Clow Cards Cardcaptor

I originally planned to write a playful and nonsensical battle beginning about "Jin Jin'ou and Ci Pang-chan" to attract you to read this volume.

But then I thought about it and decided to forget it. I was just talking to myself. It didn’t matter if no one was watching.

And the most important thing is that the fatigue left by Cavan some time ago has not dissipated, and I really can’t muster the energy to think of interesting plot points for things other than the plot.

Ha, yes, you heard it right. In fact, the previous chat at the end of the volume, whether it was the content structure or the insertion of emojis, was written by me after a little thought and effort. I will also change it, just to make you feel like it. Even if the author is nonsense, it will still be interesting to read.

But let it go this time. I am really tired both physically and mentally. I won’t change this chapter even if there are typos. If it weren’t for sticking to my old habit, I even came up with the idea of ​​not writing this volume and making it nonsense.

It's better to do less than to do more. I feel tired all over after updating. I was obviously looking forward to writing this before.

Okay, sorry for complaining so much, I will tell you the story of this volume as usual.

Spring passed and autumn came, and I finished writing another volume of stories in the blink of an eye.

The story that ran to the non-text volume, this is already the eighth volume

Unconsciously, a long time passed

What is written in this volume? According to my personal outline, it should be divided into three parts: the various follow-up treatments after the return, the preparatory buffer before the start of the National War, and the National War.

The first part includes different stories with different people after Fangran returned and made changes. I did not neglect any character and carefully arranged everyone's plot. There are key points in each person's plot that must be written. point, from recovering in the ward to returning to the hut,

It left a very deep impression on me. The most difficult thing to write about was the emotions in the two pictures of Xia Yao. I was so entangled at the time that I even pulled out a lot of my hair.

Then after finishing writing the interactions between Fangran and everyone else, I finally had time to greet the Queen who had experienced the previous volume of the North Pole.

What also impressed me deeply was that Ling's chapters were also very difficult to write, because Ling was a very special existence in Fangran's life. She was different from everyone else. She completely belonged to the night battle world.

Therefore, the various foreshadowings of the key main plot can only be drawn out with her as a clue. At that time, I really racked my brains in order to arrange those complicated plots.

It is precisely because of this that I have always felt that the one that sent the Queen into hibernation was not profound enough.

More than five thousand words is not enough. The rendering is not strong enough, not touching enough, not strong enough.

But I have no choice, the previous few pictures have exhausted my inspiration and emotion, and it has been far away from the last volume. The previous emotions are a little unable to connect, and I cannot come up with any colorful romance that makes me fuller. Very sorry

And then the second part that follows

As for the travel part, as a preparation before the start of the national war, the last three members of the Night Bureau also appear in this volume. I have been worried for a long time about how there are so many people in the Night Bureau, and the problem of how everyone has written it has finally been solved.

For the second part of the plot consisting of the eldest young master, Jota and Mucheng, I tried my best to show the distinctive characteristics of the three of them, and designed their relevant plots respectively.

As for someone who is good at computers but likes to write online novels and hit the streets, haha, just think that I want to complain about my little thoughts and also deepen the image of the character Yota.

One thing that needs to be explained is that I had a lot of fun writing those photos of my trip to Tokyo!

It’s super happy! ! !

During the vacation before I wrote those few photos, I randomly opened other people’s travel vlogs and caught up on other people’s travels little by little. When I learned about the city of Tokyo, I felt like I had left the house and traveled to other countries.

Really, as my book writing experience continues, there are very few chapters that I can’t wait to write tomorrow. I seem to be enthusiastic about sharing them with everyone immediately after writing them. For those few chapters, I really can’t wait to write them in more detail. Enthusiasm for you

It reminded me of my original intention of writing a novel, and I was very happy

And those daily pictures are also very cheerful. I like them very much. Both Jota and Mucheng are very interesting characters, so if you complain about my lack of daily life in this volume, please stop.

As for the night weapon scene, there is nothing much to say. I originally planned to put it in the next volume, but later, looking at the course of this volume, I suddenly found that it was too peaceful and lacked the bullying of fighting, so I put it there. Now that this volume is here, the effect is pretty good.

Island vacation To be honest, if I weren’t afraid that you would think I was in the water again, I would actually like to write more. Haha, maybe I want to make up for the regret that I have never experienced before.

As for the last part, which is of course the highlight of this volume, I didn’t know about the national war that I seemed to have mentioned a long time ago.

I made a lot of preparations before writing, but after I started writing, I still faced various problems, the first of which was,

I found that I'm actually not very good at writing step-by-step plots. Looking at my previous plots, many times they happened suddenly.

So at the beginning of the national war, I really thought about it for a long time, from the combatants, to the competition format, to the names of the foreign opponents, to the abilities of everyone on the opponent, to all kinds of messy details.

To be honest, it’s really difficult to write

You have to take care of all aspects. The outline of the National War is probably the most detailed I have ever written. I will send the outline information of my volume to the group later.

Let’s talk about the C-level battle first. My original plan was to divide it into three levels: funny and tough and decisive. But in fact, after I wrote it, I found that the problem I always encountered was that the number of words in the chapters with more detailed chapters was seriously exceeded than the expected word number. c I remember correctly that I wrote more than a dozen pictures of level battles (sweat)

Unknowingly, this is all I have written. It is not enough for a C-level battle. Overall, I am very satisfied with the writing.

The last few trump cards that collided head-on with Osphia's came in and out. I really burned myself out while listening to the music with my headphones.

It was originally the ending of Tang Dao plus {Sword Cards, but it was replaced by White Wings and Night Instruments, which far exceeded the initial expectations.

