Chinese entertainment for engineering students

"From the grassland to Tiananmen Square, I raised my golden cup and sang praises. The wine was fragrant and the flowers were in full bloom..."

Beautiful singing sounds float out from the speakers in the listening room and surround the comfortable sofa in the center. The young couple are cuddling on the sofa. The sofa is relatively large and the young couple are quite thin. Even if they are all nestled on the sofa, it still does not seem particularly crowded. It is quite a sense of happiness between you and me.

Wang Fei originally didn't like these old-school songs very much, which is not surprising. Not many young people of this era really like these songs. After all, they have been singing for too long, and they feel a little tired of singing.

Children born in the 1960s and 1970s have grown up listening to these revolutionary songs, whether they are played on the radio or through loudspeakers. Children in the city are really familiar with these songs.

No matter how classic the songs are, they cannot withstand such repeated bombardment, so children of this generation are generally rebellious towards these songs, and even criticize all such songs as garbage.

Moreover, these songs represent their childhood, and in that era, you know, suffering was far greater than happiness, so these songs are naturally closely associated with suffering in their memories.

In the forums of later generations, there are no people who hate these songs the most than this group of people.

But after the passage of time, when I think about it again, I feel sad again. I can still shed tears while singing. It is really rebellious and hypocritical.

Until the 1980s, Wanwan songs represented by Teresa Teng began to enter China through various pirated channels. The most fashionable and wealthy young people began to listen to these songs with four speakers, two speakers, and brick recorders.

The major song and dance troupes and music schools in the imperial capital, which are the most sensitive to music in China, began to learn from such songs, and a number of national team-level singers emerged, such as Su Xiaoming and Li Guyi.

Then came the popularity of this group of singers, and singers such as Cheng Lin and Cheng Fangyuan who sang covers of Wanwan songs became very popular.

Then it aroused the disapproval of the older generation, and then there were various criticisms in newspapers, defining these songs as "extreme music", and even specifically banning them, but this still cannot break people's love for these songs and singers. .

In the first Spring Festival Gala, Li Guyi's "Hometown Love" was requested by thousands of calls during the Spring Festival Gala. She herself sang eight songs in the Spring Festival Gala, setting an unprecedented record.

Since then, Mi Mi Music has broken through the blockade and has truly become a music form widely accepted by the public and generally recognized by the industry, leaving many classics that will echo in the minds of a generation for a long time.

That ban was the first real ban in Wang Xu's memory. Radio stations were not allowed to play, TVs were not allowed to record, and video stores were not allowed to sell. The momentum was huge, but in the end it was still unable to withstand the people's desire to break through the shackles. Soar.

For almost thirty years after that, the word "blocking" did not appear again. At most, it was collusion between several companies, or the behavior within the company rarely escalated to the government.

After that, the country introduced regulations on the management of bad artists, and the concept of banning came back, but it was something different.

After all, there are laws to follow, and various treatments within this framework are just the product of rules and will not cause dissatisfaction among the people. The common people will only eat the melon.

In any case, the 1990s was not an era that was very friendly to traditional classic songs. If you ask any young person on the street, there is no one who doesn’t hate those old antiques, even if they don’t curse them.

But Wang Xu still promoted the remake of classic songs. Although he was not famous, he did a lot of things with his money and efforts.

He feels that although those songs are products of the times, their status as classics will not change because of this. While these singers can still sing, their beautiful voices will be left behind.

At least let yourself not regret the glitchy texture of a song one day in the future.

Wang Xu will always try his best to produce some remakes of classics, such as those Mi Mi music.

The singer Wang Fei admires the most is Teresa Teng, and those melodious sounds are all derived from Teresa Teng's singing style, and they are also quite popular with Wang Fei. Once those batches are remade, Wang Fei probably won't be as absent-minded as she is today. .

Today she was studying with the prince. She didn't like these songs very much, and she was even a little rebellious and annoying, but she also knew that these people sang really well.

It just doesn't match her style very well, so she has rarely listened to it before. This "Hymn" is one of the few songs of this type that she likes to listen to. Moreover, listening to music with Wang Xu, no matter what you listen to, is naturally interesting.

Since getting along with Wang Xu, Wang Fei's playlist has suddenly become richer. From British rock to American blues, Wang Xu has collected all kinds of songs and music as much as possible and fed them to her like a duck.

Hobbies will influence each other. Wang Xu's taste will naturally and inevitably influence Wang Fei, and vice versa.

Wang Fei recently recorded another single, the song "Dream Man", in English, Mandarin and Cantonese. There are three versions, plus a pure humming version of "Heaven's Daughter", and they were thrown to Baoli gold.

Let them look at the arrangement. PolyGram's reply was that "Dream Man" will be released as a single in the rotten country first, and then in the ugly country. She is very popular there now, so add a single to continue to add fuel to the fire. , it is estimated that the first complete album will be a complete explosion.

"Daughter of the Kingdom of Heaven" will be released together with the previous three-song single album Fever Kingdee, which is twice as expensive and has another round of leeks.

The young couple is naturally indispensable. Wang Fei's current focus of work is no longer in Hong Kong. PolyGram has now firmly determined to build Wang Fei into a global superstar. After all, the song "Big Big Girl" has already been on the Ugly Country Billboard. Entered the top 20.

And in the corrupt country, he even reached the top of the championship, unbeatable.

In addition, the two songs Wang Xu participated in have also entered the top 50, and there is really a trend of becoming a god. Xiangjiang even used Wang Fei to come forward, and her popularity has never dropped. In Southeast Asia and Xiaoli Chou Country, the sales of new and old records have really never dropped.

Originally, PolyGram had no plans to release records in Hong Kong in the past two months. English albums are mainly sold in Western markets such as Chou Country, followed by the Xiaotian market. Although English albums can also be sold in Hong Kong, they are really niche.

Therefore, Wang Fei’s film release plan is scheduled in the middle of the year, near the summer vacation. This is what she has said hello to other companies. These companies have already communicated with each other. It is best for top artists not to be king versus king. It is not good for anyone. .

But no one expected that Wang Fei could be directly on the bulletin board overseas, which is equivalent to a direct counterattack from overseas.

Fans in Xiangjiang would naturally protest that Xiangjiang could not buy Wang Fei's new album, so PolyGram naturally broke the tacit agreement and started selling it in Xiangjiang.

As a result, an English single album actually sold 6 times platinum in Hong Kong, directly reaching the top of the record charts of the Dragon and Tiger Charts, and three songs took turns to top the song charts of major radio stations.

It felt like there was no way for others to survive, and the Hong Kong singers, especially the female singers, who had finally recovered a little bit, were extremely frustrated.

Even Sister Mei called back and said that she was lucky to have retired, otherwise Wang Fei would be really angry to death.

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