A treasure-appraisal maniac

Divine objects are the nemesis of identification instruments. In the past, instrument identification required the collection of samples, which not only caused damage to the item itself, but was also its biggest drawback.

When encountering a divine object, people collect samples from the real part and scan them, and the final result can be imagined.

In the past, high-end counterfeiters usually used it to harm foreigners and big bosses who liked to show off but knew little about antiques. However, there were not many such opportunities. The market prospects are average, but even those professional counterfeiters did not expect that the rise of identification instruments would bring them unprecedented opportunities.

Antiques from the golden age of troubled times. Nowadays, people's pockets are bulging, and more and more people like to collect them. But when people really want to get involved in this industry, they find that it is not that simple at all.

First of all, when it comes to collecting objects, you have to know the authenticity of the thing. After wasting a long time and collecting a fake, not only is it meaningless, but it will also be embarrassing if it is spread out!

Every collector hopes to receive genuine products, but not every collector is an expert in appraisal. What if you still want to collect if you don’t have that ability?

This requires asking for help.

But today’s treasure appraisal experts, more than 90% of them are fakes. There are too many jokes in various treasure appraisal columns. I believe they are idiots!

Except for those pseudo-experts who waste their fame and popularity, truly capable professionals are really hard-to-find and sought-after commodities that ordinary people cannot come into contact with. Even if they do encounter them, the high appearance fees of these experts will deter them. , Therefore, the most advanced identification instruments on the market have become their only choice. After all, the latest instruments like carbon 14 are still recognized by experts.

It is under this circumstance that for a period of time, the carbon 14 identification certificate became the authoritative certification of the genuine transaction of antiques. As long as there is a carbon 14 instrument identification certificate from a professional department, the object in your hand is authentic.

This situation became popular, and those professional counterfeiters who made divine items immediately became climax. One after another divine antiques passed the carbon 14 certification and were sold as genuine at high prices. There was no hindrance. Those counterfeiters only dreamed of it. None of them thought that their industry would also encounter a bull market. For a moment, the counterfeiters were so excited that their whole bodies trembled, their hands cramped even when counting money, and they were very motivated to work.

Against this background, China's collecting community has ushered in an unprecedented climax. This grand situation has lasted for more than a year and nearly two years. Finally, someone

Found something was wrong.

At that time, Mr. Ji Changsheng, an authoritative expert who had just retired from the Yangzhou Museum and took over as the president of the Yangzhou Collection Association, learned about the sudden rise of the Chinese collecting community through newspapers and news, and always felt that something was wrong.

Mr. Ji is a true expert. He knows much more about the Chinese collecting industry than ordinary experts.

In China, collecting is a high-end and high-end activity. Why is it called high-end? Because the difficulty of collecting is too high, and it is simply not something that ordinary people can do.

In China, the vast majority of authentic items are in museums around the world, and the rest are in the hands of early collectors. There are no decent items on the market, such as supermarkets like Panjiayuan Liulichang. , only one or two decent objects have been produced for several years. It is conceivable that genuine objects are hard to come by.

In fact, this is a normal phenomenon. It is precisely because real old objects are so rare that they have collection value. This is why rare things are valuable.

But Ji Changsheng discovered that today's collection industry runs counter to the laws of the market. In the past, there would not be one or two real transactions in the newspapers a year, but now it is better. News about successful antique transactions are published in the newspapers almost every day. There was more than one at that time, which was too suspicious.

When did antiques become more common than Chinese cabbage? There must be something wrong with it.

Ji Changsheng happened to be bored at home, so he simply went out to investigate for himself. Soon, the old man understood what was going on.

The older generation of experts only believed in their own experience and eyesight, and did not care about the instruments at all. They did not believe that the instruments were more powerful than people's decades of experience. Therefore, Ji Changsheng suspected that the problem lay with the instruments.

So Ji Changsheng called a few close friends in the industry and came to an appraisal agency to work there. Within two days, he came across an opportunity.

On this day, two groups of buyers and sellers came to the appraisal agency for instrument appraisal. As long as the appraisal certificate showed that there was no problem, the transaction could be completed on the spot.

What they identified was a folk kiln famille rose double-crane water-drawing Ruyi vase from the Qianlong period of the Qing Dynasty. After instrument identification, it was not dated to the Qianlong period, but it was a folk kiln porcelain from the Jiaqing period of Qianlong's son, even if it was Jiaqing. Years ago, this thing was worth 70,000 to 80,000 yuan. There was no problem with the appraisal. The appraisal agency immediately produced the certificate, and both the buyer and seller were happy.

