Blooming America

"Well... in the art area, it's mainly manga or anime. ("

Catherine couldn't help but think of joining the art school district temporarily for the school district.

Now Catherine found that the school district she had joined temporarily seemed not so useless.

At least Catherine now seems that this school district seems to have a little effect, at least it is used to cultivate a batch of animations that can make Catherine look pleasing to the eye, this is enough.

Speaking of it, it seems to be a good idea to improve aesthetics through art. People are pursuing art. Elegant art, even if it is just following the trend, will make people rush to it. In China, this is not obvious, but in Europe and the United States, this can clearly see the differences and gaps.

European and American people like art more.

In China, things that sell high-priced gadgets at auction are often antiques.

In Europe and America, it is often a work of art.

Van Gogh, Picasso, Leonardo, Rodin, etc., are all things that the public loves to see.

Catherine thought for a while and found it feasible.

"In addition, the mecha must be reasonable. I really can't imagine how a big man can shuttle through the universe without being torn apart by gravity...Well, just look at the Mie particles. In actual use, It doesn't seem to be easy to use..."

Catherine thought of some of the original content in the Gundam series.

To be honest, Catherine likes the style of Gundam Nara. Most of the story plots are also very popular-except for certain times when the Japanese specifically commits a crime.

Speaking of which, Catherine felt that the sentence in Gundam Dandan: "I am Gundam." It was really burning and touching.

The Mie particle seems to be a powerful thing set up for the existence of Gundam, but in fact this thing is also full of loopholes.

If you replace it with countless battery packs + rpg cannons, then that's king...

The humanoid mech can't survive in space, let alone gravity, the protagonist's bt driving level can make the mech fall apart.

In sao years, the machine was not that strong, really.

So Catherine simply set up a "force field", this force field will produce a circular mass effect field, the force field itself is uniform, so the body with the force field turned on can be regarded as a sphere, So what kind of aerodynamics, what gravity, etc., can be ignored.

Moreover, such a force field can allow the machine to transfer most of the attacks, and there is also a combat assistance system. This system allows the driver to exert the greatest strength from actual combat, and based on the judgment of human consciousness itself, it is most suitable.

On the other hand, the "force field" designed by Catherine can only be offset by the same force field. As a result, the traditional attack methods are eliminated, and history returns to the elite combat process of the knight squad as in the Middle Ages...

Of course, most people don’t use the force field. After the force field is turned on, the whole machine will become an existence similar to a super alloy body. If it is an existence similar to the Great Ivan, it can be Direct destruction.

The "force field" originates from the mass effector of the machine itself. The effect field itself has strong energy. It only needs a power source to survive. If it is destroyed, the machine will explode, so there is no energy machine in the "Gundam" series. It's reasonable to have a self-destruction that can ruin the world.

Speaking of it, Catherine is not a multi-turret cult, nor does the RPG cult.

Catherine is a member of the Great Ivan Church.

What rpg rocket launchers, what multi-turrets, what kind of big wooden transformers, the universe emperor, etc., give them a big Ivan, and it will be quiet...

what? Not enough equivalent?

Well, just replace it with a larger equivalent, Big Ivan*10 times the power...

d-b!

"Well, that seems reasonable."

Well, that's ok.

Catherine wrote her vision on paper.

But then she hesitated again.

(Isn't this an enhanced version of PS armor?)

Catherine was ashamed.

"Is this your Japanese mobile suit setting?"

Catherine wrote something messy on the manuscript paper, but Jenny seemed to find it very interesting.

"Almost, but there is still an unfinished plot. It may be better to modify some..."

Catherine muttered there herself.

(Well, for the plot, for the rest, the plot of 0079 occupies 80% of it, so I will slightly modify it in the small details...)

In fact, the story of Gundam itself-especially in the 70s to 80s, this is very good.

At this time, the Japanese were most heavily influenced by Europe and the United States, and they also accepted some of the concepts of the Europeans and Americans, and Gundam was also influenced by them.

As far as the plot is concerned, the depth of Gundam at this time is also higher than later.

Different from Catherine's "entertainment first", when Tomino Yoshiyuki created Gundam, he actually included a lot of political ideas and demands.

Anti-elitism is the key point of this-this is completely different from the future seed of the chicken **** single-handedly challenged the whole world.

Elitism is a theory that starts from realism to understand and explain the structure and development of politics and society. It emphasizes the role of the "elite" class in society, promotes the individualistic heroic view of history, opposes the masses in politics, and advocates the rule of the country by the elite.

