China Entertainment King of Science Fiction

Chapter 306 Something never seen on the screen

"Bering Man" and "Martian" did not notice Cheng Hongtao's frustration. Their minds were completely absorbed by the huge picture, and they had no energy to care about the strangeness of the people around them.

Because the long shot isn't over yet.

The astronauts are communicating with each other through the communicators in the masks, and are also communicating with the ground.

As he spoke, Lei Jiayin controlled his jet spacesuit, leading the camera, and of course the audience's gaze, on a tour of the entire spacecraft.

Sometimes covered by the solar wings, the simple, sci-fi and complex space station reveals all its details without any concealment. The white surface material, the geometric structure and folds on it, like a huge mechanical arm stretched out by bamboo joints, are complex.

Various equipment and bumps.

Sometimes crossing the solar wing, the camera follows Lei Jiayin's perspective and sweeps across the dazzling sun and the dark and quiet night sky. Then it turns around and the huge and beautiful planet spreads across the screen.

It is as if the audience themselves are astronauts, controlling the jetpack and flying around the space station, sometimes flying up and out along the solar wings, and sometimes flying into the shadow of the space station to avoid the dazzling sunlight.

In addition to constantly admiring this long shot, "Bering Man" also had another word come to his mind.

That is "reality".

In addition to the fact that the picture is extremely realistic, there is almost no falsehood or drama flaw. Even the light and shadow reflected on the astronaut's glass mask and the picture are so real that you can't find any faults.

The future of "Gravity" is definitely a classic long shot, but it allows the audience to accept the reality created by the picture and subconsciously understand that this is the current world, not the "future" interstellar world.

It is different from the previous soothing and novel "travel" that followed Lei Jiayin from the perspective of flying across the horizon.

Domestic film production does not pay attention to industrial design.

The eyes deceive the brain, and the brain deceives the body. The audience not only has to endure stressful physical reactions, but is also unable to escape the increasingly intense feelings of fear and despair.

There is also the "reality" of the space station and the "reality" created by the astronauts' own clothing.

His brain may be deprived of oxygen now, otherwise why would he be breathing so rapidly?

Perhaps it can be summed up that his eyes cooperated with his nerves and brain to deceive his body.

But the picture still keeps flipping with Wu Yue, and the camera makes the audience seem to be face to face with Wu Yue, as if he and Wu Yue are "brothers in need", spinning and wandering in space uncontrollably.

The reasons for this gap include both objective factors in terms of level and production attitude.

It comes from the hearts of the audience.

A black figure with a light on his back quickly jumped out from the dark night earth dotted with stars below, and hit the unprepared heroine amidst the background sound that rapidly increased in frequency.

The alternating rotation of the sun, the earth and the still night of the stars from the first perspective "intensifies" the audience's sense of immersion, making them as bewildered as the heroine in the novelty and dizzying.

The sound does not come from the screen.

"Bering Man" and "Martian" were by no means the only people in the theater who shouted loudly - although there is no real ordinary audience here. Almost everyone is an industry insider who has seen the world, but among the crowd

There were still bursts of short exclamations and a slight creak of chairs.

The heroine seemed to have reached the line between dawn and dusk, and fell into darkness forever.

Then the night sky was dotted with stardust, and then it quickly retreated involuntarily, and the huge Earth appeared overhead and passed quickly.

It’s not just the sadness and silence of the music, but also the fading of the light and the falling of the night.

"Bering Man" is a film and television blogger who is as relatively professional as Cheng Hongtao and is knowledgeable but not expert in the film industry. His understanding of the film industry is still beyond that of ordinary viewers.

This even made him suspect that if Chen Jingxing made this section longer, he might suffocate to death? No, this is too exaggerated, but it might also starve his brain of oxygen.

The astronauts all wear bulky and heavy space suits, and the space station is not a streamlined future spacecraft. There will be no aliens suddenly appearing, no one waving a lightsaber, and no laser cannon or electromagnetic gun.

Lei Jiayin's voice, a weak voice, sounded in the audience's ears again.

The turn of events did not keep the audience anxiously waiting for too long.

This time, with the dual blessing of IMAX screen and 3D, it was like sitting on a big pendulum, standing on a mechanical arm, and my body felt as if it was being thrown away due to the changes in the picture.

Because soon Lei Jiayin's voice was blurred and interrupted, leaving only Wu Yue and the audience alone in the space, maintaining the seemingly endless rolling.

It's like this is a real space station that was captured with a real camera.

Like a kite that has broken free from the fishing line, only the lights on both sides of the glass mask gradually fade away while flipping and looming. Falling toward the eternal night dotted with tiny stars are Wu Yue's desperate and silent calls, and the audience has already

The emotions that are completely pinned on the heroine - even if everyone knows that the heroine will not receive the lunch box at this time, there will definitely be some kind of turning point.

