Then Yang Lingyue chatted with Liu Dingye, who was carrying a camera to film him and Du Xiaoyu chatting. Because of "Stewardess", Liu Dingye would not return to Malaysia for the New Year this year, and his parents and his girlfriend and her parents would come to China in a while.

This guy quietly bought a big villa in Beijing. If Yang Lingyue didn't ask, he would definitely not tell.

"Want to stay in China for development in the future?"

Liu Dingye lit a cigarette: "No, I know my level. After graduation, I will learn from you for two years and then go back to Malaysia to dominate."

"Haha, don't be excluded. Malaysian Chinese films are all about art."

"How could that be? I'm going back to be a bridge."

"Huh? Go into politics?"

"No, I want to learn from you. Well, I was thinking of discussing it with you later."

Liu Dingye brewed for a while, put out the cigarette, and said very seriously: "The creative environment of the new wave of Malaysians is very difficult. Malaysia is a large overseas box office for Chinese-language films, and this proportion is increasing day by day. I estimate that in the next four or five years, it will surpass Japan and become the first."

Yang Lingyue nodded. The cooperation with ASEAN is deepening. Although I don't know when this data was reached, it is indeed inevitable.

Liu Dingye continued, "I have discussed with my father whether we can take advantage of the current good situation to change some of the government's policies, such as co-productions, co-productions shot in Malaysia.

I want to set up a film and television company in Malaysia and attract Chinese investment, so that horror films, police and gangster films and other taboo films can be released in both places. Even if they cannot be released in the mainland, they can be released in Taiwan, Hong Kong, and Baozi Video."

Yang Lingyue looked at Liu Dingye deeply. From the beginning, he knew that you are a man of extraordinary knowledge and family background. I didn't expect that your family can influence the government's policies...

And figure out the future policies of the Thai government, and support the new wave of art film directors born in Malaysia, otherwise those people will either change their careers or run to Hollywood.

"Just tell me, what do you want me to do?"

Liu Dingye smiled shyly: "Money and channels, Baozi Video, and, isn't Bingbing's wife the deputy director of Xiying? The channels in Western Europe, right..."

Yang Lingyue was happy: "You are two years older than me..."

"The first thing to do is to achieve success, big brother."

Yang Lingyue nodded: "Okay, tell me when you do it, I won't hesitate to invest."

Liu Dingye was even more shy: "No, I really need money."

"Get out."

"Okay, I'll get busy."

Liu Dingye left with satisfaction.

Walking around the studio and chatting with people, it was past 5 o'clock, and after making a phone call, Yang Lingyue left.

But he went to visit a crew.

It is said that Lan Xiaolong's war trilogy, the first two "Soldier Assault" and "My Captain, My Regiment" are well-known, but the last one is little known, which is "Life and Death Line" that Yang Lingyue is going to.

The above three dramas have two common actors, Zhang Yi and Li Chen.

Lan Xiaolong's military dramas are very different from similar dramas. His personal style is extremely strong and often takes a different approach.

After all, in Lan Xiaolong's scripts, people are people, with all kinds of complex emotions. Of course, the most important thing is that people in the play are afraid of fighting.

But there is always something that will wake up a person and let us know that heroes and bears are just a thought away and can be switched at any time.

The focus of "Life and Death Line" is not that people's lives are destroyed by war, but how an ordinary person goes from being numb to rising up to resist.

This is similar to Xu Sanduo, from "pit master" to Lao A's soldier king, and also like a group of weird people in "My Regiment" to collective heroes.

It can be seen that Lan Xiaolong has great ambitions in the play "Life and Death Line". The previous two plays did not have so many descriptions of characters from different classes, and almost all kinds of people were covered. Broadness means that the description will not be too deep, which is very contradictory.

In the absence of soldiers "wrapped in horsehide", how did ordinary people resist the Japanese?

But obviously, ordinary people don't like such a play about ordinary people.

And some elites think it is too magical...

Back to the main text.

Yang Lingyue was not rushing to Zhang Yi, nor was he the director Kong Sheng, but the producer of Shanying, Hou Hongliang, or the future boss of Noon Sunshine, Hou Hongliang.

Of course, it is still under the name of visiting Zhang Yi.

Although it was a visit, Yang Lingyue didn't bring a hair, just took Han Jianu, got on a Buick business car of the company and went straight to the crew of "Life and Death Line".

"Director Yang."

As soon as he got off the car, he heard Zhang Yi's shout.

Yang Lingyue took a quick look and saw that he was wearing a very elegant brown suit, standing upright in front of him with a very happy smile on his face.

"He's in good condition, and it seems that the crew is having a good time."

"Of course, one is "My Group" and one is "Mad World"..."

Yang Lingyue interrupted unhappily: "Damn it, I asked you to win the Golden Horse Award for Best Actor and you're still being pretentious."

"Hehe, the director is right."

"Are the actresses in your drama pretty?"

"I'm afraid it doesn't suit the director's taste"

.......

The two walked in while talking and laughing. Han Jianu, who was following behind, kept rolling her eyes. The boss was not serious, and Zhang Yi was still smiling and responding. You can tell a person's face but not his heart.

"Director Kong, President Hou, everyone, excuse me."

Walking in front of the camera, Yang Lingyue smiled and bowed.

The people who were watching the monitor and chatting hurriedly looked over.

Kong Sheng, with gray hair and black-framed glasses, took two steps forward and stretched out his hand, grinning: "Director Yang, that's not right."

Hou Jingliang smiled and echoed: "I'm sorry for not welcoming you."

Yang Lingyue then shook hands and greeted Liao Fan, Li Chen, Yang Shuo, and Ni Dahong one by one. These are the main actors of this drama. As for the actresses, there are no actresses. The filming was finished long ago. The female extras in the distance are eager to try...

Yang Lingyue couldn't help but sigh. These are all top stars of the Mesozoic era. But now, Zhang Yi is the most famous. As for the Golden Horse male lead, Liao Fan is not bad.

Speaking of Liao Fan, the previous article mentioned that Tong Guowei in "Yongzheng Dynasty" was played by his father Liao Bingyan.

Liao Bingyan was the first actor to play a great man. He was the head of the Hunan Provincial Drama Troupe. Liao Fan was his youngest son. He was a family man of learning.

As for Li Chen, Yang Ling really couldn't like him. It was not because of Fan Bingbing. After all, it was too early. She just didn't like him. It can't be said that this person is so bad. He is still very loyal to his friends.

As for being fickle, brother, how many men are not fickle?

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