Daily Supervising

"Fujii tree."

"Here."

When the teacher called, two people responded at the same time, and the classroom burst into laughter.

The appearance of a person with the same name in a class is definitely the most fun in the school days, and of course the students are booing.

And the two people, Fujii, a man and a woman, they glanced at each other and said hello, nothing more.

However, the good times did not last long. When selecting cadres for the class, someone wrote the names of two Fujii trees on a piece of paper with a heart drawn in the middle.

Such pranks are commonplace, but they were read out by the acting monitor.

The female Fujii tree cried directly.

The male Fujii couldn't help it, so he went to do a fight. Fortunately, it was just a student fight, not too cruel.

Perhaps it was this one that worked, and the rumors of the relationship between the two Fujii trees were temporarily suspended.

However, the two of them also became library administrators together.

just. . .

When you walk into the library, you can see the rows of bookshelves, and when you look for the passage formed by the bookshelves, you will see a big table, which is the place of the administrator.

Only as we walked in, the bookshelves on both sides slowly moved backwards, and only then could we see the situation of the two administrators clearly.

The man, the sweetheart, is sitting there, while the woman is a little bit shy, reading a book.

This was the beginning of Fujii Tree for men and women.

...

This lens is really great.

Shinobu Nakayama never expected that she would be so fascinated by a shot.

Just like before, Kusano will let everyone take a look after the filming.

When this scene is shown in front of everyone, it is still the same as before, praise and cheers.

Nakayama Shinobi was one of them, but she thought of more.

She has also made a few movies before, and Godzilla is a big production, so it’s okay to say that she’s well-informed.

However, she had never seen such a shot.

At the end of this shot, it was as if a person walked into the school library, saw two administrators, and then got closer and closer, and then...

Wait a minute, who is this person?

As far as the movie is concerned, we are all just watching the screen that the director told us to watch, but here, there is a strong feeling that there should be someone who is watching, and we audiences are in his perspective Look at these pictures.

Thinking about it, Nakayama Shinobu understood.

This person may be Fujii Tree. . .

Do not.

This person should be us, or we are also this person, and the two Fujii trees are not necessarily Fujii trees, they can also be us.

It’s the ‘us’ that ‘us’ is looking at.

This shot captures the feeling of going back in time, as if traveling through time and space.

Zhongshan couldn't help but glanced at Kusano Yuki more, and couldn't help but acknowledge the talent of this guy.

However, Shinobu Nakayama did not notice. In this shot, Yuki Kusano still used his "Absolute Middle School".

The bookshelves on both sides are actually not the same height, but on the top of the lower bookshelf, two more books are placed, so that they are ‘same’ high.

There are two Fujii trees, one with his head drooping and the other being shy but reading seriously.

Don't forget that boys are taller than girls, so even if Takashi Kashihara is hanging his head, he is actually the same height as Matsutaka sitting upright.

As for the things placed on the table, they all maintained the same height.

Ever since, another perfectly balanced center lens appeared.

Coupled with a light yellow filter, this gives the feeling of traveling through time and space.

"Si Guoyi." Seeing this scene, Takashi Kashiwahara couldn't help but say that when he was originally cool.

Next to him was Matsutaka in school uniform, she was almost the same at the moment, but she still couldn't tell.

In fact, this time Matsuko was different from the past, she played a lot of roles this time.

As far as this scene is concerned, she seems to have gone back to the past.

Kusano Yuki seems to like this technique very much, but the effect is really good.

Can't help but look at the supervisor more, he is directing, preparing for the next shot.

Before the film was finished, Matsuko felt inexplicably that the film would be very good.

At this time, Kusano came over and took out a book.

"Look at this book."

"what?"

"I want you to read this book."

"Oh."

Matsutaka had a little temper, but he held it back, after all, Yuki Kusano was the supervisor on the set.

What book is it?

"in memory of our passing age".

Matsuko took it and couldn't help but flip through two pages, because the book was mentioned in the script, and she hadn't read it before.

But in fact, Matsushita's script has a sense of chaos in time and space when she reads this high school girl.

As far as school uniforms are concerned, it seems that there are both spring and summer as well as autumn and winter, which is strange.

Now there is this book again, combined with the shot just now.

Oh, it turned out to be like this...it seems wrong again.

Matsuko seemed to understand, but didn't.

"Don't pull my hind legs." Kashiwa Yuan Chong left such a sentence and left coolly.

Song Longzi complained inwardly: You kid.

Well, the two are actually the same year.

After Kusano gave a book to Matsutaka, he didn't care about the performance of the eldest lady.

No way, there are too many shots to take, and these shots are not easy.

In fact, in the original "Love Letter", the most incomprehensible thing is the ‘timeline’.

It should be deliberate, Iwai Shunji did not clearly explain the time, and, as if playing hide and seek, he put some hints about the time in the very small details.

For example, at the beginning, it was indeed the funeral of the male Fujii, but after Hiroko Watanabe and the female Fujii passed a few letters, she found Fujii's home accompanied by Akiba, and she wrote a letter at the door. letter.

The time is clear in this letter. Bozi’s fiancé died two years ago, although Bozi did not finish writing it, but crossed it out.

From the beginning of the movie to this part, the time is not long, and there is no time mark in the middle, and there are not many communications between Hiroko and Fujii, so it is difficult to make people feel that two have passed. year.

Kusano was sure that this was definitely not Iwai's mistake, he must have done it deliberately.

So why?

It should be to create a sense of chaos in time and space, so that we can better tell the story of the two Fujii trees that year.

This also coincides with the book "Reminiscence of the Years", which also has a considerable position in the history of Western literature.

Maybe, our memories should be confused.

However, this has brought considerable difficulties to the shooting. After all, it is winter in Otaru, so we can only shoot outdoor winter scenes, and indoor ones are easier to handle.

It all depends on the skill of Caoye Sang.

At this time, Deputy Director Sawada came over, "Kusano, the next shot..."

Before he finished speaking, Kusano said directly, "Fujii Shu's back to school, I saw the previous teacher, remember, don't use the yellow filter."

"Ok!" Sawada was very happy, he liked the work style of the junior Kusano.

In other words, before Sawada came to Otaru to fight for the front station, he soon discovered that a kind of clothing was suitable for the female Fujii tree.

The kind of fluffy, plaid pattern, like a girl wearing it, will be very lively.

And from the script, I can feel that Hiroko Watanabe should be quite rich, or at least not short of money.

I hope she can help filming the sports field that year. Just mail a Polaroid to Fujii, which is quite expensive.

Therefore, Hiroko Watanabe should be dressed like a lady, and usually wear black silk and suits.

Kusano was very satisfied with this, and Sawada felt that he was very capable.

but.

"What's next? I mean what happens after the school shots are taken?"

Kusano Yuki listened and thought for a moment, "Wait for a snow, a big snow."

Sawada understood that this was the scene.

At this time, Fujii Tree came.

Nakayama Miho has been photographed until now, she was a little ignorant from the beginning, but now, she kept calling Sri Lanka in her heart.

Anyway, Kusano Yuki, the supervisor, is indeed very powerful, even though he is so young.

But in that scene in the heavy snow, Miho Zhongshan, who is a big thing, still has a lot of puzzles.

"Supervisor, can you tell me about this scene? I don't quite understand, why did Fujii Shu die this part of the scene?"

This question is normal, this is the communication that should be there.

But Yuki Kusano smiled at Miho Nakayama, "I've told you about it before."

Have you talked about it?

When?

Miho Nakayama looked dumbfounded, and Yuki Kusano was already busy with other things.

...

Outside the window, snowflakes fluttered, Otaru is a place where it often snows.

The shooting progress of "Love Letter" is quite good, but some shots still can't be taken.

In the original version, in fact, there are four seasons of spring, summer, autumn and winter. Of course, from the perspective of shooting, at least winter, spring, and summer should be taken, because spring and autumn are actually similar.

But if this is the case, the budget is definitely not enough.

Fortunately, Kusano had to think of something else.

20 million yen, if it weren’t for Japan’s tradition that big stars don’t pay much, it would be impossible to complete the movie with this budget.

It's like in the later generations of mainland China, top stars such as Zhongshan Miho can't even talk about it without spending tens of millions.

Therefore, from this point of view, Miho Nakayama is wronged.

Ever since, Kusano Yuki is also very strict with this big thing.

To be honest, her acting skills are not bad, and she has such a high popularity, not just by her appearance.

The next scene is very important, it is the climax of the whole movie, and this ~www.wuxiaspot.com~ knocks, the door rang.

"Who is it?"

"it's me."

Fortunately, Kusano didn't expect it to be Nakayama Shinobi, so he almost opened the door and prepared to persuade the girl to leave.

I'm a serious supervisor. There are always actresses in the room, which is too serious.

But I didn't want to, they walked in generously.

"Supervisor, can you tell me why Fujii Shu was arranged for the scene where she became seriously ill and almost died? I know you have been laying the groundwork for a long time, but I always feel that I don't understand it."

Kusano looked at her with big eyes, "Do you want to know, or does your sister want to know?"

"My sister." Nakayama Shinobu replied generously, and then, "I want to know too, even more than my sister."

This is very interesting.