Gundam is very dissatisfied with the elite among them.

This is also in line with the status quo in Japan.

Some people say that the United States is a first-rate politician and a first-rate capitalist, while Japan is a first-rate capitalist and a third-rate politician.

The Japanese capitalists control the lifeblood of the Japanese economy, and Japan’s chaebol-style capital is more likely to cause the consolidation of classes. Tomino Yoshiyuki expressed dissatisfaction with this kind of anti-elitism.

(Well, can you dig Tomino Yoshiyuki over?)

Catherine suddenly thought of something.

Speaking of which, besides Gundam, Tomino Yoshiyuki also has a lot of great battle records.

——Tiebi Astro Boy is one of them.

Yuyu Tomino, who studied in the Film Department of Nihon University’s Department of Art, had his ambitions in the film industry, but at that time, not only did the recruitment of film companies be very small, but the competition for graduates was also fierce, so it was easy to enter in February 1964 on the eve of graduation. The insects created by Tsukaji insects began their animation career.

In Tomino of Chongshi, his first job was to perform production. However, my intention was to act as a performer, and the worm’s animator-oriented atmosphere made me feel dissatisfied with this situation for a while. After serving for about half a year, because the original story of "Astro Boy with Iron Arms" is gradually inadequate, so insects recruited scripts in the agency; taking this opportunity, Tomino's first script to be adopted was the 96th episode "Robots". "Future", he also served as the storyboard and director of the episode. It was just that it was published in the name of Shusuke Nitta at the time, so it was unknown.

Soon after, Tomino entered the performance department under the recommendation of Osamu Tezuka. Since other works of the insects were also being produced at that time, the focus of "Astro Boy" gradually shifted to Tomino and other newcomers. In the first issue At the end of "Astro Boy", Tomino was the person who directed the most episodes.

"This guy should resign, right?"

Catherine was muttering.

"Kate, what are you talking about?" Lisa was at a loss as to what mass effect field settings were, so she was not attracted like Jenny.

"Ah... I'm sorry, I'm distracted, I'm thinking about who I should find to make this "Mobile Suit" series."

Catherine scratched her head.

"Of course it's a Japanese." Lisa's words are like nonsense.

"Ok."

(But what is this guy doing now?)

Catherine felt that the history of Japan had changed, and the life of Tomino Yoshiyuki might also have changed. What will happen at this time, Catherine guessed that this is still an unknown.

"But the most important issue is still commercialization, right?"

Catherine murmured again for a while.

Commercialization is king!

There is only a small amount of money for commercialization!

If the Gundam series were shot according to Catherine's own ideas, Catherine would never compromise with history.

Catherine will first adopt the story of a warrior looking for self-salvation, then this warrior is redeemed, and then played badly, and finally, he will destroy the entire earth and mankind...Oh, get it done.

Well, in general the plot will be like this.

Strong, my great Ivan religion!

The world that will always be saved is simply weak, the protagonist who will never fail is also weak, and the human being who can always exist is even weaker.

Except for a handful of works such as "Doctor Strange Love" and "Reaper Eternal Life", there are works that illustrate the madness of self-destruction and self-exile in the conception. Although other works by Wei Guangzheng are good, they are also very good. It's hard to get into Catherine's eyes.

After all, Catherine of the previous life, but from the beginning to the end of "From scratch"-although the book was not over until Catherine came to this world-Catherine read this book three times like this.

Well, back and forth, from beginning to end.

Therefore, ordinary works are really weak in Catherine's eyes.

Of course, even Catherine did not have the courage to challenge an epic work such as "The Universe Giant School Flash Student"...

"Just let Carter go to Tomino Yoshiyuki..."

Catherine decided to let the dragon face that she used most handily in Japan to find someone.

The Yamaguchi Baihui family took good care of Carter, so Catherine was still satisfied with this person.

"Well, don't forget about the model settings..."

This aspect is also necessary.

Speaking of it, the Gundam at the beginning, in fact, cannot be said to be a purely robotic work.

Just like Catherine's analysis at the beginning, this should be a kind of politically very strong work that was born out of Tomino's own aspirations.

