Professor Jin also felt that Wang Xu's suggestion was very implementable. Wang Xu promised that it could be produced at cost price, which would make it more feasible.

As the top music education institution in China, they have been troubled by the quality of the database itself for many years. Being able to re-produce some classics is a good thing no matter how you look at it.

Wang Xu's proposal can be said to be exactly what he wanted. In fact, without Wang Xu, later generations have remade some original classics. Unfortunately, it was too late when they started. Many old singers have passed away, and many living ones can no longer sing. From then on It leaves behind permanent regrets.

For example, the famous singer Guo Lanying is now sixty years old, and her voice and breath are no longer as good as before, but she can still sing "My Motherland" with ease, but how long can she continue singing?

For example, Tseden Dolma's Tibetan high-pitched voice, and Dedema's rich alto, almost all became swan songs in later generations. Their famous songs are not many, but those few songs are enough to be recorded in history.

But music is not as good as literature. It can still be praised after thousands of years. The music carrier itself is crucial to the preservation of music. As for these classic shaping moments, China does not even have digital recording equipment, so how can high-quality works be handed down? Woolen cloth.

Professor Jin promised to study the feasibility of this matter when he returned. The Yangyin family has a great cause, a profound background, and wide connections. Professor Jin will definitely be better than Wang Xu.

What's more, once this is done, Wang Xu's recording studio will be famous and unique in the music circle. There are countless invisible benefits.

Just counting the number of Professor Jin’s disciples will tell you how good Professor Jin is. What’s more, Professor Jin and Teacher Gu are close friends, and they have deep friendships with countless well-known composers and lyricists.

Well, it’s a bit utilitarian to think this way, but that’s the fact. Isn’t that how connections are built up bit by bit? The entertainment industry of later generations relies entirely on the exchange of various resources, but what exactly are resources? Do world-class recording studios count, top-notch audio-visual equipment, and various top-notch studios and production centers in the future.

Who says that engineering students can't join the entertainment industry? It's just that the big guys don't like it, and ordinary people are not qualified.

Leaving behind Professor Jin's business card, Wang Xu left a note to Wang Jinghua informing him of the matter. Wang Jinghua would definitely have to follow up on this matter, and Wang Xu continued to be his hands-off shopkeeper.

The music circle is actually very small. The quality of any recording studio spreads very quickly in the circle. This time Professor Jin came here because of those few demos. This in turn helped Wang Jinghua, and her network resources slowly expanded with the reputation of China's number one recording studio.

Talking about many things is much easier than before. In just one month, queues have begun to appear in the recording studio. Although it is not full yet, the reservations for prime time during the day have been queued for a week.

The 1990s was also the period when China's audio-visual products were most developed. The number of new discs released every year on the market could be said to be booming. If it weren't for no one to operate it, Wang Jinghua would have planned to expand a second recording studio.

It's a pity that the talent gap is even greater than the equipment gap. After all, the equipment is really simple for a god. But talents can't grow as fast as leeks. Even if they are cultivated, they won't come out in less than a year and a half.

Let alone expansion, even this one would be too tiring for Zhou Li to handle. Equipment can work 24 hours a day, but people can't. Zhou Li has already started looking for people among his senior fellow students. Wang Jinghua is also looking for talented people in Yangyin, Huachuan and other schools.

In these days, the thirst for talents is really high. Especially in private enterprises like this, there are no government allocation quotas. If you want to find people, you can only fish them in the sea. The quality is really good. cannot be guaranteed.

Therefore, cultivating apprentices and cultivating fresh blood has become one of Wang Jinghua's important plans. These were all discussed with Wang Xu. Wang Xu also fully understood Wang Jinghua's helplessness in making blood by herself. There was no way, let alone such a side industry, even senior workers were in short supply these days.

For a fourth-level worker, there will be township and village enterprises offering high salaries to poach them. Think about the extent of the talent shortage.

Now there is a recording apprentice in the shop, sitting in front of Zhou Li and learning step by step. Unfortunately, the recording industry still requires talent. Those who have no foundation at all can't play it. You can't even tell whether the singer is If it's out of tune, how can you tune it to others?

Of course, you can say that the tuner is not the sound engineer, and that would be really messing up. Recording engineers these days are all responsible for sound mixing. Unless it is a very large recording studio, the sound engineer will not be considered a sound engineer. Separate it separately.

Those who operate recording equipment and those who adjust audio tracks have become two different types of work. This does not exist here in Wang Xu. If there are two people and an apprentice is added, there will be no room for the producer.

At this time, Wang Xu began to miss the mixing software of later generations. It was much more convenient than today's mixers. It could also record and store many adjusted configurations, visualize operations, and convert with one click, which was convenient and fast.

Wang Xu began to think about whether he could build that thing in this era. The basic conditions were a fast enough computer and a fast enough and large storage device. It was okay to treat these two things as one.

Today's computers are still in the 386 era, and PCs have just entered the 32-bit threshold. In fact, there are already prerequisites for making 32-bit software. Regardless of audio or video, it is really troublesome without 32-bit.

If you think about the audio and video quality of those 8-bit Famicom machines, the quality of the 16-bit Sega has improved a lot, but the algorithms and techniques are still no different from those of the 8-bit Famicom machines.

The reason is very simple. The sampling rate starts at 24 bits. If you use an 8-bit or 16-bit computer, you need to separate the things that were calculated once or even three times, and the algorithm must be redesigned.

With 32-bit CPUs, this problem no longer exists. Regardless of addition, subtraction, multiplication, and division, it can be solved directly inside the CPU, and there is no need to split it externally. Therefore, it can be said that 32-bit is a threshold for audio and video to enter the PC.

But today's CPUs are really slow. With a main frequency of less than 40 MB and a hard drive of less than 100 MB, PCs cannot easily handle massive audio and video data.

Therefore, general PCs require specialized sound cards and video cards to deal with this problem, but they can still only process streams and cannot perform other operations.

But as long as the prerequisites are in place, other problems are not difficult to solve.

The sound card technology has been around for a long time. The sound blaster cards made by a company in Singapore have been sold all over the world. There are also many sound cards in Wanwan, and the prices are not expensive. However, most of these things are still used to play back sounds, and their processing capabilities for collected sounds are lacking.

Of course, for Wang Xu, it's simple. The system should be sold and it won't be very expensive.

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