Comic cheating, dream-eating life

Comics are a magical thing, watched by millions of people.

An excellent comic can often bring extraordinary effects.

For example, "Hikaru no Go" by Mr. Takeshi Obata and Mr. and Mrs. Horita.

During the years when "Hikaru no Go" was serialized, many people learned about Go and loved Go. The number of Go players in Tachimoto increased from more than 3 million to more than 4 million.

It has produced an extraordinary impact.

Now "Ultraman Tiga" is the same.

In the previous episode of "Ultraman Tiga", the content was that the underground nuclear explosion experiment led to a serious crisis. Associated with reality, it has caused widespread concern about the nuclear leak in Fukushima. Even protests were held in front of the government.

In the latest episode, the naughty deep-sea monster Reilos healed people's tense nerves again.

So as soon as the Ministry of the Environment expressed its position, the tense atmosphere disappeared.

It seemed like everyone was joking.

Yoshida Koji was very happy about this. Some time ago, he didn't even have the time to supervise Hiramaru Kazuya.

Only then did I have the energy to communicate with Nan Shiki about the ending of this matter.

"Oh, right, Mr. Yoshida." Nan Shiki remembered something and suddenly said: "The schoolmates said that there is a pervert wearing a suspender suit who often peeks at Yagami Long Slope. His hair is disheveled, his whites of the eyes are big, and he looks very depressed."

"I thought about it carefully, it should be Mr. Hiramaru. Can you help me tell him, please don't do this again? The schoolmates are going to call the police."

"Ah!"

Yoshida Koji screamed!

"Is he going to find his own Miss Saki? Damn Hiramaru!" Yoshida was not surprised at all, this is something that Hiramaru could do.

"Well, I know, I will teach him a lesson." Yoshida Koji, who suddenly calmed down, gave Nan Shiki an even more terrifying feeling.

On Tuesday, Yoshida Koji notified that the quick report was the first.

There is no suspense. After a farce, "Ultraman Tiga" has set off a wave of trends again. The intention of the work is also very high, and it is more interesting than usual.

It can be said that it is a comic that is far ahead.

On Friday, our newspaper was also ranked first.

This time, Yoshida Koji visited the Spring, Summer, and Autumn Studio and brought photocopied storyboards of the works participating in the serialization meeting.

More than a dozen comics were bound together, heavy.

Minami Shiki read for a long time, until 10 o'clock in the evening, he wrote comments one by one, and personally returned them to Yoshida who was waiting patiently.

"I have no opinion on that comic. I think from the bottom of my heart that "Ultraman Tiga" is the most interesting. So let's compete together."

He said so.

Among the works of this serialization meeting, there is a special comic.

The content is a battle between giants and giant monsters, which is a follow-up work.

Minami Shiki was not surprised, but felt a sense of "Ah, it's finally here".

As long as it is a creative platform, there will be follow-up works, and "Weekly Shonen Jumk" is no exception.

It's just that "Weekly Shonen Jumk" is a bit special.

The treatment and whether to cut it in half are determined by readers' replies.

The same work will inevitably divert the popularity of "Ultraman Tiga".

Compared to the trend-following novels on Qidian, the situation on jumk is much more serious.

Now the editorial department is also using this opportunity to give Nan Siji a heads-up.

"It's like a head-on collision, let's have a collision!"

Yoshida Koji remained calm.

But his heart was churning.

"This young man is so confident!"

Yoshida solemnly took the storyboards and took the finished manuscript of the 26th episode.

"I did receive it."

Yoshida Koji said.

He was ready to leave, having been delayed for a long time.

"Wait, Mr. Yoshida," Minami Shiki stopped him: "Actually, I'm thinking about the storyboard for the 28th episode of Ultraman Tiga, and I want you to give me some advice."

Yoshida was stunned for a moment, he put down the comic manuscript in his hand, and sat in front of Minami Shiki: "Shouldn't you be drawing the 27th episode? Why are you thinking about the 28th episode?"

Minami Shiki took out a storyboard from the drawer, which was the ending of "Don't Be a Slave", handed it to Yoshida Koji, and said calmly: "I have already drawn the 27th episode."

"Huh?"

Yoshida took it and started to read it. After a while, he nodded: "Well, it's really amazing. It seems that there is no problem at all. I can say... just draw it like this."

"Then please take a look at the 28th episode." Minami Shiki took out another storyboard from the drawer.

Yoshida Koji couldn't help but become curious, he stretched his head and wanted to take a look at Minami Shiki's drawer.

"Look if you want to." Minami Shiki seemed to see Yoshida Koji's thoughts and smiled nonchalantly.

Yoshida Koji sat up straight and felt embarrassed.

Nan Shiki continued: "The content of Chapter 28 is the reappearance of Gazot."

"Huh? Is this the return of the old monster?" Yoshida was surprised as he flipped through the storyboard.

"Yes, it is impossible to write clearly about Gazot in two chapters." Nan Shiki tapped the table with his fingers: "What I want to say is that humans will never learn lessons, and their own needs are the first priority. No matter how beautiful other lives are, they cannot compare to people's own lives."

Yoshida Koji nodded, not quite understanding. He had not read the storyboard yet, so there was nothing to say at this time.

So he lowered his head and prepared to read.

"Well, please let me take a look."

After a while, he put down the storyboard.

"I really didn't expect this angle. You started to foreshadow it in "The Closed Amusement Park". At that time, I was still curious, why did you mention the boyfriend of Mayumi, the younger sister of the New Town team? It turns out there is this relationship."

"However, if I don't read the last episode, I don't know what the effect will be."

Minami Shiki opened the drawer and put a hand in.

Yoshida Koji looked at him in amazement.

"I didn't say there were no storyboards." Minami Shiki took out a new storyboard with the 30th episode written on the cover.

"Let me see!" Yoshida Koji stood up and opened the drawer, but there was nothing.

"You guy."

"Haha," Minami Shiki raised his hands: "I don't have the energy to continue writing storyboards."

"It's amazing to be able to finish three storyboards in advance." Yoshida calmed down.

He turned to the first page and read it.

Not long after, his eyes widened and he gasped.

"This content... is incredible!" After reading it, Yoshida carefully put the storyboard away.

"You are such a storyteller, your drawings are so good."

Yoshida admired the man in front of him. Such a story was drawn by the cartoonist he was in charge of. It was really great.

"Then, it's just a normal serialization..." Minami Shiki hesitated.

"Oh, I understand!"

Strategist Yoshida Koji, even when excited, did not lose his mind. His smart brain quickly figured out why Minami Shiki asked him to see the storyboards in advance.

"I will apply for the color pages at the beginning of the volume!"

Even though he was tricked, Yoshida Koji was willing to do it if there was such a good comic.