Blue Sword

Not only Mia, but also the girls watching from the sidelines also noticed the same problem.

"Is there something wrong with the extraordinary swordsmanship itself?" Eleanor said thoughtfully, "So does every phantom created by the Immortal Phantom Sword need to be distracted to control?"

"To be precise, it's actually a matter of precision." Sheila, who once learned swordsmanship from Paige for a while, said, "As far as I know, the phantoms created by Paige have the most basic intelligence. For example, the main body only gives a With the thought of 'attacking the target', the phantom can immediately launch the corresponding attack."

"The problem is that this kind of attack is completely based on instinct, so the movements cannot be complicated. At most, it is just a simple chop or a straight thrust. For Mia, this simple attack movement is completely different to her. There is no threat whatsoever."

"And if you want to control the phantom accurately and make complex actions such as tactical deception or combo addition, you must devote your mind to giving more precise command."

"So this becomes a problem of multitasking. You see, every time Paige separates the phantom, Mia will speed up the frequency of frontal attacks. This pressure method forces Paige to focus more on solving the main body. The dangers faced lead to a rapid decline in the ability to control phantom clones."

"It's not that there is a problem with the extraordinary swordsmanship itself, but that there are currently flaws in Paige's use of the swordsmanship, which were discovered by Mia and deliberately targeted."

"I don't know if you have noticed it." Hidliba also said in a deep voice, "Actually, there is another problem."

"What's the problem?" Sheila asked.

"In Peggy's tactical system, there is a disconnect between extraordinary swordsmanship and extraordinary abilities." Hidliba said.

Eleanor thought about it carefully, and it turned out to be true.

The ones who currently have the best combination of extraordinary abilities and their own combat skills are probably Sidrifa and Mier.

The former, whether it is frost or thunder, as well as the giant's power amplification, can be flexibly used by swinging the battle axe, and can bring powerful damage, containment and damage reduction to the enemy in normal attacks;

In the latter, all abilities are strengthening the firearm technology itself. Vision, intuition, and even luck abilities have pushed her reaction speed, lethality and hit rate in shooting with a gun to new heights.

Except for these two, such as Eleanor and Ask, most of the extraordinary abilities are to strengthen the hard power of their own bodies.

Another example is Medea, Nora and Sheila, who in turn focus on the use of extraordinary abilities - if these are removed, their own combat power will be almost nothing, which is another extreme.

Only Mia and Paige, the combination of their extraordinary abilities and their own combat skills is slightly weaker.

Mia chose the bloodline of the "Shadow Dancer", which emphasizes the combination of strange shadow abilities and a fatal strike style that focuses on assassinating weak points. Relatively speaking, the situation is relatively good. After all, there is already a well-established professional play plan. There, under Asker's follow-up guidance, all he needs to do is slowly move in this direction.

Peggy's bloodline is the "Lord of Filth", which is similar to strong control and blood grinding in terms of sequence characteristics. However, she also mastered another extraordinary swordsmanship, the "Immortal Phantom Sword". This swordsmanship focused on "encirclement" and "forced killing"...

"Can this be combined smoothly?" Eleanor expressed doubts. "When Alexander designed this set of swordsmanship, did he ever think that it could be compatible with the blood of the Lord of Filth?"

"Of course not." Medea said, "Alexander himself is of the arcane system's meteor and fire rain bloodline, and his emphasis is on the mobile turret style of blasting the enemy head-on. The phantom sword was designed just to suit him. The arcane ability only doubles the output on the battlefield."

"That's why Hannibal wants to improve this set of swordsmanship." Sheila also echoed, "Hannibal is of the bloodline of the necromance system. He manipulates the undead and spirits to attack the enemy, so the intensity of the phantoms will be reduced, and the number will be reduced. The number of troops increased significantly in order to better coordinate with his usual siege tactics."

