All People: Unparalleled Painter, Copying Ragnarok!

Chapter 109: The Man In The Painting

After planting the world tree, the stone that Lin Ming planted in his heart was considered to have fallen.

It would be too wasteful to make such a treasure into a weapon, it would be better to plant it in a secret realm.

When Lin Ming arranged the migration of the monsters this time, he found six areas, five of which were divided by the attributes of the monsters, namely attack, defense, speed, magic power, and spiritual power.

This sixth area is right in the middle of the other five areas.

The World Tree is planted in the sixth area. Lin Ming is still very serious about the World Tree. If he wants to enter the area where the World Tree is located, he must first cross the five Warcraft territories.

After crossing the territories of the five monsters, they still need to cross the mountains, and the sixth area is hidden deep in the mountains.

In addition to these methods, Lin Ming has other security methods. He intends to put five paintings here.

Thinking of this, Lin Ming took out a painting from his body, on which was the five-clawed golden dragon that Lin Ming had created not long ago.

The five-clawed golden dragon can be stored in the painting, or it can come out of the painting. Although Lin Ming can't see the class, but according to Lin Ming's strength, the five-clawed golden dragon's strength is at the fifth level.

It is barely enough to let it guard the world tree.

"It's better to draw more pictures."

Lin Ming muttered to himself, and then took out the drawing board.

This time I came here specially for other purposes besides planting the world tree.

The third-level ability of the experimental artist [everything drawn comes true] is in it.

"Try painting a mountain this time. Doesn't everything you paint come true? What happens if I paint a lifeless thing?"

Lin Ming picks up a pen and starts drawing, and the reference object is the mountains in front of him.

Concentrated, with no other distractions, Lin Ming entered the state as soon as he picked up the pen.

Not to mention that drawing with reference objects is indeed faster.

It took about half an hour to finish painting a mountain. During the painting process this time, Lin Ming deliberately added a lot of details.

For example, there is a pavilion on the mountainside, a temple on the top of the mountain, and there are three people in the temple.

After finishing the painting, Lin Ming patted the painting with his right hand, and the ink on the painting flew out automatically.

When the ink flew into the air, a mountain really appeared out of thin air.

Looking at the towering mountains in front of him, Lin Ming took the Tianxiao Qinglu back into the imperial spirit bag with great interest, and the Purple wings condensed with magic power appeared behind him, and he soared into the sky.

Lin Ming looked at the mountain thoughtfully, because it is difficult to reflect the height of the mountain because of the painting, so he painted clouds on the top of the mountain.

This is perfectly expressed.

"I just don't know if the three people on the top of the mountain will show up."

Lin Ming felt more and more interesting.

If all three of them appeared, wouldn't it be possible for him to create a kingdom without people by drawing?

If it works, it's really possible.

After thinking about it, Lin Ming was already halfway up the mountain.

He drew a pavilion halfway up the mountain, walked around halfway up the mountain, and found the pavilion as expected.

Entering the pavilion, Lin Ming reached out to touch the pavilion pillars.

Bang bang bang.

Hearing that it was made of solid wood, Lin Ming punched the pillar of the pavilion, and the pillar burst apart, exposing the mahogany inside.

This mahogany is obviously a detail that cannot be drawn, but after it is realized, it automatically completes the details.

Soon Lin Ming was surprised to find that Tingzhu slowly recovered.

Seeing this, Lin Ming was thoughtful, but he didn't think too much, and urged Tian Yu Jue to continue upward.

Soon through the clouds, I saw a temple.

Flying in the air, Lin Ming could clearly see a young monk sweeping the floor, an old monk reciting scriptures, and another monk chopping firewood.

This is the same as in Lin Ming's painting.

The moment he saw the little monk, Lin Ming realized that he could control his actions.

This feeling is very strange, it is not controlling the spirit, but the spirit directly enters the little monk's body, and I can and control him.

"I see."

Seeing this situation, Lin Ming already knew what it meant that everything he painted came true.

Slowly falling in front of the temple, Lin Ming pushed the door open and entered.

For Lin Ming's sudden intrusion, the three monks acted as if they couldn't see them, they just concentrated on doing their own things.

Just like Lin Ming's paintings.

The three monks ignored Lin Ming, and Lin Ming didn't feel anything. He stepped forward to pick up the teacup on the table, poured himself a cup of tea, and drank it down in one gulp.

Water is real.

Everything here is true.

Although the three monks in front of them ignored themselves, they did have a heartbeat and a pulse.

Everything that Lin Ming can draw is real, but there is one thing that Lin Ming cannot draw by himself, and that is emotion, or emotions.

In the process of painting the temple, Lin Ming only thought about what the monks should be doing, but did not think about what emotions and emotions they should have.

So the things that are manifested now have no emotions and emotions. They are like Lin Ming's arrangement, and they are doing repetitive work.

Of course, Lin Ming can also control the three monks to do other things at the same time, it can be done.

But if you don't control them, they will always maintain the appearance in their paintings, and will always maintain it.

Lin Ming looked at the old monk, and a prompt box appeared in front of him.

[To give emotions, you need to consume 100 creation points]

It doesn't take much to create points, because the old monk has no fighting ability, he is just a Common person described by Lin Ming.

The more powerful an existence is, the more creative points it can give emotionally.

This is where the gap between the skills of [Everything Drawn Comes True] and [Flowers in the Mirror and Moon in the Water] lies.

The things drawn by Jinghua Shuiyue are themselves. They have their own memories and skills, and they are almost another him.

The disadvantage of the skill is that the drawn things are limited by the ontology, and there is no room for improvement.

The body is what it is, it is impossible to improve, no matter how much resources are consumed, it is useless.

But it is obviously not the case that everything he draws comes true. The things he draws are real. If you give them feelings, then they are real people.

They will not be restricted without a body. In other words, they can undergo job transfer awakening and improve their strength step by step.

If they are qualified enough and have enough resources, it is not impossible to break through to the ninth level.

And compared to the Common people, the drawn people have another advantage, that is, they will not die.

Just halfway up the mountain, Lin Ming broke the pillar, but the pillar slowly recovered.

There is a deep meaning in it, even if the mountain is destroyed, it does not mean that they are dead, they just returned to the painting.

They will reappear after the painting's cooldown time has elapsed.

There are only two ways to limit them.

The first is to control the original painting, which is the piece of paper that Lin Ming painted on.

The second is Lin Ming itself.

Everything in front of him was actually drawn by Lin Ming, so he can also modify it in the same way.

Lin Ming looked at the mountain peak and covered it with one hand. When he let go of his hand again, the mountain peak had disappeared without a trace.

"Sure enough." Lin Ming stood up and looked at the three monks and said, "You should be called the people in the painting."

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