract boatmen to continue their journey.

The boat is in the water, and you can see that the two mountains across the water are echoing each other, like the Cowherd and the Weaver Girl across the Milky Way. Although they try their best to lean towards each other, they are difficult to touch.

The green flat land on the shore is full of life, and the fishing boats dotted on the shore seem to be shouting from the fishermen. After trekking over mountains and ridges, I stood below the peak. Although I felt like climbing, it was difficult to have the courage to climb.

The third section reverses the tense twists and turns of the previous section, and the rhythm is gentle, instantly eliminating the tension.

There is a small island in the painting, with fishing villages spread out under the island and dotted with fishing boats, which turn the momentum downward and serve as a continuation of the momentum.

The lower left part of the scroll depicts a close-up view of the bank connected to it, serving as a transition. The left end of the scroll depicts a protruding peak, extending upward across the river and distant mountains, tying up the rising momentum and summarizing the entire volume.

From the presentation of the scroll landscape, we can get a glimpse of the royal family's pursuit of longevity in the Song Dynasty.

The concepts of health preservation and immortality pursued by Taoism met the needs of the royal family.

In the green landscape, the actual landscape is processed using colors such as azurite and stone green that cannot be seen in reality, and to a certain extent, it shows people's imagination of overseas fairy mountains that hold the secret of longevity.

This masterpiece depicts the natural scenery in detail and realistically, and is more closely integrated with human activities, showing a broader aspect of social life.

The natural scenery deliberately depicted in the painting not only generally expresses the majestic atmosphere of endless mountains, water and sky, but also carefully outlines the endless changes in nature such as secluded rocks and deep valleys, flat slopes of peaks, flowing streams, flying springs, waves and mist. The state makes the thousands of miles of mountains and rivers both open and boundless, and also twists and turns, fully demonstrating the magnificence and variety of China's mountains and rivers.

At the same time, many character activities are arranged in the natural environment, and life scenes such as water villages and wild markets, fishing boats and yachts, bridges, waterwheels, thatched pavilions, etc. are carefully depicted, as well as quite real fishing scenes. It reflects nature with ordinary, daily life and labor scenes. It is said that a person's height determines his vision and character, and this is absolutely true.

Nowadays, Lu Fei has become numb to money and power. He picked up a small foreign-style building worth several billion for nothing. If he were an ordinary person, he would go crazy with excitement, but there was no fluctuation in Lu Fei's heart. Just like an ordinary person eating two fried dough sticks at a breakfast restaurant and meeting a friend to help with the checkout, they won't be too touched.

Because two fried dough sticks are equally insignificant to ordinary people.

What can excite Lu Fei now are antiques with great collection value, because compared to wealth, antiques are Lu Fei's biggest hobby. Therefore, seeing this rare treasure in the world, "Thousands of Miles" "Picture of Rivers and Mountains", Lu Fei was much happier than getting the small foreign-style building.

The room was spacious enough, and the ten-meter-long scroll was fully unfolded on the carpet. Lu Fei first looked down from a high position to get a bird's eye view of the whole picture, then squatted down and carefully appreciated it frame by frame from the beginning, and his face also showed a natural look that he had not seen for a long time. smile.

This masterpiece can be divided into three major sections. From right to left, there is a poem inscribed by the mad emperor Qianlong, followed by a postscript written by Cai Jing of the Song Dynasty across the water, and an inscribed poem written by Li Puxian of the Yuan Dynasty on the endpaper. .

Open the scroll cover and you will see three vermilion seals and the poem at the beginning.

At the beginning, the top of the mountain goes straight into the sky, and then there are rolling hills and lofty mountains. The scenery changes with every step, and gradually gets better.

The miraculous craftsmanship of nature emerges from the painter's brush. From the mountains and villages in the foreground, the peaks rise from the painting on the other side. The two wings slowly extend, facing the rising mountains far away, playing a beautiful role in inheriting the painting.

There is a bridge across the river on the lower left side of the peaks and connects with the next group of scenery.

