Dawn of the Grey Tower

Atta made a mistake, or strictly speaking, it was not a mistake. Because the mistake is to understand something and make a choice that is contrary to its understanding in the language of action. In the face of the unknown, even beyond the imaginary boundary, no matter how you act and speculate No mistake, because at the beginning of the fight, there is no one corresponding to it.

Looking back, the reason was that the female swordsman had made a mistake. She wished to treat the puppet she was fighting with as a manipulated puppet. This should not be blamed. It is common sense that the dead cannot act on their own. And what can break common sense is magic. The decayed wood speaks, and the golden stone walks, giving things that are not otherwise capable of movement to the ability to move. This is the goal pursued by a class of casters. They believe that exploring the boundary between souls and non-lifes in this way is the best way to peek into the truth, and the so-called golem puppets are the appendages and dangerous appendages produced by these caster studies.

"Ding! Ding Ding!" Continuous sounds of collision, accompanied by sparks splashing from time to time. The female swordsman is still trying to find the external power source of the puppet, but she also notices that as the battle continues, her parry becomes more and more handy. The reason is very simple, although the puppet's attacking method is strange, but its target is single. Until now, its attacks on Atta are basically only directed at the limited key points such as the neck and the heart. For other parts, even women The swordsman had no time to defend, and he never attacked it as if disdainful. As if in the eyes of a puppet, the human body is only critical.

In any case, knowing the opponent's attack trend is always beneficial in the battle between the two. In this way, Atta does not need to force himself to respond to the other party's movements, as long as he protects the limited number of key points to maintain it. The pressure of defense becomes smaller, and the counterattack will have a chance to brew. There are not many opportunities available now, because the enemy's offensive is still intensive. The puppet has a very deadly door, and its weight. Those who have been trained in combat are aware of what weight means in battle. When the two fight, the one who is superior in weight often has stronger strength. This is a natural advantage.

In the past battles, Atta was the weaker side of weight and strength, so her fighting style relied more on skill. This gives her the opportunity to work around and look for opportunities in the face of those relatively bulky opponents, but when she encounters an enemy like a puppet, there is no way to resist. To reverse the situation, she had to take advantage of the weight, trying to shake her opponent with strength, forcing the enemy to act at its pace. The problem is that the balance of the puppets is too good. It is not a human being. There is no emotion of being busy, and there is no problem of hand-brain coordination. It is very difficult to make such opponents unbalanced.

But difficulties have to be tried, this is her only way out of embarrassment. The female swordsman fixed his attention and began to pay attention to the opponent's movements. The puppet's attack is generally accomplished with the short edge of the arm and the sharp feet, and the arm of the crossbow machine that opened it has no effect in the battle, and its existence may be just to make up for the long-range Means of attack. Therefore, in order to maintain a intensive frequency of attacks, the puppet's feet have to alternately kick off the ground, which is an opportunity that can be used. The problem is that although the previous shoving also caused people to retreat, it did not make it unbalanced, and simply attacking the foot was not enough.

Thinking about it, the puppet suddenly stepped back half a step, and then violently lifted up its left leg, thrusting like a spear! Although it is a new move, for Atta, who is highly concentrated, it is not difficult to block this blow. However, when she was about to block the sword, her figure suddenly stopped, and then the magic sword in her hand was turned into a gear. The blade was cut on the side of the opponent's claws, using force to change the direction of the spike.

If you change to a soldier with a spear, Ata’s understatement will never work, but the puppet is too light, which means that it is not stable, plus it is originally standing on one foot. , Left leg inserted directly into the wall! Since you delivered it to your own door, no wonder I am. Atta held the sword with both hands, using the weights at the bottom of the hilt to make a thumping blow, and smashed **** the doll's left leg!

"Bang!" The doll's material is harder than expected. At this time, he did not break the opponent's left leg as Atta thought, but only partially deformed his thigh. She may not be able to add more blows, the short blade in the doll's hand has been killed, and the female swordsman has to block the sword. At this time, she missed the magic of hitting the enemy sword a little, and if the short blade could be cut off, the puppet would not be afraid of her feet alone. So, can't you remove the opponent's fangs without fencing? The short blade and the magic sword pass by, and the two weapons make a harsh noise and a shining Mars.

Think about what you have, but your opponent does not. The puppet saw that the short blade was held up, and then wanted to draw a knife to fight again, but one hand caught the puppet's wrist at this time. Unlike puppets, Atta has two hands, and she can have one free movement when holding a sword in one hand. The puppet's strength is not great, it failed to get rid of the female swordsman's squeeze in the first time. After reversing the situation, Atta immediately seized the opportunity. She was not sure whether the human key was also effective for the puppet, so instead of attacking the head or torso, she chose to stab at the puppet’s shoulder joint with a sword. !

"Squeak!" The sound of metal-to-metal friction, accompanied by a weird feel, after a delay of a few seconds, Flakrag's sword tip came out from the back of the puppet's shoulder. The puppet has no emotion of fear, and therefore, the effect of this broken arm seems not as serious as it actually looks. The puppet's head glanced at his broken arm, and UU read the book www. uukanshu.com then retracted the left leg inserted in the wall. Just when Atta threw off his broken arm and was about to greet the opponent's next attack, the thing ran a few steps directly at a backward speed that humans couldn't, and then jumped into the air with an arm with a crossbow. side.

On the crossbow, I don't know when the arrow has been mounted again. Atta's boss opened her eyes suddenly. She unconsciously laid her weapon in front of her, and the familiar force drove her back again, but thanks to her standing posture, she did not hit the wall again. The magic sword moved away, and what she saw was not an enemy who bullied him forward. All she saw was the quiet fence maze under the moonlight. The puppet disappeared.

At first, Atta thought that the other party was playing the same trick as himself, hiding and preparing to attack from the dark. But with the passage of time and the judgment of a certain feeling in her heart, she had to accept the reality that the puppet had run away. With a light breath, Atta turned back to pick up the broken arm and planned to take it back to show his companions. She hadn't forgotten the purpose of this trip. After so much time, she no longer hesitated, trotting to the window of the hut two steps, and slammed into the broken window with her feet.

In the hut, it was quiet. Only the thin girl with her back to the window was playing with the loom in an orderly manner. "Please wait, it's almost done."

"That won't work, you have to stop."