Become a dramatist from today

"Qin Bing, take a good look. Brother Thirteen's acting skills are very good." Wen's mother said.

Wen Yubing, who plays the young Cheng Dieyi, is almost 16. He has almost completed the establishment of three concepts. He also has a deep understanding of what the three characters Huang Baiyou represent.

Unlike the younger Xiao Peanut (young Cheng Dieyi) who likes to follow behind his beautiful sister Li Menglu, Wen Yubing follows Huang when he has time.

"Brother Yuan, the suggestion I made a few days ago - I think it's okay." Li Menglu found Master Yuan Xiang.

"Oh? That's good." Master Yuan Xiang didn't understand why he suddenly changed his mind, but it would be nice if he could cooperate.

"Then from now on." Master Yuan Xiang called Li Menglu Juxian. He proposed to use the title in the play during filming, so that the two of them could get into the scene better.

He has also made an agreement with all the actors except Huang Baiyou about this.

Why not lobby with Huang Bai... Master Yuan Xiang always felt that Huang Shisan's performance was too artistic to be played.

That's right, even though Yuan Xiangshi is already the actor himself, he still thinks that he and Huang Baiyou are not in the same dimension, and he doesn't know where this view comes from.

"Stop drinking, Teacher Dong, please stop drinking," the floor attendant came over to stop him.

The liquid gurgled into Dong Gong's mouth, his eyes were filled with drunkenness.

The stage manager continued, "You have almost finished the mineral water prepared by the crew."

"What do you know? I'm just looking for a feeling." Dong Gong said.

The background of the next shooting was Duan Xiaolou's hero saving the beauty in Huamanlou, and Juxian "forcing the palace" with bare feet, allowing Xiaolou to assume the identity of his unmarried wife.

One line can describe Cheng Dieyi's mood, "Huang Tianba can't act in the scene with the prostitute, the master has never taught him."

Originally, Fourth Master Yuan wanted to cultivate Cheng Dieyi and Duan Xiaolou, but the latter chose Juxian among Xiqu (junior brother) and Juxian.

"I am the fake overlord, you are the real Concubine Yu." With these words, he led Juxian away from the theater, so Cheng Dieyi accepted Master Yuan's invitation in despair.

Fourth Master Yuan and Cheng Dieyi were drunk and played "Farewell My Concubine" in the yard.

Everyone is in their positions, Director Yu Mo says, "Start!"

The Fourth Master Yuan, played by Dong Gong, staggers and is a little unsteady on his feet.

"The Han soldiers have captured the territory." Huang Baiyou was also in a state of drunkenness. The light illuminated the outline of his figure, which was so graceful that his movements seemed to step on the top of people's hearts.

It’s weird to use the word graceful to describe a man, but it’s true that Huang Baiyou’s current figure—a celebrity figure is really good.

Huang Baiyou specially shaped his body for this role, and Dong Gong's eyes lit up as he played opposite him.

"Da! Da!" Mr. Yuan Si, played by Dong Gong, was very happy because Cheng Dieyi agreed to be his confidante. He was very happy and shook his head in time to the lyrics.

"The king is exhausted with the sound of songs from all sides..."

Combined with the previous plot "I am the fake overlord, you are the real Yu Ji", Huang Baiyou's lyrics are drunk and crying, and the vibrato makes people feel his heartbreak.

"What a waste of time!"

Mr. Yuan Si, played by Dong Gong, was about to take the next line when he saw Huang Baiyou pulling out his sword and trying to kill himself.

"Don't move!" Fourth Master Yuan saw Huang Baiyou's desperate little eyes, and his nervousness could not be expressed in his words, and he said quickly, "This is a real guy."

Yu Mo in the monitoring room mobilized the photographer and signaled the camera to give a close-up shot in advance. Originally, he only planned to move forward with tears at the end, but because Huang Baiyou's expression was too sad, he had to give a long shot.

Huang Baiyou holds the sword across his neck with his right hand and gently lifts the sword spike with his left hand. The basic skills of Peking Opera are engraved in his bones. Even when he commits suicide, the character Cheng Dieyi he plays at this moment seems to have become a real Yu Ji.

No, when Dong Gong started reading the script, he was a little confused. Why did Fourth Master Yuan smile here to lighten the atmosphere? It seems not.

