Creating a Sandbox World

At the end of November, this month's update is still stretching (it seems that there is no time to get up), a total of nearly 200,000 words have been updated, and the average daily update is 6,600... slightly higher than last month.

In terms of the plot, I wrote three copies, corresponding to the three worlds. The earth line opened the martial arts for all. The chapters at the end of the month revealed the setting of the spirit world. This item is reactivated.

When summarizing last month, I said that this month I will start to solve the problem of "breaking one and throwing one away". Looking back now, I have basically achieved this goal. In fact, it can be said that most of the plots throughout November were serve this core purpose.

Through the dungeon, the time of the two, three, four, and several worlds is stopped, no longer jumping, just like slowly stopping three cars parallel to each other... In order to achieve this goal, the continuity of reading is sacrificed , but only in this way can we have a place in the follow-up plot, and if the previous one is stable, we can have spare energy to start a new one.

As a price, it is the sense of fragmentation in reading caused by continuous map changes.

Moreover, due to the short length of the dungeons and the very different styles from each other, this sense of division is amplified. Specifically, in the three dungeons, the plot structure of the Moon Sea Continent is the most complete, but several mistakes were made.

The first is the decreased sense of substitution caused by changing the identity of "Shanhai". The "resurrection" ability was originally set for two purposes. One is that the subsequent empire line may be needed, and the other is to solve the jerky problem of cutting into the new world... Try a new cutting method. Looking back now, some The loss outweighs the gain.

Second, it did not tighten the plot. The sinking effect is not obvious enough in the front, and it looks loose, especially the celebration plot gives people the feeling that it deviates from the main line... But in fact, the purpose of writing the celebration plot is to integrate the moon clan's characters into the ten chapters. The world is depicted as best as possible.

To stop the world is not just to stop the acceleration, but to write clearly the forms of different worlds, improve the recognition, let people have a relatively certain prototype of the sandbox in their minds, and then focus on writing a few characters... Connect with the protagonist, and all of this needs to be completed within ten chapters, and an event is needed to bring it... When writing it, I referred to the writing method of Zhong Tianwen, trying to highlight the refreshing feeling, but it seems inappropriate to graft different themes. This problem is The second time you commit a crime, you must pay more attention.

Thirdly, there is still the old problem of changing the map. After entering the Moon Sea Continent, the environment is unfamiliar, and the only memory point, Moon Tree, does not raise the sense of expectation, resulting in a decline in experience.

Referring to the above questions, I tried to modify the copy of the Southern Continent... Originally, the plot of Ning Li was arranged for the experience of the world of mortals, and it was a temporary change. The problem caused was that some settings seemed a bit blunt, such as Lin Tuo's psychological teacher For example, Huaxi goes to school... Oh, by the way, the plot of the meteor shower was originally in this area, but due to changes, it was put behind.

But the better part of this paragraph is that it has learned a lesson.

By bringing Huaxi and Hathaway into the dungeon, the sense of fragmentation of changing the map is reduced, and the connection with the earth is strengthened through the update of the "Daily" short film... and the existence of the one-eyed giant also makes the plot tense... It is a comprehensive response Introspection of the Luna dungeon.

Also, here is where I finally figured out how to cut into a new scene... After trying four different methods, I have no choice but to find that the most suitable method may be the fifth: hard cut... (sigh)

In short, introspection still has a little effect.

So when it came to Tianyuan Continent, the dungeon of Hongchen Experience, the protagonist brought Huaxi into it again, but because there are no enemies in this dungeon, the plot cannot be tense... I can't arrange frequent invasions of the spirit world, which will cause reading fatigue, so after thinking about it, I decided to use "interesting" to dilute the slack of the plot.

And based on my personal point of view that the interesting plot comes from the interesting characters, so the Tianyuan dungeon focuses on the characters.

I wonder if it can be written more interestingly.

Then there was Yaoyao, and the dog licking scene with Pei Ming... Even though I am not good at writing characters, I still have to try my best to write.

But the data feedback is not good. According to the background data trend, I judge that the main problem is caused by frequent map changes.

You know, I originally planned to write a longer copy of the experience, about 20 chapters. After all, the best way to solve the problem of changing maps is not to change...

But there was no way, and in the end I chose to cut half of the plot. In fact, there was a foreshadowing of a sentence before, and the second half of the plot was written as "Ask the Conference".

The result was cut, which led to the lack of explosive power at the end of the Tianyuan dungeon.

Like the moon sea dungeon, there was a climax at the end, and the Southern Continent dungeon defeated the spirit world lord was also a climax, but the climax of the Tianyuan Continent was originally planned to be at the "Asking Conference", so it didn't explode.

As for the rest of the plot, because of the small space, there is really not much to say. The only idea is to try to avoid this in the future. Fortunately, it should not be used next month.

All three sandboxes have successfully stopped, and finally there is no need to run back and forth... Next month, that is, in December, the tentative plot is that sandbox No. 5 will open, and then the role of the earth will gradually increase. Whether people appear or not depends on the specific situation... In addition, the several worlds must be gradually connected to each other, and I hope that the 20th year can be passed smoothly.

That's it, let's cook instant noodles, good night everyone.

The genius remembers the address of this site in one second:. Mobile version reading website: