Conan: I Am Not a Snake Spirit

Grayhara Ai looked at Chi Feichi and the other two standing together in front of her, and quickened her pace, but lowered her voice and teased, "So, today you are not here to visit the art museum, but to participate in the "Sunflower" protection operation?"

Conan smiled and waved his hands, "It is not certain that the mysterious man will definitely take action on this painting..."

Chi Feichi, Nanatsuki Koshimizu, Hiroki Sawada and Dr. Agasa and others joined together, and under the impatient urging of the three children, they went to the exhibition hall where the fifth "Sunflower" was exhibited.

Mitsuhiko saw the fifth painting of "Sunflower" on the wall and ran forward quickly, "Found it, over there!"

"Where is it? Where is it?" Genta ran forward and came to the glass partition. He lay directly on the glass and looked up at the "Sunflower" on the wall. "Wow! Is this "Sunflower"? It looks amazing!"

"This painter has painted a total of seven "Sunflowers", right?" Ayumi also walked to the side quickly, looking at the paintings behind the glass, and said with emotion, "He really likes sunflowers!"

In the back, an old woman with gray hair and dark kimono sat on a bench. Looking at the energetic appearance of the children, a smile appeared on her face, and a bit of kindness was revealed in the deep wrinkles at the corners of her eyes.

"You guys be quiet..." Conan reminded the three children, "Be careful not to be kicked out!"

"Sorry," Huiyuan Ai said to the old woman sitting in front of the painting, "I disturbed you."

The old woman immediately smiled and responded, "It's okay."

Sawada Hiroki walked to the stool and felt that his physical strength had been almost exhausted, so he tried to climb onto the stool next to him.

Children of seven or eight years old are full of energy, but a one or two-year-old like him can't keep up with the physical strength...

Chi Feichi saw that Hiroki Sawada was struggling to climb, so he reached out and lifted him up and put him on the stool.

Dr. Agasa walked quickly to the children, and leaned on the glass like the children, exclaiming, "This is the fifth painting of "Sunflowers"? It's really well drawn!"

The old woman couldn't help laughing when she saw that Dr. Agasa was also like a child.

Dr. Agasa then noticed that there was someone sitting next to him, and apologized quickly, "Sorry, I'm so rude!"

"Don't mind it." The old woman smiled good-temperedly.

As soon as Dr. Agasa turned around, the three children lost interest in "Sunflowers" again.

"Okay, we've seen "Sunflowers"..."

"Is that all right?"

"Then let's go buy souvenirs next!"

Dr. Agasa was pulled away by the three children before he sat down to catch his breath.

"Doctor, come too..."

"Hurry up! Hurry up!"

Conan didn't follow them, but walked to the glass, complaining in a speechless voice, "Really, what on earth are they doing in the art museum..."

"Anyway, it's not to protect "Sunflowers"," Huiyuan Ai couldn't help but tease, and saw Sawada Hiroki holding the baby thermos cup with both hands to drink water, and couldn't help but smile on her face, and walked to Sawada Hiroki's side, "But the three of them are indeed a little too lively, and Xiaoshu looks more stable than them."

"This child is really quiet," the old woman sitting next to him turned her head to look at Sawada Hiroki, and saw Sawada Hiroki stop drinking water and turn his head to look at her with his big black eyes, and the smile on her face became more kind, "Such a young child, should only be one or two years old?"

"He is now one and a half years old," Nanatsuki Koshimizu answered the old woman with a smile, "But he can already speak some daily expressions very clearly, and his vocabulary is already comparable to that of elementary school students."

"Really?" The old woman showed a look of surprise on her face.

Hiroki Sawada held the thermos cup in his arms, covered the lid of the baby's thermos cup with his own hands, turned around and smiled warmly at the old woman, "Grandma, hello!"

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"You speak very clearly," the old woman smiled in surprise, stood up, reached out to touch her pocket, and soon became annoyed, "I'm not used to bringing snacks or candies when I go out. I only brought change and a mobile phone with me, and there is nothing suitable to give to this child..."

"You're welcome!" Nanatsuki Koshimizu said hurriedly.

"It seems that I should bring some small items with me when I go out in the future..." The old woman still looked regretful, watching Nanatsuki Koshimizu take the thermos cup from Hiroki Sawada and put the baby's thermos cup into her handbag, and smiled and asked, "Are you the mother of this child?"

"No, no..." Nanatsuki Koshimizu blushed instantly, subconsciously waved her hand to deny, and then looked at Hiroki Sawada hesitantly.

In terms of the blood of Noah's new body, she...should also be considered a mother, right?

Would it be bad if she denied it so quickly? Would Noah think she was rejecting this relationship?

But she was still a little uncomfortable with suddenly becoming a mother without any pain.

And Noah was currently using the identity of "Mizuno Tree", so it was inconvenient for her to acknowledge the identity of a mother in front of outsiders...

"Unfortunately, Nanatsuki is still an unmarried woman who is enjoying the period of passionate love," Huihara Ai took Nanatsuki's shyness as shyness, and smiled to help Nanatsuki explain, "She and my brother are not married yet, and this child is the child of my brother's friend. Today they are just helping their friend take care of the child."

"I see," the old woman looked at Nanatsuki apologetically, "I'm so sorry, I misunderstood..."

Chi Feichi did not participate in the women's interactive conversation. He sat aside and looked at "Sunflower" hanging on the opposite wall with Conan.

This is the fifth "Sunflower" painted by Van Gogh. The picture is dominated by brilliant yellow.

Light yellow background, dark yellow tabletop, light yellow and dark yellow vases, yellow and brown sunflower disks, with only a few dark green branches and leaves as embellishments...

Unlike the second "Sunflower" he bought, this "Sunflower" had too many yellows interlaced and lacked other contrasting colors, and the vase was also full of sunflowers. He spent a lot of time staring at this painting. After a while, the full petals of the sunflower will become a little deformed.

Part of those petals seemed to be melting and gradually blending into the background. The remaining part looked twisted and weird, and some were hanging slimly from the brown flower plate, like some kind of slime forgery that revealed its true identity little by little. …

On the side, Conan withdrew his sight from observing the painting. Seeing that Chi Feichi was still staring at the painting, he stretched out his hand to pull the corner of Chi Feichi's clothes and asked in a low voice, "Brother Chi, do you think this painting is relevant to your purchase?" Do the paintings have anything in common?”

"No," Chi Feichi closed his eyes and focused his gaze on Conan, without looking at the painting that was gradually distorting in his eyes. "These two paintings have nothing in common."

"Yes, there are five sunflowers in that painting, the background is dark blue, and the vase is green, while this painting has fourteen sunflowers, the background is yellow, and the vase is also yellow. Regardless of the color or composition of the two paintings, There are big differences," Conan frowned and thought, "And judging from the time of creation, Van Gogh's first four "Sunflowers" were painted in August 1888, and the fifth "Sunflower" preserved in this art museum, The creation time should be in October 1888. The canvas Van Gogh used to paint this painting was a jute canvas brought to him by his friend Gauguin. The first four paintings did not use such a canvas, regardless of time and canvas. In terms of materials and pigments, this "Sunflower" has nothing in common with the one you bought..."

A man in a black suit walked quickly through the crowd, interrupting Conan's thoughts.

"Mr. Chi," the man walked up to Chi Feichi, leaned over Chi Feichi, raised his hands to his face, and said in a low voice, "Consultant Suzuki, Mr. Kogoro Mori, and Officer Nakamori brought many people to the art When I saw them, the curator came to the door to greet them. I heard them say that it seemed that Suzuki consultant wanted to come and see the "Sunflower" here..."