"The swordsmanship that Paige masters now is closer to Hannibal's version of the Immortal Phantom Sword, right?" Hidliefa started to have a whimsy again, "You guys think, if she improves her swordsmanship again, what will she call it? ? The vampire’s phantom sword? The girl’s phantom sword? Peggy’s phantom sword?”

Everyone tacitly ignored her retarded remarks and continued the discussion:

"Actually, it is not impossible to combine the two. First of all, the swordsmanship must be improved again. The phantom cannot be defeated with one blow like the Immortal Phantom Sword."

"Hannibal's approach is to separate the phantoms into the vast army of undead. Peggy does not have the ability to resurrect the undead, so the vitality of the phantom itself must be strengthened."

"There is no need to only separate one phantom like Alexander. I think 3-4 is a more appropriate way of playing. Keep the siege, do not expose the main body's position in a short period of time, and then use plague and toxin abilities to continuously weaken the enemy."

Everyone was analyzing and discussing outside the court, but Nora next to her was extremely confused: Hey, didn't Asik say that Mia was destined to lose? Why does it sound like it is Peggy who is at a disadvantage now?

She secretly glanced at Aske with her peripheral vision, and found that the leader was still calm and had no surprises at all, while Paige on the field was so excited that she almost broke out in a cold sweat.

What the hell is Mia doing?

Double Sword Assassination, a very rustic-sounding name, is actually enough to make anyone who faces it break into cold sweats.

Because whether it is attacking, parrying or blocking, its response movements are quite unconventional, enough to subvert anyone's understanding of swordsmanship.

Gold and iron clashed again. Peggy's dagger pressed against the opponent's dagger, and she felt that the strength on the sword was suddenly gone.

Mia's dagger was originally held in a reverse grip, but the moment she held Peggy's dagger, she turned sideways, with the handle of the dagger pressed against her palm, and dazzlingly turned it into an overhand grip.

As the dagger's handle rotated, the blade moved deftly around the dagger. The dagger immediately lost its target and missed Mia, who was dodging sideways.

She took the opportunity to lower her body and rush forward quickly. Paige could only retreat quickly to keep her distance, and the dagger struck her head again.

The purpose of this slash is to force the opponent to block or dodge, thus stopping the tendency to rush forward. Of course, considering that Mia might change her moves at any time, Paige was also ready to withdraw her chopping power.

As a result, Mia raised her left hand, stabilizing the dagger with the dagger, and stabbed forward with the dagger in her right hand.

This made Paige almost depressed.

To put it bluntly, the essence of the opponent's tactics is a "change".

You thought the opponent was attacking and parrying, but in the end, the opponent's actual move turned into a false move, suddenly changing from parry to dodge. You thought the opponent was going to make a false move next time, but in the end, the opponent actually blocked it.

The key is that the opponent's changes of moves are too fast. He can turn his hand forward and backward, change his strength and weakness, and the adjustment can be completed in a blink of an eye. This is due to the special technique of double sword assassination.

"No!" Paige suddenly realized the current problem.

One-on-one duel is what Mia is best at. How can she be dragged into the rhythm that the other party is most comfortable with?

When being approached by an assassin, whether he is unable to compete with swordsmen or is restrained by the Immortal Phantom Sword, these are the natural results of being suppressed.

We must distance ourselves! By the way, isn't flexibly dodging and keeping a distance what the Lord of Filth is best at?

Sorry, although I thought before that I wouldn't use the cheating method, I have changed my mind now.

The moment she was stabbed by Mia, Paige's figure collapsed again and turned into countless bats that fled in all directions.

Before they could take off, the shadows cast by the bats on the ground suddenly rose up, turning into sharp black thorns that shot upward, piercing the bodies of all the bats.

"Huh?" Mia was a little surprised. Paige's trick was too smooth, right?

wrong!

She hurriedly backed away and saw all the bat corpses on the black thorns suddenly exploded, turning into dirty blood and splattering in all directions.

Thank you for the 100 coins from the elopement_Hai Heyu, and thank you for the 1000 coins from the morning breeze in heaven~