Blackstone Code
1415 Filmmaker Support Fund
In the evening, Lynch learned that Garp had been released, and then he came to where Vera lived. Vera took the initiative to call him because of the child.
"He still doesn't want to come out and hasn't even eaten dinner..."
Vera was a little worried. The little boy locked himself in the room. Until now, he has not drank water, eaten or responded.
Vera would have called the police if the security guard sent by Lynch to protect their safety had not seen the little boy through the window outside the house.
Although there was nothing wrong with the child, it was not a problem to keep the door closed like this. In the end, she had no choice but to turn to Lynch for help.
She is strong, but there will always be times when she is not strong, and at this time she needs a man!
"Did Garp say something to him?" Lynch walked to the door and asked softly.
Vera shook her head, "They didn't say anything, and he ran up and locked himself in the room. I was worried."
The little boy had to receive treatment from a psychiatrist before. When Garp was arrested, he left an extremely frightening memory for the boy. Coupled with the rejection from the community and school, he was given the title "The Son of a Criminal"...
He was bullied at school, and the teachers didn't seem too nervous or concerned.
This also caused the boy to become somewhat autistic and suffer from mild depression.
It wasn't until they left that environment that things got better.
In the words of the doctor, this boy is much more dependent on his family than other children. A complete family and a father who can be a role model are the key to curing his mental illness!
But the key is that he has no father!
Fortunately, Lynch occasionally plays this role, and his strength makes people respect the little boy very much.
He thought that everything would go through like this until he became an adult, but he didn't expect Garp to suddenly come back, causing the little boy who could no longer see any problems to become self-isolated again.
Lynch frowned, stood by the door and knocked, "Are you in?"
After a while, the little boy's voice came out, "Yes, Mr. Lynch."
"can we talk?"
After a while, the little boy opened the door. He looked at Lynch through the crack in the door, and looked behind him for a moment, "If you are the only one!"
After Lynch promised that he was alone, he walked into the room and sat beside the little boy's bed.
The walls are covered with some heroic characters from comics and some heroes from mythology. From these posters, it can be seen that the little boy longs to become a hero himself.
After he sat firmly, he looked at the little boy and said, "Your mother is very worried about you."
The little boy nodded. He sat on the ground, hugging his legs and lowering his head, so that Lynch could not see his expression.
After a while, Lynch asked again, "Is it because of Gap?"
The little boy hesitated for a while, "Yes."
"Are you scared?" Lynch asked, "Do you think Garp will hurt you?"
"Or do you think he will hurt your mother?"
The little boy did not answer immediately, but kept holding his legs and lowering his head.
After about two minutes, the little boy suddenly raised his head and looked at Lynch, "Will you let him take me away?"
His eyes were full of fear and uneasiness, and he stared into Lynch's eyes without fear.
Lynch was a little stunned, "Why do we do that?"
"Because he is my father!", the little boy continued, "I have watched TV. In families where parents are divorced, boys often follow their fathers."
"They will also fight for custody, and I don't want to leave with him!"
Memories under the age of five have faded a lot for the boy now, and the happiness that may have once been vague cannot alleviate the fear.
He didn't want to leave with Garp. He didn't know why Garp still appeared in his life. He thought Garp was here to talk about custody.
If not, why would he reappear here after disappearing for a long time?
Lin Qi laughed dumbly. He patted the bed beside him. The boy came over and sat next to him.
He rubbed the boy's head. The soft hair was not prickly at all, unlike some children whose hair was as hard as the thorns on a hedgehog!
"No one will take you away unless you want to leave."
"You'll be here until you graduate high school, and then you'll go to college."
"You'll take courses you like in college and maybe have a few girlfriends."
"You will have your own human body!"
"So no one will take you away!"
There was some longing in the little boy's eyes, "Really, Mr. Lynch?"
"certainly……"
It is not too complicated for Lynch to convince a child, and he is also aware of his position in the little boy's mind. :.
In fact, most children in families lacking fatherly love long for a strong father.
There was an interesting case in the federal government. A girl was horribly abused, but she developed a terrible affection for the murderer who abused her.
