Antiques with golden eyes

The audience was very quiet at this moment, because everyone in the hall focused their attention on Shen Yu and Zhang Qiyun.

Shen Yu has long been accustomed to this kind of situation, and he can do it without changing his expression, his hands not shaking, and his heart not beating wildly.

But Zhang Qiyun was different. He was obviously a little nervous and didn't know where to put his hands and feet.

Shen Yu was quite confused when he saw this, "Zhang Qiyun has a weird temper, and his emotions, anger, and tension are all reflected on his face. I don't know if it's intentional or if he really has a bad mental quality!"

At this time, Zhang Qiyun still looked sad. Shen Yu thought to himself: "Let's assume that he is innocent at heart but just ignorant of the ways of the world. The sad face he is showing now should mean that there is something wrong with this big jar. It's just that. Because the time is too short and I can’t find anything wrong. No matter what, as long as I identify it myself, then nothing will matter.”

Since there was no major problem with the porcelain itself, Shen Yu calmed down and decided to continue looking at the pictures on the jar.

After carefully observing it for dozens of seconds, Shen Yu felt that there was nothing wrong with the drawing of the big can.

First of all, Han Gan doesn’t draw thin horses, that is, he doesn’t draw thin horses.

Of course, this does not mean that Han Gan cannot paint, but it has something to do with the aesthetics of the Tang Dynasty.

The belief that fatness is beautiful in the Tang Dynasty is not just a legend, but a conclusion drawn from many ancient calligraphy and paintings, murals, tombs, and ancient books.

This is true for people, and so is the horse. The horses in Han Gan's works are all in great shape. The horse on this Yuan blue and white vase has long limbs, fur like satin, and is carrying an extremely powerful horse. From this point of view, there is no problem at all. .

Many people may ask, the painting on this porcelain was not painted by Han Gan, so why did Han Gan have to be mentioned during the appraisal?

The doorway is huge here.

Antique stores pay attention to details that determine the result, and they also pay attention to starting from the buyer's position.

What did you buy?

What I bought is a large blue and white jar of Han Gan’s paintings of horse characters and stories!

Since you bought a large blue and white jar of Han Gan's paintings of horses, the drawing on the jar must be similar to Han Gan's paintings of horses. It doesn't have to be a full image, but at least the painting style should be somewhat correct.

If you don't touch it at all, then buying it is like getting it wrong, and others won't recognize it if you sell it out. Your majestic Yuanqinghua has no artistic value at all, so why is it worth the money?

Continuing to look down, the boy is wearing a typical Tang Dynasty futou, and the brocade clothes he is wearing are broad-sleeved broad robes. The Confucian scholars are also wearing ordinary clothes. There are no problems with the characters' clothing.

Details determine success or failure. From the above points, there is no big problem, or even no problem.

Looking at the other party again, Shen Yu found that Zhang Qiyun's expression had changed, and there was even a bit of a smile on the corner of his mouth. Shen Yu thought to himself, "The expression of Zhang Qiyun has relaxed a lot. He must have seen something. I don't want to Okay, let’s take a look at it with the Treasure Appraisal Golden Eye first.”

When Shen Yu was observing Zhang Qiyun, the other party was also observing him in reverse.

Although Zhang Qiyun's expression returned to calmness, he took a breath of cold air in his heart.

Because Shen Yu's subtle expressions and mood swings put a lot of pressure on him!

It's true that Zhang Qiyun frowned, but in fact he didn't see anything. All his facial expressions and body movements were to confuse Shen Yu. In his eyes, this big jar was a real Yuan Dynasty piece. Character story blue and white jar.

But now the problem is coming. Shen Yu has noticed something is wrong, but he has not. What should we do?

The last time he flipped the table against the big bosses of the Dongjiang Collection Association was really not what he wanted to do. Someone was instigating him to do it behind the scenes.

Of course, he didn't have no choice, but in the end he still chose to offend because he couldn't refuse the benefits the other party offered him.

The benefits this time are even greater. Not only are the antique rewards given by the bosses of both sides, but the figures behind him are not only many, but more than the rewards, but the premise of everything is that he has to win another game.

Faced with Shen Yu, Zhang Qiyun was a little scared to be honest, because Shen Banzhang's reputation was so great that it made him feel invincible. But that didn't mean that things were impossible to do. After all, the Shen family He is only good at appraising calligraphy and paintings, but he may not be as good as his own in porcelain, jade, bronze, and various miscellaneous items.

Naturally, Shen Yu didn't know Zhang Qiyun's tangled psychology. When he was about to use the golden eye to identify the blue and white jar, he suddenly found the problem.

There seems to be something wrong with the wishful thinking that this young man is holding!

Those who have their wishes are auspicious and happy!

The heyday of Ruyi's development was the Ming and Qing dynasties, but Ruyi has been popular since the Han Dynasty.

Ruyi in the Han Dynasty should be called "not asking for help", which is what people call "itchy scratching". At that time, the handle of Ruyi was in the shape of a finger. When you couldn't grasp it with your hands, you could use this tool to scratch your heart a few times. Ruyi, so it is called Ruyi.

During the Wei and Jin Dynasties, Ruyi was a tool symbolizing longevity.

In the Tang Dynasty, Ruyi was also very popular, and Wu Zetian's second reign title after becoming emperor was: Ruyi.

Emperor Xuanzong of the Tang Dynasty also gave Yang Yuhuan a jade to attract good luck and avoid disaster, as well as to escape the heat and rest his mind.

The Ruyi pattern on this large jar is in the shape of Ganoderma lucidum, the head is in the shape of a cirrus cloud, and the body of the jar also has patterns such as auspicious clouds, copper coins, longevity peaches, etc.

Seeing this, thoughts flashed through Shen Yu's starry eyes, "Why is this Ruyi jade in this shape exactly the same as the Ruyi jade from the Ming Dynasty that I saw in Li's shop?

“Not only the shape but also the charm and craftsmanship are very similar!”

The more they looked, the more they resembled each other. Shen Yu already knew that he had found the problem.

Ganoderma lucidum is a longevity-enhancing herb, as is the longevity peach, both of which bring good fortune and longevity. Copper coins represent wealth.

In the Ming and Qing Dynasties, in addition to the meaning of longevity, Ruyi also had the connotation of increasing blessings and wealth.

The previous wishful thinking did not mean wealth and wealth.

Say it silently to appraise the treasure.

Whoa!

A group of dark blue precious light slowly floated out three inches above the large jar. It started to rise from one inch, and settled down after rising for six times.

After a few seconds, it decreased slightly, and finally turned into a ball of light the size of a walnut and settled on the large jar.

Six inches of precious light, one inch for a hundred years, is six hundred years.

The dark blue treasure light has decreased by three centimeters, which means that it should be after the orthodoxy, and the specific time should be around the Chenghua period of the Ming Dynasty.

Emperor Chenghua was the eighth emperor of the Ming Dynasty. He was the eldest son of Zhu Qizhen, the Yingzong of the Ming Dynasty, and the husband of the famous concubine Wan Zhen'er in history.

After seeing this, Shen Yu was convinced, "Sure enough, something is wrong. It's just that the blue and white porcelain of the official kiln of Chenghua in the Ming Dynasty was the last batch of official kiln porcelain to use the imported green material Suma Liqing. From this point of view, everything is in line with common sense."