Now I know, the real Yu Ji is in front of me, it’s a good show.

"Hey!" Huang Baiyou dropped his sword, stared straight ahead, and shed tears.

I am originally a boy, not a girl. Huang Baiyou was fascinated by the idea that when he was a young boy learning opera, Cheng Dieyi would always make mistakes when singing "Sifan", and then his master and his brothers would correct him and even put a pipe in his mouth.

Later, he finally sang correctly - "I am a female Jiao'e, but I am not a man", but no one cared about him.

"A smile will last forever, a cry will last forever." Dong Gong was reading the script. He originally felt that this line was a bit exaggerated. After all, Huang Baiyou has never been a star with stunning looks.

But at present, Huang Baiyou's tearful eyes are like fireflies in the dark night, flying away and disappearing at the slightest sound.

"This situation belongs only to you, and this appearance belongs only to you." Dong Gong said this line without any hindrance.

At the end of this scene, Yu Mo was quite satisfied.

"Okay, okay! Prepare for the next one." Yu Mo said.

"Hufufu——" Dong Gong gasped for air, letting himself go.

Huang Baiyou also froze in place and did not recover for a long time.

"Thirteenth Brother's figure..." Wen Yubing comes from a family of Peking Opera. Experts know the ropes, but laymen only watch the excitement.

He looked at his mother in surprise, trying to get a more accurate answer.

"Finger style and Si style - they are completely based on Peking opera actors who have been immersed in Peking opera for many years." Wen's mother said that when she was young, she was also a good performer in the local Peking opera troupe.

In addition to the basic postures of sitting, standing, lying and looking, Danxing's performance postures also include twelve types such as pointing, thinking, shying, and holding objects.

The finger gesture mentioned by Wen Ma is the movement of a Peking Opera character with nothing in his hand. Just now, even though Huang Baiyou was staggering, he raised his right hand on his chest, palm down, his left hand about the left side of his waist, his eyes were casual, and his lyrics and fingers were in sync with each other. This is also Why does it look so graceful? It’s not because it doesn’t twist twice, every movement is designed with Huang Baiyou’s confidence.

Every move of Mei Lanfang's opera is strong, graceful, square and round. Huang Baiyou has the figure of a famous actress. Although it is not as good as that of a famous actress, it is still five points better.

"But Brother Thirteen, didn't he just learn Peking Opera for a month or two?" Wen Yibing couldn't understand. He grew up in Peking Opera in primary school, and his figure was not that good.

"Sometimes," Wen's mother whispered softly, "We have to admit that there are a group of people who can use very short events to surpass other people's long-term efforts."

"But hasn't Brother Thirteen always said that his talent is average?" Wen Yubing said.

"Children, being able to work several times harder than ordinary people on one thing is a gift in itself." Wen's mother said.

Wen Yubing still had a lot to say, but he kept them silently in his heart. Huang Baiyou was talented and worked harder than anyone else, so he didn't give others a way to survive!

While the two were talking, Wu Xiaoxiao took the initiative to greet him and put the candy into Huang Baiyou's hand to assist the latter in the play.

The play in Farewell My Concubine is a play within a play, because it is difficult for Cheng Dieyi to get out of the play in Yu Concubine.

"Is this scene more difficult?" Wu Xiaoxiao asked curiously.

"It's very difficult not only to play Cheng Dieyi well, but also to play Yu Ji well." Huang Baiyou nodded.

I don’t understand it a bit, which is also related to the fact that Wu Xiaoxiao, as a life assistant, has not read the script.

is it hard?

Why is it difficult? It can be done over and over again. Hearing this, the surrounding cast and crew couldn't help but wonder.

"Once again, for such a difficult play, Thirteen deserves to be Thirteen, so that's an exaggeration." Master Yuan Xiang also had the motivation to play Duan Xiaolou well. After all, Farewell My Concubine can't just be Yu Concubine.

"I have to act well as a fake overlord!" Yuan Xiangshixin said.

Miao Jianghe nodded and then shook his head. This happened to be forced by Li Menglu and Yuan Xiangshi. The former kept it in his mind and didn't ask, while the latter opened his mouth.

Master Yuan Xiang asked, "Why is Teacher Miao shaking his head?"

From now on, it will be too difficult not to write about actors...