The blue earth fills most of the screen, and a white figure rotates from small to large, from far to near, rolling toward the audience's eyes.

When "Bering Man" got off the "big pendulum", he could only lean on the back of the chair, breathing heavily, shaking his head slightly to express the silent and sincere admiration in his heart.

Even Cheng Hongtao had completely recovered from his depression and was staring at the big screen with all his concentration, holding the armrests on both sides tightly with both hands for fear of being thrown out of his seat.

As if to echo the thoughts of "Bering Man", satellite debris suddenly arrived, and the ten-minute long shot ended.

Lei Jiayin's calls and comforts, and Wu Yue's breathing and answers gripped the audience's heartstrings.

But even so, I will still be involved in it involuntarily and unable to withdraw my emotions.

"Bering Man" suddenly realized that it was indeed a symphony!

The low and penetrating double bass, euphonium and bass drum, under the tense rhythm, perform heavy, solemn and magnificent music, accompanied by the impact of the picture that makes people involuntarily imagine, together they create a tinnitus,

Even dizzy sounds.

Satellites whizzing by, and fragments of the space station being hit and disintegrated are rushing towards us!

And this brings another kind of more shocking "reality".

"boom!"

The dazzling sunlight, the blue planet and the dark night sky alternately flip.

Hearing his unstoppable breathing almost made him laugh. It was obvious that he had stayed firmly in his seat, but it seemed as if he had done some strenuous exercise. Of course, it could also be that he had been holding his breath unconsciously.

The reason - he didn't realize it until now.

They are completely immersed in the huge screen.

And what will this "reality" bring?

Just when the audience looked blank and immersed themselves in looking for the hope represented by Lei Jiayin through Wu Yue's lonely figure floating on the dark earth outlined by an arc of light in the huge picture.

After subconsciously avoiding it again, the sound of Wu Yue's rapid breathing lingered in the audience's ears along with her cry of panic while trying her best to stay calm.

The body instinctively produces a dizzy stress response.

But at this time, the space station shown on the screen under this long lens is very real, not only the reality of the picture, but the reality of appearance, details and texture, not just a little detail, but a lot of details.

Then the camera focused on Wu Yue's body again.

From the exchange between the two, it seems that Lei Jiayin not only contacted the heroine again, but also saw the heroine's location and was flying towards her.

What was dazzling was that the astronaut's out-of-control robotic arm hit the audience directly!

People couldn't help but hold their breath, and their bodies moved away. Many viewers even subconsciously raised their arms to block the scene in front of them.

When the camera breaks away from Wu Yue, this feeling of despair and anxiety has escalated to an unsettling level.

He knows that in addition to computer special effects and engine modeling, the gap between China and Hollywood in special effects is also quite large.

But the grand sound was like a symphony, surrounded by the dome and walls of the auditorium, rebounded, and then mixed into a bell that struck the hearts of all the audience.

Space is quiet, even if satellite debris shreds the solar wings and penetrates the space station cabin.

It also hit the nerves of the unprepared audience.

The exclamations in the theater mixed with Wu Yue's exclamations, and then the exclamations turned into joyful conversations.

After the debris grazed the cheek, it turned into a head-down and leg-up body and hit a main cabin of the space station. At the critical moment, it missed the cabin section.

The huge screen also magnifies the details. A large number of details fill the picture, leaving the audience with no time to think. Instead, they concentrate on trying to capture more details in the picture.

The space science fiction movies that "Bering Man" has seen before are all from the future. Whether it is "Star Wars" or "Star Trek", spaceships and other aircraft are very "sci-fi", streamlined, and have a strong sense of design.

The audience knows that this is a fantasy interstellar world.

And this is something he has never seen on the screen!

The audience in the theater did not breathe a sigh of relief after getting rid of the ultimate "roller coaster".

Once a problem occurs, it will bring a stronger sense of despair and substitution...

The result is that many unrealistic props or objects in domestic film and television dramas are very "childish", like children's models, lacking details and texture.

What is dizzying is that the camera repeats its old trick and once again follows the perspective of the female astronaut played by Wu Yue, guiding the audience to see the scene.

The two astronauts held each other while spinning in the Earth's night sky, with city lights dimly visible below.

As the two astronauts greeted each other joyfully, the glass masks pressed against the glass masks, and their faces faced each other, like a waltz in space.

The lights next to the masks of the two people flickered on the big screen with indistinguishable boundaries in the darkness, complementing the faint but bright stardust composed of city lights below the rotating two people.

"Beringxia" couldn't help but sigh with an inexplicable emotion that made him intoxicated...

(End of chapter)