As for the next B-level battle, to be honest, I really tried my best,

First of all, it faces a problem. When Fang Ran does not appear, each picture must be written about other tasks. This will make people who just want to watch the protagonist show off find it boring and watery. In fact, the B-level battle begins. This chapter said it was far lower than the number before the beginning, but maybe it’s because the plot is very serious and there’s nothing to complain about.

However, the plot design of B-level battles is far simpler than that of C-level battles. For each set of battles, I tried my best to design trump cards, reversals, battle scenes, famous locations, determination and respective characters. Especially for Mucheng, I Like this character very much

Compared to C-level battles, how should I put it, it has a feeling of being well-dressed but not as huge as the European style, well, but C-level battles are the main protagonists after all, and I can understand it.

During that time, I was worried that if Fangran didn't appear for a long time, the plot would seem dull. But except for a few answers, the overall harvest seemed to be good due to my careful design, and the number of subscriptions has remained stable.

Also, without the protagonist’s addition to the plot, we can only rely on writing skills and design efforts to make up for it.

The next chapter, Base Station A, to be honest, I thought the Fang Shuzhi's opening words were so cool when he read them out, but the response to this chapter the next day was mediocre, and I was depressed for several hours.

I also struggled with Night Crow's appearance for a long time. I was thinking about how to make her appear more handsome. In the end, I didn't come up with a very novel way, so I had to solve it by appearing together with Clotilde (seriously lacking in inspiration).

Also, in the A-level battle, what troubled me for a long time was the opponent's ability. In the C-level battle, except for Osphia, just think about it. In the B-level battle, the abilities of Le Guin and Pedro were already written, and they were slightly different. Just think of Simon, but not A-level.

A-level abilities must be worthy of others' A-level status. According to the rare number of A-levels, they should be a bit special. To sum up, they must be able to keep up, so whether it is the steam of Corossos Punk's brass gear, or Herschel's spear blade based on the royal shotgun, are all abilities specially tailored for their characters. For this reason, I searched for nearly a point. What does the European royal shotgun look like?

Also, the Royal Declaration was inspired by the weapon I played with Satan Yel in P5 (it’s really cool)

To be honest, starting from the B-level battle, I was stuck almost every day. The plot where the protagonist does not appear means it is super difficult to write. From B-level to A-level, I spent a lot of time and effort to portray everyone's story.

Try to use subtle descriptions to show their stories, and at the same time intersperse them with the main line to serve the plot and make everything reasonable, such as Colossus and Herschel Linhua

I've told you the reason why I was stuck in writing during that time. I just wanted to express too much and didn't know how to do it. It was like a person who only had a passing score in writing and wanted to write a high-scoring essay.

Being able to write novels is a great thing. Compared with the same work, it is a job where you can see the results of your hard work every day.

Some people will be proud and complacent when they have achieved results, while some people will be more cautious and constantly remind themselves not to relax. Maybe they have developed habits without too many successful experiences. I am obviously the latter. I am grateful for all the support. My book friend, for someone like me who can update so many monthly tickets every month, I know exactly what it means.

As a cliché, thank you for supporting me till now.

So I keep pushing myself, every sentence gets stuck, and I polish it bit by bit. I want to write a better story worthy of your support.

But it is precisely because of this that I pursue the completeness and quality of a chapter update. I don’t want to break the chapter if it doesn’t come to an end, so it’s hard to determine the word count, which is often more than 3,000 words. As a result, I can’t think of other authors who have 2,000 words. It is really difficult to write two thousand chapters (just like I still owe Mr. Shirogane Moe 12 chapters)

But no matter what, I finally finished writing this volume.

It’s still the same old saying, I don’t know if you are satisfied or not.

Anyway, I'm very satisfied

This volume is called Moving to a More Distant World and Returning from the North Pole. He has made countless changes. If it were in the past, he would still be sitting in the audience during this long war.

That way there should be nothing like the subsequent A-level battles.

Maybe many people will think that the end of this volume is abrupt, not like the ending, and I wish you have broken the volume again (uh...this), but in my outline expectation, this volume ends here.

There are many foreshadowings in this volume, such as the mechanical soul, the new night weapon, the new abilities, and the actions of Le Guin and others, which are all the stories of the next volume.

He is determined to make a change. Compared with the previous stories where he was passively encountered, the style of the next volume is unprecedentedly different. It is not about saving anyone, but a more participant-style story.

He will truly be a participant, not a child, to be independent, think, and decide what he wants to do and what not to do.

Moreover, taking over the various related characters in this volume will be a very interesting adventure away from daily life, showing the 'bond' and 'love' after 'strength' and 'progress'

But to be honest, I'm still a little uneasy. Can I write such a wonderful story? It's like this every time. It's like this every time I start a new volume.

But I will try my best (if it doesn’t work, just give me a couple of days)

A little spoiler, there will be a female character that I like very much in the next volume. I had thought about her existence three or four volumes ago, and even though her name is similar to that of a certain book friend, the two It doesn't matter

At the end of this volume, Fang Ran finally went to a more distant world, and the title of this volume echoed his determination in the previous volume. It was a very complete story.

And I, who casually mentioned that I was looking at him,

After graduation, I basically wrote this volume at home. After experiencing the bumps in July, the rest in August, the loneliness in September, the failed trip in October, I finally finished writing this volume in November.

I'm just alone and have nowhere to go

I'm 24, I'm no longer a child, but I still stay with my parents, I don't have a girlfriend, and I don't have much social contact.

The loneliness of being so trapped in my daily life with only novels every day drives me crazy, but if I really want to leave the comfort and stability of someone taking care of me,

I don't know where to go