Crossover in the Anime World

A man who has lived for three hundred years by watching movies, a man at a loss.

In fact, in two-dimensional stories, there are many discussions about why the protagonist fights and completes those inhuman tasks? Is it for this country, for a certain group, for the people you care about, or is it passive acceptance?

In sports comics, it’s naturally for the team, because the teammates are the people the protagonist cares about most, so they want to win. But once the scope expands and becomes a certain city or a certain country, it becomes difficult to justify the protagonist's risking everything. Even if the author writes this way, readers may not be able to accept it.

So at this time, the protagonist's behavioral motivations are either very secondary, or for the sake of beautiful girls, or passively involved in the crisis instead of actively participating in the battle. Obviously this is more in line with the setting of the protagonist as an ordinary person, and also allows readers to become more immersed in the character.

And if the setting is ordinary people, then agencies, companies, and organizations can easily become the protagonist's enemies.

In some works with serious themes, the protagonists are often not set as ordinary people, but as low-level civil servants or knight-errants who have access to society. Because only in this way can the protagonist show the conflict between the organization and society in action. At the same time, the protagonist group caught in the middle is in a dilemma. It can only struggle to complete its job without violating its own heart, but it has no ability to change the status quo. This type of work, especially cyberpunk works, is very common. Protagonists such as law enforcers and bounty hunters who wander between black and white are the most interesting.

So why does the protagonist risk his life to fight? Unless he believes in 'liberating the whole world first and then liberating himself', other reasons do not seem to be very sufficient and cannot allow people to sacrifice their lives for righteousness or forget their own lives.

A middle-class character, for the sake of a beautiful girl, is he passively involved in a crisis, or is it his own responsibility? The motivation for a protagonist's behavior must be given so that the protagonist's actions in the story can be understood by the audience.

But in the end of the world, these motives may not be found. Therefore, the female director would rather watch three hundred years of movies without taking any action or trying to change the end of the world.

It wasn't until a few years ago that Dema burned the film inventory of female directors, leaving female directors to rely on junk movies to make a living, and they became increasingly uncomfortable.

The reason why Dema lost his faith is also very simple. He found the original film of religious teachings from the female director's trophies. After watching it, he discovered that the myth of the savior killing the ice witch did not exist at all. This is a story. It's just a trash movie, and his faith has completely collapsed. He realizes that everything he believed before was wrong, that what he did did not make the world a better place, and that he was just a simple executioner.

Now the female director was naturally dissatisfied when she saw Dema's appearance. She didn't have the temperament of a villain at all, so she selected four criminals, plus a self-recommended Duran, to form a five-person villain team.

She is now going to shoot a movie of her own, with the protagonist being Agni the Flame Fist, which is her heroic name. Now she is training Agni to use his healing powers faster while teaching him some messy things. She is developing a world view and character for Agni, who is a blank slate.

It’s just that her education was not formal at all. For example, she told Agni that people will go to the cinema after death and watch movies forever. Agni didn't know what a cinema was or what a movie was, but he believed it. He believed that people don't just disappear after death, but have a destination.

This is very similar to the process of primitive people transitioning into death worship. Primitive people have worshiped death very early. Looking at the decoration and burial of the deceased in the cemetery, we know that primitive people attach great importance to death. Many times they believe that people can continue to live in another place after death, so funerary objects are utensils for the dead.

Moreover, when people die, they are also very particular when burying them. Honorable people belong to noble people, and ordinary people belong to ordinary people. They cannot be buried together.

Agni, who has no education, controls his behavior entirely based on his emotions, and his most original motivation is to protect his sister. But my sister died ten years ago, and then it became about living up to my sister's promise. But there is no meaning in just living, so the first meaning is revenge.

Revenge is the motivation to live. The female director taught him fighting, life and death, and acting skills. All these added a new direction and new impetus to Agni's life.

For Agni, a female director is a prophet, a sage, someone who can lead him to achieve his goals and guide him in the direction.

But the female director was actually just using Agni. She didn't have the heart to patiently teach someone who didn't understand anything. She just wants to fulfill her wish and just want to make a movie. In fact, she didn't even have this wish. If the movie hadn't been burned, she might have continued to watch the movie until the earth was destroyed, or until she was destroyed. Although she is alive, she does not want to change the world, and certainly does not want the world to disturb her. She wishes she could build a wall between herself and the world to separate herself from the world.

It's a pity that there is no such wall. If she doesn't change the world, the world will naturally change her. Life is like sailing against the current. If you don't advance, you will retreat. If you want to maintain the status quo, you need to pay a cost, and the cost of maintenance is getting more and more expensive. Therefore, once a person has an idea that is good now, it means that it will start to go downhill.

The same goes for the female director. She thinks watching movies every day is a good thing, but how can there be such happiness in this apocalyptic world? So the movie got burned and she had to make the movie herself.

Flame Fist is the protagonist she is looking for, and revenge is the theme she chooses. As for the rest, everything is kept simple. The shooting equipment is only a DVD, no lights, and no soundtrack. Fortunately, the special effects will be very real, because all the actors have superpower.

"This mecha is for you." The female director chose a mecha for Duran from the collection.

Duran refused: "No need, I want to have a men's contest with Agni."

"Oh, that's right. You really look like a villain. So can you tell me why you want to fight him?" the female director asked with shining eyes. She felt that Duran's performance was very tense and seemed to be able to Fill out the storyline of the movie. After all, just revenge is too simple, it would be nice if there was some other content.

"I already know his story and know that he is miserable, but I want to use my fists to tell him that the world is inherently cruel, hard work may not always be rewarded, good may not always be rewarded with good, and evil may not necessarily lead to evil. I want him to know that the operation of this world cannot be changed by personal will. If he really thinks that he can reverse the world by relying on human power, then he must defeat me first." Dulan said seriously, actually giving The protagonist sets a test, and Duran personally tests Agni's mettle.

"Okay, great. Fighting with such a concept will be more exciting." The female director immediately took out the dv and said: "I didn't record that paragraph just now. Can you say it again? If you are more emotional, I will record it. Come down and use it as material."

Dulan said it was no problem. He was an actor now and could naturally meet the director's needs.