In 0079, the political theory foundation established by the Principality of Zeon is Zeon Shim Deikun's "New Human Theory", which is also a concept proposed by the author Tomino Yoshiyuki. It refers to a type of people who were born in the universe and have strong spatial perception, strong brain bō, mutual telepathy, and a certain insight into the future. Xia also believes that the future of mankind should abandon the old mankind and let the new mankind lead. Titans in "Z Gundam", cosmic Babylon in "Gundam f91" and Zaft in "Gundam Seed" also hold similar ideas. Moreover, the adjusters of the new humans in "seed" are even more of a member of the uncomfortable and uncomfortable. Kirada and this name are in Japan, just like Christ Shakyamuni's bullish names.

And later works such as "The Age of the Great Universe" also applied this new human concept. The theme of "evolution" has also been repeated over and over by various works. It can be said that it is because of the existence of the ancestor Tomino Yoshiyuki.

It can be said that this concept has a far-reaching impact on the future.

In "Gundam", elitism is often accompanied by dictatorship and tyranny. While opposing the tyranny of the previous government, the elitists are also implementing a new tyranny. Zeon has pushed colonial satellites or asteroids to the earth more than once, and Titans poured poison gas into the colonized satellites, causing millions of inhabitants. Death, cosmic Babylon and even yù used new sensor weapons to kill everyone on the satellite. From this point of view alone, "Gundam" totally disagrees with elitism.

For works that reflect one's own demands as the first consideration, the first consideration is not the rationality of the story that Catherine is thinking about, or even the "coolness" of the audience, but a kind of self-consciousness with a strong author. A kind of work.

The first person who saw Gundam was actually a Japanese who agreed with the concept of Tomino Yoshiyuki.

In the late 1970s and early 1980s, Japanese people's minds changed, and the traditional class faltered.

When the 1985 Plaza Agreement was signed, the Japanese themselves urged the Americans to sign the agreement quickly. Use the most malicious mentality to guess that this is likely to be a method of self-saving by the consortium.

At least from the results, they are very successful.

After the 1990s, Japan became a stagnant water, the mobility of classes disappeared completely, and the classes were solidified. In this case, it is strange that the Japanese do not become "herbivores" and "otakus".

In Japan in the 21st century, the reason why the IT industry is called "it upstart" is that the IT industry is different from traditional industries. It can generate a certain degree of class mobility and a new upper class. In Japan in the 21st century, that Is extremely rare.

It's just a pity that the IT industry developed a bit late in Japan. At that time, the Japanese had adapted to the whole stagnant life. The stones thrown into it occasionally made them feel disgusted instead of longing for it.

This is the opposite of the neighbor in Japan where the demons dance in the 21st century.

Why in the 21st century, in the country where Catherine lived in her previous life, there will be all kinds of so-called bringing into the party, jy, and fifty cents?

Because people are restless, they may not be able to express it in daily life, but from the Internet, you can see that kind of breath.

Because they all have the mentality of "the princes and generals have a kindness".

And most importantly, here, the politicians are not the monkeys playing games like the Japanese government, but the real existence that holds the power.

Catherine took out another piece of paper.

Although it was determined to be 0079, Catherine decided to beautify all kinds of machines. Zeon is good, but maybe he can be more handsome...

In the Gundam series in history, the new humans will play a much higher combat power than the old humans when driving MS, so they are also the main players on the battlefield, or elites or heroes. The protagonists of the early works of "Gundam" are generally new humans.

There is a view that in "Gundam", the role of the powerful body and the pilot is over-prominent, while the role of ordinary soldiers is ignored. This phenomenon does exist, and it is particularly evident in works such as "Gundam Gundam Seed" and "Gundam 00". There are often plots where the protagonist has a small number of machines against the enemy's tens or even hundreds of units.

However, the latter is no longer the work of Tomino Yoshiyuki, so the ideology and so on they express is completely different.

In Tomino’s works, the new humans generally only serve as excellent ms drivers, and rarely appear as outstanding political leaders. This shows that what Tomino Yoshiyuki wants to express is that heroes cannot fundamentally advance history.

This is completely different from the later chicken **** who beat the world by himself. And even if it's a chicken god, isn't there a pink-haired demon behind it?

Speaking of it, it is precisely because of the criticism of "promoting elitism" that the producers tried to show war from the perspective of ordinary soldiers in several works represented by the three ova in the 1990s, and they also achieved high praise. .

Catherine likes Gundam, but she doesn't like Gundam.

In the eyes of Catherine, the "entertainment supremacist", since you want to be commercialized, then let go of those unnecessary people and discuss it. Grasping the audience's cool points is the first thing!

It’s not impossible to insist on expressing your own opinions, but why do you use commercial ideas to cover up your problems?

