China Entertainment King of Science Fiction
Chapter 532 Don't try to think about it, feel it!
Chapter 532 Don’t try to think about it, feel it!
The male protagonist opened his eyes. He returned from the matrix and reached out to hold the knife stabbed in his chest by the awakened person who broke into the room and was "seized" by the man in black!
The two then struggled and got entangled.
At the same time, the "Men in Black Disaster" in the Matrix also spread to the Watchers' territory. This was also an important reason why the Watchers finally compromised and released the trapped savior after a fight with Da Luo, the heroine, the captain and others.
.
The saint's bodyguard Da Luo and the watcher, two rivals who had just finished fighting, began to join forces to fight against the man in black.
When the train left the deep tunnel and exited the tunnel entrance - symbolizing entering the matrix system - the male protagonist left the matrix on his own initiative and returned to reality.
The heroine and the captain continued to take the train to the watcher's territory. They entered the matrix by connecting to the brain-computer interface. They had to make a "phone" to exit the matrix. Unexpectedly, the watcher's territory had been attacked by the men in black.
of invasion.
Da Luo protected the two of them and resisted the man in black.
Just as the heroine and the captain rushed to the telephone-style information transmission docking station arranged in advance in a room, the door opened and a man in black walked in.
"You go first!" The captain turned around and shouted to the female protagonist, and then the scene switched to the real-life Huaxu Kingdom. The male protagonist and the man in black who had captured the body of the Awakened One had already broken out of the cabin. There was quite a lot of machinery inside Huaxu Kingdom.
Wind and steampunk style buildings entangled inside.
"No way..."
Coupled with the fierce gunfire roaring outside, a strong contrast arises spontaneously.
"What the hell?!"
It's just that the tense plot left him no time to dwell on this question.
However, in the end, the male protagonist still narrowly defeated the man in black and pushed the awakened person under the steel bridge, falling into the bottom of the atrium of a huge cylindrical building constructed by machinery.
"What do you mean? Are they also men in black?"
"Fuck! Here we go again!"
But even if he scratched his head, he would never imagine such a method of distributing lunch boxes.
The male protagonist did not lose his ability to resist after losing his sight and was killed by the "female protagonist".
When the "female protagonist"'s brain died, the man in black's consciousness dissipated and "changed" back to the heroine from the male protagonist's super-sensory perspective.
After a fierce, short and thrilling fight, the captain paid the price of his injuries and the male protagonist defeated the two awakened men in black who seized the body.
In the matrix, the men in black spread to more and more cities, assimilating and devouring more and more human consciousness. In reality, there are huge petri dish bases one after another, and the lives of sleeping naked human beings are unscrupulously extinguished as if the lights were turned off.
of harvest.
This is indeed Chen Jingxing's style, using dense information and fast pace to drag the audience's thinking, making people overwhelmed and can only passively accept the plot.
"See you in the matrix."
Completely different from the cool Superman-like battles between the male protagonist and the man in black in the Matrix in the first two films, in this place full of futuristic wasteland-style machinery, the two of them were fighting together in an awkward manner like city gangsters.
Even though humans fight to the death to defend their civilization and their homeland, without fear of sacrifice and in brutal battles, the endless and seemingly endless army of robots mocks humans' resistance like a ruthless universe.
Many viewers, including Wu Heng, had an ominous premonition in their hearts.
On the contrary, the loss of vision made him seem to have gained a higher level of perception, and any movements of the "heroine" could be sensed by him in advance.
In the second part of The Matrix, the male protagonist makes a choice under the showdown of the Lord God, and rides on the wind and fire to save the female protagonist from being shot to death.
This is also the reason why the male protagonist was able to enter the machine network connected to the matrix through the matrix at the end of the previous film, and control and destroy the robot squid through the machine network's wifi.
It makes any sacrifices made by humans seem to have lost their meaning.
Several footsteps hurriedly came, and two figures rushed over. Just when the male protagonist was about to explain to the people who came over, he suddenly froze.
"This is too sudden."
After the captain knocked down the awakened man in black and rescued the male protagonist, Wu Heng should have turned his suspicious eyes on the female protagonist, but he was distracted by the tense and thrilling fight and had no time to think about it.
.
Losing the important senses of the real world also seems to mean breaking through the barrier of the real body to the male protagonist, who is essentially a human-machine dyad, allowing him to truly stand in the same position as the man in black and gain some kind of
Awakening.
Part of them exists in the matrix, and part of them exists in reality.
No matter how powerful the male protagonist is in the Matrix, he is still a mortal in reality, so he is no match against two enemies.
It turns out that the man in black "seizes" more than one awakened person, and of course the number is not very large. It is easy to assimilate humans in the matrix, but there are very few cases where there is a signal transmitter nearby to allow him to come to reality, because reality
The human side will also interrupt the work of the signal transmitter in time.
The heroine and the captain took the train to pick up the hero. Due to time constraints, the couple didn't have time to express their feelings to each other. They thought they would meet in real life soon.
People who try to think while watching the movie can only give up thinking and choose to lie down and feel it.
The male protagonist, whose face is full of blood and tears, is holding his lover's body, which is intertwined with the montage of the tragic battle between humans and the robot army.
Free humans and unfree humans face another extinction.
The two of them broke away from the matrix.
There is no need for any strategy or trick.