But at this moment, Mr. Ji Changsheng stood up: "Guys, can you give me a look at this thing?" The divine object is the nemesis of identification instruments. In the past, instrument identification required the collection of samples, which not only It will cause damage to the item itself, which is its biggest drawback.

When encountering a divine object, people collect samples from the real part and scan them, and the final result can be imagined.

In the past, high-end counterfeiters usually used it to harm foreigners and big bosses who liked to show off but knew little about antiques. However, there were not many such opportunities. The market prospects are average, but even those professional counterfeiters did not expect that the rise of identification instruments would bring them unprecedented opportunities.

Antiques from the golden age of troubled times. Nowadays, people's pockets are bulging, and more and more people like to collect them. But when people really want to get involved in this industry, they find that it is not that simple at all.

First of all, when it comes to collecting objects, you have to know the authenticity of the thing. After wasting a long time and collecting a fake, not only is it meaningless, but it will also be embarrassing if it is spread out!

Every collector hopes to receive genuine items, but not every collector is an expert in appraisal. What if you still want to collect if you don’t have that ability?

This requires asking for help.

But today’s treasure appraisal experts, more than 90% of them are fakes. There are too many jokes in various treasure appraisal columns. I believe they are idiots!

Except for those pseudo-experts who waste their fame and popularity, truly capable professionals are really hard-to-find and sought-after commodities that ordinary people cannot come into contact with. Even if they do encounter them, the high appearance fees of these experts will deter them. , Therefore, the most advanced identification instruments on the market have become their only choice. After all, the latest instruments like carbon 14 are still recognized by experts.

It is under this circumstance that for a period of time, the carbon 14 identification certificate became the authoritative certification of the genuine transaction of antiques. As long as there is a carbon 14 instrument identification certificate from a professional department, the object in your hand is authentic.

This situation became popular, and those professional counterfeiters who made divine items immediately became climax. One after another divine antiques passed the carbon 14 certification and were sold as genuine at high prices. There was no hindrance. Those counterfeiters only dreamed of it. None of them thought that their industry would also encounter a bull market. For a moment, the counterfeiters were so excited that their whole bodies trembled, their hands cramped even when counting money, and they were very motivated to work.

Against this background, China's collecting community has ushered in an unprecedented climax. This grand situation has lasted for more than a year and nearly two years. Finally, someone

Found something was wrong.

At that time, Mr. Ji Changsheng, an authoritative expert who had just retired from the Yangzhou Museum and took over as the president of the Yangzhou Collection Association, learned about the sudden rise of the Chinese collecting community through newspapers and news, and always felt that something was wrong.

Mr. Ji is a true expert. He knows much more about the Chinese collecting industry than ordinary experts.

In China, collecting is a high-end and high-end activity. Why is it called high-end? Because the difficulty of collecting is too high, and it is simply not something that ordinary people can do.

In China, the vast majority of authentic items are in museums around the world, and the rest are in the hands of early collectors. There are no decent items on the market, such as supermarkets like Panjiayuan Liulichang. , only one or two decent objects have been produced for several years. It is conceivable that genuine objects are hard to come by.

In fact, this is a normal phenomenon. It is precisely because real old objects are so rare that they have collection value. This is why rare things are valuable.

But Ji Changsheng discovered that today's collection industry runs counter to the laws of the market. In the past, there would not be one or two real transactions in the newspapers a year, but now it is better. News about successful antique transactions are published in the newspapers almost every day. There was more than one at that time, which was too suspicious.

When did antiques become more common than Chinese cabbage? There must be something wrong with it.

Ji Changsheng happened to be bored at home, so he simply went out to investigate for himself. Soon, the old man understood what was going on.

The older generation of experts only believed in their own experience and eyesight, and did not care about the instruments at all. They did not believe that the instruments were more powerful than people's decades of experience. Therefore, Ji Changsheng suspected that the problem lay with the instruments.

So Ji Changsheng called a few close friends in the industry and came to an appraisal agency to work there. Within two days, he came across an opportunity.

On this day, two groups of buyers and sellers came to the appraisal agency for instrument appraisal. As long as the appraisal certificate showed that there was no problem, the transaction could be completed on the spot.

What they identified was a folk kiln famille rose double-crane water-drawing Ruyi vase from the Qianlong period of the Qing Dynasty. After instrument identification, the age was not that of the Qianlong period, but it was a folk kiln porcelain from the Jiaqing period of Qianlong's son, even if it was Jiaqing. Years ago, this thing was worth 70,000 to 80,000 yuan. There was no problem with the appraisal. The appraisal agency immediately produced the certificate, and both the buyer and seller were happy.

But at this moment, Mr. Ji Changsheng stood up and said, "Guys, can you give me a look at this thing?"