She not only loved the murderer who hurt her, but also was in awe and attached to him. Even when the murderer asked her to help him kill, she did not refuse.
For her, throughout the entire crime process, the murderer gradually overlapped with some of the characteristics of the "father" in her mind, so much so that she turned herself into another person...
The devil knows why there are always these people in the Federation. These psychopaths are either murderers or victims.
Maybe...this is the price of freedom, right?
But no matter what, a child who grows up in a family that lacks a "father" hopes to have someone to rely on.
Lynch did not appear tough, but his wealth brought him a "gentle reliability", so the little boy was more willing to communicate with Lynch.
This may be the magical charm of wealth!
In the end, Vera did not give the little gift that Garp left to her children. She felt that having that thing might not be a good thing for their lives.
The next morning, Lynch met with some academic professors in the film industry, those filmmakers who call themselves "founding fathers."
For industries related to culture, sometimes it doesn’t matter whether you have achievements or works. What matters is who you are in the same group with, and that you can live longer than others!
Some of these people don't actually have any outstanding works, but they have been around for long enough, and they have a certain right to speak.
Looking at Harmony's filmmakers, who are as young as fifty-six years old, Lynch seems to see the ceiling of the entire film industry. It is not beautiful at all, and it also limits the upward development of the film industry.
But what he has to do is to solve these problems a little bit.
"I invite everyone to come this time because of some ideas I had some time ago."
Staff members began handing out documents, which Lynch liked.
When discussing things, give them a document and let them read it while listening to yourself.
People's attention tends to wander and stay on what needs their attention.
For example, if the raised value in a bar chart is one hundred, people will only stare at one hundred, and it is difficult to notice that the shortest one is not ten point one, but one hundred and one...
Of course, this is just a metaphor, and such errors will not occur in real work.
As people got the materials and unfolded them, Lynch started talking about his plans.
"I have established a foundation related to the film industry. It is affiliated with Blackstone Culture, which was established two years ago, and belongs to Blackstone Media Company..."
People look down at those company affiliations and it's a bit complicated. The more complicated it is, the more "safe" Lynch is and the less "controlled" he is, which is important.
“The foundation operates in two parts.”
"In the first part, we will establish an awards ceremony with the highest federal standards and end the chaos of so many award ceremonies."
"With more professional ratings and more fair and open selections, we need it to become a film benchmark for the federation and even the world!"
"The second part is that the foundation has a 'Young Filmmaker Support Program'. Its purpose is to support some young people with ideas and creativity."
"We will provide some directors with the funds and environment to shoot independently, and provide a certain stage for other film industry practitioners to display their talents."
"Every year we spend about one million to two million..."
At this time, an old gentleman couldn't help coughing, and Lin Qi also looked at him.
He was embarrassed in a way that wasn't embarrassing, it was just an embarrassed expression, but actually he wasn't embarrassed at all.
"Mr. Lynch, thank you for everything you have done for the film. I have a question. How does this 'Young Filmmaker Support Program' select who will be lucky enough to receive help?"
Lynch smiled slightly and said, "Of course it is decided by the company's jury. This is why I brought you here. I hope you can contribute some of your strength to the film industry."
"You know more about the film's development, shooting process and subsequent matters than I do, and you are more professional. This professionalism can provide us with more effective suggestions!"
A satisfied smile appeared on the old gentleman's face. He looked at the documents in front of him again, then communicated with others through eyes, and finally expressed his wishes.
"I don't think there is any problem, Mr. Lynch. I am happy to contribute to the development of the film industry!"
As Lynch continued to talk item by item, people discovered more and more that if this foundation could really be accomplished...
No, it can definitely be done, and it will have a terrible impact on the ecological environment of the entire movie.
But isn't this exactly what these old gentlemen want?
With their status and Lynch's money, they believe they will get more respect!
When people get old, they can't eat too well or drink too much. Life has become a bit boring and boring.
The only thing that can make them happy, apart from the actress telling them the plot, may be people's respect for them! To provide you with the fastest Blackstone password update, 1415 Filmmaker Support Fund free reading. :.
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