The two strangers who arrived looked cold, with terrible danger lurking in their eyes.
The endless men in black who filled the city in the matrix seemed to have sensed the changes that had occurred in reality. They all turned their heads and seemed to be able to see the male protagonist in reality through the sunglasses that reflected the scenery.
In front of the men in black who raided, the captain's words "You go first" even directly deceived Wu Heng and Martian, who had watched a lot of movies, and made them subconsciously target the captain with suspicion.
Then he was absolutely killed by the male protagonist.
His mind was full of confusion at this time, and he no longer knew whether he should be shocked that such an important role as the captain had made such a decisive and lightning-fast decision, or that he should be shocked by this series of reversals.
Wu Heng was mentally prepared for the main character to receive a box lunch for "The Matrix III". After all, it is the final chapter of the series. Tragedy is often an important component of the final chapter of this series. If no one sacrifices, the thickness seems to be there.
Missing, not sublimated enough.
If the unexpected and lightning-fast delivery of the lunch box just now gave the audience a shock that was too late to think deeply and react, now it is the aftermath and aftertaste of the tragic death of an important character.
The serial reversal here is decisive and sharp and not sloppy.
The male protagonist's loss of visual senses is a bit like the so-called "enlightenment" process of Zen Buddhism.
Two matrix systems that simultaneously exist in the virtual world and the real world look at each other.
The male protagonist was "seized" by the man in black who "seized" the female protagonist's body and burned his eyes out with cables, and his eyes were blurred with blood.
Amid the shock and confusion in the audience, the male protagonist once again struggled with the two strangers who came over.
Whether it is the humans of Huaxu Kingdom who have awakened and are no longer enslaved by the Matrix, or the humans who are sleeping in petri dishes and imprisoned in the Matrix, they have all fallen into the most desperate situation at the same time.
He no longer cared about the body of the "female protagonist" because in his consciousness, the "female protagonist" had already become a figure in black clothes radiating the light of fire.
Then the plot is reversed immediately without giving the audience time to think.
Then he fell off the steel bridge and fell into darkness.
But before the audience could take a breath, a sudden change happened again.
The male protagonist and the man in black are both half-human and half-machine at this time. The male protagonist is a human whose consciousness has been uploaded to the matrix and implanted with the savior program, while the man in black has assimilated the program in the matrix and swallowed the female protagonist.
Consciousness permeates backwards into reality.
The captain looked back at the heroine behind him in disbelief. His back was penetrated deeply by a knife!
This also allowed Wu Heng to once again confirm his guess when the male protagonist woke up in the recycle bin of the matrix.
Don't try to think about it, feel it!
This is Wu Heng's summary of "Inception", and it is also a depiction of this classic and increasingly mature Chen style.
"No!"
And the director didn't give the audience time to digest this shock.
Wu Heng and Martian Guest both sat upright and stared at the big screen in disbelief.
Finally, after this tense and thrilling plot with successive twists and turns, the audience got a chance to breathe and were able to savor everything that had just happened, the death of their lover, best friend, and partner, just like the male protagonist.
Sure enough, what the captain said was a cover-up.
The army of silent robots overwhelms people with force and makes people despair.
Unexpectedly, in just a short time, the captain and the heroine received the lunch boxes one after another, and the man in black also used the heroine's body to kill the captain, and then burned the hero's eyes out during the fight.
and tried to kill him.
But Wu Heng did not relax. Instead, his nerves became even more tense, because in the matrix, facing the man in black who suddenly arrived, the captain left a message to the heroine: "You go first," although the scene then changed.
Back to reality, but what does this mean?
But this time, the male protagonist cannot replicate the miracle of the Matrix and cannot bring the real body back to life.
Therefore, after the heroine suddenly stabbed the captain in the back, she did not focus on depicting the protagonist's shocking feedback as in many movies, giving the audience time to digest it. Instead, in the next second, the heroine pounced on the hero!
The screams echoed throughout the theater.
But the next second, the captain knocked down one of the men who attacked the male protagonist. Wu Heng relaxed a little, but he was still a little confused. Could it be that the captain successfully got rid of the man in black in the matrix?
This tragic plot development really left most of the audience stunned.
Only this time it was a corpse.
But at the critical moment, the captain rushed over, followed by the heroine.
The "Matrix" series has always followed this style, but this feeling is stronger in "The Matrix III".
Outside, the humans in Huaxu Kingdom paid a heavy price in casualties and were still suppressed by the endless robot army. They fell into a disadvantage and the war situation entered an irreversible track of defeat.
A strong sense of sadness hit me from the screen.
Seeing that the male protagonist has awakened again, he can no longer do anything about it in reality. Thousands of men in black in the male protagonist’s matrix system simultaneously said this sentence. In reality, the “female protagonist” also said this to the male protagonist at the same time.
This sentence.
The captain may also be assimilated and swallowed by the man in black...
The savior, who has lost his eyes, lost his friends, and lost his lover, is alone holding the body of the heroine.
The most desperate and darkest moment in the three movies of "The Matrix" has finally arrived.
The abyss of despair and tragedy also made the audience feel the suffocating pressure.
Even film critics like Wu Heng and Martian have to lament that "The Matrix III" is indeed worthy of being the final chapter of the entire series. The accumulated clues and emotions of the three films have laid out unprecedented plot tension.
(End of chapter)
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