Big Manga

Animation DreamWorks is a brand-new name, and the abbreviation for the outside world is "Dream Factory". This is a necessary step for an independent company. name.

But although the name has changed, the logo of the Phoenix company is unified and generic, with only subtle differences between departments. The logo of the film produced by DreamWorks is a phoenix reborn from the ashes. The directors have no problem with this-they are very happy. Love the logo.

Meng Huo, who arrived in Yanjing, quickly found four directors and told them about the possible actions of "Star Dream". To his relief, this new company in Yanjing has not encountered any problems. trouble.

"They won't target us so early." Bai Yan comforted Meng Huo with a smile. They still have some weight in the eyes of 'Star Dream'. Naturally, Zhao Meng would not do anything to them directly. If he had such a Thoughts, that won't let the directors leave.

So at least for a short period of time, the directors won't have any troubles, the trouble is He Xi - the actions of "Star Dream" are all aimed at him, even Bai Yan and the others followed to help make "Wine of Eternal Life", The topic is also unlikely to lead to them.

The directors thought about many possibilities before they switched jobs, so they also expected the actions of "Star Dream" at the moment. The current purpose of this star company is to discredit He Xi. If it succeeds, it can delay the development of Phoenix Company and maintain The stability of other directors may even convince Bai Yan and the others to go back.

certainly. Bai Yan and the others are smart people, and they will not doubt He Xi because of the comments on "Wine of Eternal Life" at this time... They don't care about media reports at all, but look at "Eternal Life" from a purely technical perspective. "Wine".

The narrative technique of this animation has a good appeal to them. During the conversation, before Meng Huo officially issued an invitation, several directors took the initiative to express their intention to go to Ninghai to help produce "Wine of Eternal Life".

"It's interesting, I want to read the follow-up script.", "It should allow us to learn the key points of animation creation faster than in Yanjing.", "There are still many doubts about how to make "The Magician at the Beginning of the Century" , if you can participate in the creation of "Wine of Eternal Life", it should give us a direction."

Talking about this topic, it was okay at first. Later, the directors had a little dispute. Everyone wants to participate in the creation of "Wine of Eternal Life". Whoever can stay by Meng Huo's side to assist this animation actually represents who can take a step ahead of the animation director.

"The Magician of the Turn of the Century" doesn't need four directors, and it's in this movie. Directors also need to search, and it is also very important to be able to get more inspiration from Meng Huo in the process of searching.

Of course, Meng Huo had anticipated this situation, and his answer to the directors was also very simple.

"You guys take turns." He naturally welcomes the directors to participate in the creation of "Wine of Eternal Life", but in fact he doesn't need an assistant for this animation - that is to say, it doesn't matter if you don't need a fixed director, Every director can participate in the production, which maximizes the benefits.

Meng Huo was able to take this opportunity to train all these directors. "Wine of Eternal Life" is the work they studied and practiced, while "The Magician at the Beginning of the Century" is the work they practiced. The reason why Meng Huo asked all four directors to participate in the production of the film was not because "The Magician at the Beginning of the Century" needed so many people.

He was thinking of the time when directors made a movie together. Because the power is equal, it is inevitable to quarrel and discuss, and analyze the different information they got in "Wine of Eternal Life". And in this way, they can influence each other in the creative process, and the learning effect obtained is better than that of a single director.

Of course, another possibility of the multiplayer mode is that "The Magician at the Beginning of the Century" will become mediocre or even fail, but Meng Huo is still sure of this. Although he doesn't plan to put the same energy into the film as "Wine of Eternal Life", strict checks and reviews are still required.

simply put. He just handed over the specific affairs of film production to a few directors, grasped the overall situation and made corrections by himself, and with the assistance of Teacher Tomato and Xi Wenlin, there was no reason for "The Magician at the Beginning of the Century" to fail.

Speaking of Tomato and Xi Wenlin, the two manga assistants of "Detective Conan", Meng Huo also met them in the company of DreamWorks. They seem to work here very smoothly, and they are also welcomed by other artists.

During the production of "The Magician at the Beginning of the Century", these two assistants took on very important tasks. Meng Huo watched the progress of the film after he came back this time. Although the formal production has not yet started, the paintings of the painters have already been completed. It looks good.

In order to prove how successful their 'tune*teaching' is, Tomato also specially found several weekly manga magazines, and then compared the paintings of the artists with the serialization of "Detective Conan" in the weekly magazines, not only in terms of character images There is no imbalance, and the quality has improved a lot.

But this is also obvious. If a group of people's drawings are not as good as those in the weekly magazines, how can they make animated movies? Animated films are also films, and their image quality requirements are several times, or even dozens of times, stricter than those of weekly magazines. Without extremely high quality, how can they be shown on the screens of cinemas?

Meng Huo was satisfied with the work of the two assistants to a considerable extent, but it was not yet up to the standard—the painters still needed to further strengthen their ability to paint. Now this level of painting can be made into TV animation, but it is still not enough for movies. It's a bit short.

"I still have to work on it for a while. In two days, I will ask someone to bring over the materials for the production of the movie "Five Centimeters Per Second". You can learn from some of its requirements." Meng Huo asked to go further. He thought of "Five Centimeters Per Second" ", the production of this movie left a lot of materials. Although it is a movie with different contents, some materials are common.

Especially in terms of picture standards, the sophistication of "Five Centimeters Per Second" can be a very good reference for "The Magician at the Beginning of the Century". Meng Huo did not require the painters of 'DreamWorks' to surpass "Five Centimeters per Second" in terms of picture quality , that would be too difficult—but at least, they should be at an 'almost' level.

"The Magician at the Beginning of the Century" is not as dependent on the picture as "5 Centimeters per Second", nor does it require the picture to be perfect, but Meng Huo, who has already produced higher-quality films, cannot set the standard too high at this time. Low.

If so, moviegoers will feel insincere. (to be continued)