This is not very important. In fact, putting aside the thoughts and completely integrating into the whole story-of course, from the perspective of God-the whole story is also very good.

But another problem is what Catherine hates.

That is the existence of Japanese Bushido in this.

Bushido is a cultural phenomenon unique to Japan. It was born with the samurai class, and it is still deeply rooted in the Japanese people today when the samurai class has disappeared. The content of this spirit mainly includes loyalty to leaders, including the emperor and one's own lords, loyalty to death, sense of honor, integrity, perseverance, honesty, respect for opponents and so on.

In Japan, traditional works of art with the theme of expressing Bushido abound, such as "The Loyalist Collection", "Vengeance" and "Sonezaki Heart" in Kabuki.

Bushido can become popular in Japan for two main reasons. First, it was out of the need of feudal rule. Secondly, under the combined effect of multiple religions-Shintoism, Buddhism, and Christianity-the Japanese formed a unique view of life and death. They believe that death is not the end of life, but the beginning of a new cycle, another form of life. In Japanese households, people who died within a certain period of time are included in the population calculation. It can be said that as long as it is for the ideals they believe in, the Japanese are not afraid of death.

In the special era of war, the spirit of Bushido is vividly manifested. It was far like the abdomen of a samurai in the Sengoku period-at that time, samurai abdomen was a rare and common thing, like the recent Mishima Yukio-as close as the Kamikaze team in World War II.

And in "Gundam", there are always such characters in various works. They are generally middle-aged men who are extremely loyal to their motherland; they are faithful in battle, respect powerful opponents, and never put a slap in the back. , And choose an upright duel-style battle; the joy of victory will not be shown, and if you fail, you can die without regrets.

In "Gundam 0083", after Zeon's pilot, Keeley, lost the battle with the protagonist, his body was about to explode. The protagonist read of his acquaintance with him and shouted: "Mr. Keeley! Quickly use the escape device!" The answer given was a disdainful "Huh, escape device? Would I use that kind of thing?" and disappeared into the flames.

The Japanese seem to have forgotten that war is always unjust. There are only unjust wars in this world, and there is no so-called ideal country.

Perhaps in normal times, these people are commendable, but in the war, apart from looking for death, there is really no good reason to describe these people.

If, in 34 years, the Red Army and the encirclement and suppression army had smashed together, instead of carrying out a 25,000-mile Long March, then the Red Army would have long since ceased to exist.

In Japan, such horns always have extremely high popularity, and in many cases even surpass the protagonist.

For example, Anabel Gato in "Gundam 0083" is a typical example of this kind of character: after he finally learned of the demise of Zeon in the One Year War, he spent four years trying to get a job, and in 1983, he followed the leader of the year. Diraz led the old ministry to launch a new round of offensive against the Federation, killing countless enemies on the battlefield, and eventually defeated by the outnumbered, and finally died with a Federation warship.

He embodies almost all the characteristics of Bushido: loyalty-after learning of Diraz's death, he was almost crazy, and he only wanted to avenge the murderer; tough-his record in the One Year War was even written Into the textbooks of the military official school; sense of honor-in the last battle, the most important thing in his mind is not the victory or defeat of the war, but the opponent who once gave him the shame of defeat; death right-the battlefield, and adopted It is the same way of death that is extremely in line with the Bushido style.

Some people say that the Japanese have only learned half of what they have learned from China. In Catherine's view, this is correct.

They have learned the spirit of sacrifice. If their own death is exchanged for the benefit of the group they belong to, it is valuable. On the one hand, the Bushido spirit allowed the Japanese to face unprecedented unity in the face of foreign enemies, with an extremely determined spirit, and did everything to achieve their goals, but it also completely stifled the Japanese thinking.

What they didn't learn was that they were left with the green hills, not afraid of not having firewood.

If Liu Bang was beaten to the ground by Xiang Yu in the 600,000 army ~www.wuxiaspot.com~, he chose to die with Xiang Yu, there would never be a strong man later.

Catherine suddenly laughed.

"Well, what's the matter, Kate?"

"No, it's nothing, I think I'm a bit too serious. I think too much rationally. Well, sometimes it's not bad to abandon some reasonable ones and let the story burn."

It suddenly occurred to Catherine that she seemed to be competing with a cartoon.

This is not Hugo's "93" or Balzac's "Old Man". The animation itself is pure, so why add so much meaning to yourself?

Just look!

Catherine made up her mind.

Some questions are better not to think about.

The story itself is king...

...! .