After climbing the double mountain, you can see the deep mansion, and you can see hermits in white everywhere, walking and stopping, as if composing poetry or composing music, and continuing to move forward, there is another bridge. Although this bridge has a small span, it is on the bridge. Build a gazebo.

Continuing forward, we are facing the river. The distant view is vast and undulating, like a fairyland.

After landing, the cliff mountain road winds and leads to the deep courtyard. The waterfalls in the mountains splash and flow into the river again. The scenery from high to far is fascinating. Where the mountains are gentle is a magnificent bridge across the river.

The cross-river bridge leading to the second section of the beautiful scenery is spectacular. It has wooden beams and columns with thirty-two pedals underneath. There is a palace-style two-story pavilion in the middle, which is like a rainbow. It is very spectacular.

The jagged rhythm of the peaks in this section is obviously intensified. Then the peaks turn to the left, the flat slope extends, and Qiongdao, which penetrates directly into the river, stretches out the momentum. Then, the close-up mountains and Jiangzhu Fishing Village are connected to Qiongdao.

connected to this

There are graceful peaks again, and there are quaint small bridges and bridges with pavilions in the villages in the mountains mentioned in the poem at the front of the volume, clustering around the peaks of the whole volume, seeming to reach the sky, reaching a climax.

The peaks on the left side of the peak complement the winding river flowing deep into the painting. They play a turning role and become the knot of the second section.

Walking here has endless meanings. You can step ashore from the cross-river bridge, with buildings lined up on both sides. You can climb over the mountains, walk through the valleys, and then climb up the mountains to see a plain with scattered villages and houses.

The cliffs on the edge of the plain are quite dangerous, but the mountains on the other side give the village an incomparable sense of security.

However, this village seems to be isolated and cannot lead to the next place. Return to the original path and enjoy the scenery. The villages in the valley, the fishing boats on the river beach, and the carefree and secluded life attract boatmen to continue their journey.

The boat is in the water, and you can see that the two mountains across the water are echoing each other, like the Cowherd and the Weaver Girl across the Milky Way. Although they try their best to lean towards each other, they are difficult to touch.

The green flat land on the shore is full of life, and the fishing boats dotted on the shore seem to be shouting from the fishermen. After trekking over mountains and ridges, I stood below the peak. Although I felt like climbing, it was difficult to have the courage to climb.

The third section reverses the tense twists and turns of the previous section, and the rhythm is gentle, instantly eliminating the tension.

There is a small island in the painting, with fishing villages spread out under the island and dotted with fishing boats, which turn the momentum downward and serve as a continuation of the momentum.

The lower left part of the scroll depicts a close-up view of the bank connected to it, serving as a transition. The left end of the scroll depicts a protruding peak, extending upward across the river and distant mountains, tying up the rising momentum and summarizing the entire volume.

From the presentation of the scroll landscape, we can get a glimpse of the royal family's pursuit of longevity in the Song Dynasty.

The concepts of health preservation and immortality pursued by Taoism met the needs of the royal family.

In the green landscape, the actual landscape is processed using colors such as azurite and stone green that cannot be seen in reality, and to a certain extent, it shows people's imagination of overseas fairy mountains that hold the secret of longevity.

This masterpiece depicts the natural scenery in detail and realistically, and is more closely integrated with human activities, showing a broader aspect of social life.

The natural scenery deliberately depicted in the painting not only generally expresses the majestic atmosphere of endless mountains, water and sky, but also carefully outlines the endless changes in nature such as secluded rocks and deep valleys, flat slopes of peaks, flowing streams, flying springs, waves and mist. The state makes the thousands of miles of mountains and rivers both open and boundless, and also twists and turns, fully demonstrating the magnificence and variety of China's mountains and rivers.

At the same time, many character activities are arranged in the natural environment, and life scenes such as water villages and wild markets, fishing boats and yachts, bridges, waterwheels, thatched pavilions, etc. are carefully depicted, as well as quite real fishing scenes. It reflects nature with ordinary, daily life and labor scenes.