Looking at the wax figure under the rising sun.

Fan Chenggong looked around the peaceful museum.

Look at his son again.

So the guilt got even worse.

But fortunately, he didn't worry about anything.

Because he said it would work out.

"Gone, son."

"oh."

The father and son returned home.

The camera turned.

A large truck drives out of the museum.

The exhibits were moved anyway.

The next night, the father and son returned home with takeout. From the conversation between the two, it can be known that Fan Chenggong had already said hello to the teacher about his son being bullied.

"Next time I bully you, tell the teacher."

However, the son said with interest that after learning about it, he began to care about the museum.

"I don't know if I can see them again in the future."

Seeing that his son was sad, Fan Chenggong did not hide anything, and told him in detail:

"I've already called the curator and Hengdian and discussed many plans. We haven't reached an agreement yet, but the situation is good. Don't worry."

As he spoke, he emphasized: "I already checked the museum during the day. The place is quite formal. Hua Mulan and the others will not be in danger."

The son nodded, relieved.

Fan Chenggong went on to talk about his birthday and asked his son what gift he wanted. Soon the phone rang at home.

Fan Chenggong thought it was a call from his partner, so he mentioned it: "I forgot to tell you that I have a conference call with my partner tonight. You will be in the room later, so don't make too much noise."

The son looked disappointed: "You have to work again?"

Fan Chenggong: "I used to work the night shift, have you forgotten?"

Son: “But back then you had the coolest job in the world.”

Fan Chenggong looked apologetic and continued to answer the phone.

As a result, Zhao Kuo's cry for help soon came from the other side of the phone: "Are you successful? Come and save us. The dead monkey stole the turtle back! Now all the exhibits here have come to life! Everything is in chaos!"

At this time, the background sound on the phone was filled with the sound of shouting and killing.

The screen turned to the other end of the phone. Zhao Kuo was shouting into a huge microphone. Various figures were shaking on the background wall. It looked like they were fighting.

The father and son were immediately shocked: "What is going on?"

Zhao Kuo on the other end of the phone shouted with all his strength: "Chi You is resurrected!!!"

In the first scene at the beginning, the movie took fifteen minutes to introduce the plot of "Wonderful Night 1", which evoked the memories of old viewers and introduced new crises faced by the museum, the protagonist and his son.

The laughs are appropriate, it's easy to understand, and there's no barrier to viewing for new viewers.

So after the first act, the audience began to adjust their sitting postures, waiting for the official plot to unfold.

From the perspective of those who are not very knowledgeable, this is a sign that the movie is good and the rhythm is good.

In John Woo's view, this is obviously the model of a standard Hollywood series.

John Woo accurately calculated the time and couldn't help but sigh at the maturity of the system behind Xingchen Company.

But this also made him somewhat disdainful.

Copying Hollywood is nothing to brag about.

It wouldn't make much sense if movies were only so popular because of Hollywood's three-act structure.

But he also knew that this was Lu Ping An after all, and it couldn't be so simple, so at this moment he also began to adjust his sitting posture, preparing to see how the story would develop next.

After receiving a call for help, the protagonist wanted to send his son to his mother, but the son did not agree, so the two had to act together.

As soon as the scene changes, after the transition shot of the airplane, there is a bird's-eye view of the Hengdian Museum.

The camera moves down, and the father and son are walking together like a tourist group.

Guest tour guide Zhang Songwen was introducing general information about Hengdian Museum at this time.

Attentive viewers have discovered that this person also appeared at the end of the first part, and he was also a tour guide.

Senior movie fans know that Zhang Songwen not only guest-starred as a tour guide, but also played the Peking Man in the film.

Having said that, I learned from the tour guide that this is a very large museum that has just opened, covering various buildings from China and the West, from ancient times to the present.

The father and son followed the tour group and scanned the floor plan of the exhibition hall door.

The Qin Palace and the Tang Palace are all marked.

At the same time, posters introducing each venue were also played on the big screen in the lobby.

The first impression of the audience is that it is huge! And magnificent.

With the change to a larger map, the audience's expectations have soared.

Those who know the industry already know that this is Hengdian Film and Television City.

But the scene here is still very different from Hengdian.

Through the language of the lens, everyone knows that this is a museum that puts various scenes together, not a film and television city.

Then we continued walking, and the tour guide also began to introduce the first Chinese and Western Cultural Center.

There are various Chinese and Western paintings, sculptures, and various wax figures, such as the Thinker, the Discus Thrower, and many others whose names I don’t know yet.

The audience also raised various expectations, because they knew that these sculptures would definitely come to life at night.

The son was also whispering to Fan Chenggong at this time.

The two talked about where Hua Mulan and the others were.

From the information Zhao Kuo told on the phone, we learned that the wax figures are all in the archives.

The movie also began to show the three-dimensional effects of the entire museum.

It turns out that the warehouse where the wax figure is located is underground.

Fan Chenggong then asked the on-site staff how to enter the archives (warehouse).

The staff replied that it was a restricted area and no ordinary people could enter. They also made a joke here like in the original film. The staff smiled and said that if you have items from the Shang and Zhou dynasties, you can definitely get in, but most people’s items are not allowed in. It's from last week.

The small baggage caused a small laugh in the theater, and then Zhang Songwen went offline.

The father and son then began to discuss.

He said that the sun was almost setting, and it might be too late today through formal channels. The key to resurrection could not be known to others.

The son also agreed, saying that it would be too late tomorrow, because tonight the exhibit would be resurrected again, and Hua Mulan and the others would be really in danger.

Fan Chenggong sighed, looked at the security guard at the gate, and said that he could only use extraordinary measures.

The two of them looked at each other and smiled.

Then the screen started to flow.

Various scenes of the Hengdian Grand Museum are reproduced one by one, and buildings and cultural relics from ancient times to the present are displayed one by one with BGM.

At the same time, the sun slowly set, and the flow of people taking time-lapse photography began to thin out slowly.

Finally, the location of the door was locked. As the door slowly closed, Guo Tao's guest appearance as the Hengdian security guard threw away the flashlight in his hand and prepared to get off work.

Senior movie fans will know at a glance that this is a linkage with "Crazy Stone".

Then Guo Tao turned around and saw a child crying and asking him: "Uncle, I can't find my father."

As a conscientious security guard, Guo Tao certainly wanted to help.

He comforted her immediately, but before he could say a few words, his father came.

"Haoran!"

"dad!"

Father and son recognized each other, and then Fan Chenggong thanked Guo Tao vigorously.

A big hug, and then Fan Chenggong took out his wallet and thanked him for everything. (End of chapter)

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