Dawn of the Grey Tower

Pinwei and Yuni each have their own troubles to deal with. This labyrinth is by no means a gentle training facility. It is an aggregate of countless life-threatening mechanisms, and it is the worst of all types of aggregates. Everywhere is making itself more deadly. Really? If that's true, what's the explanation for these kites in front of Cheese?

These ancient times were invented to meet people's flying expectations, but they were helplessly tied to the surface by ropes, as if the creation of things that could not be accommodated between heaven and earth. When it falls to the ground, it loses its character and value as a flying object.

When it flies freely into the air, the fragile structure will quickly disintegrate in the high winds of high space, and finally turn into a flurry of debris. Kite, how many fables use its body to express the state of struggle between the two.

But the kites in front of Cheese are obviously different from those tangled or poetic. They are very quiet, quiet like ghosts, silently floating on their tombstones, silently immersed in their own past.

Gray initially used these kites as some kind of trap, believing that as long as he got close to them or triggered some kind of response trigger, these floating ghosts would show their violent side. He also really felt the magic power of Dandan from the kite, which made him more convinced of his guess.

Fortunately, the labyrinth itself seems to accommodate the kites. The walls in this area are not turning fast. They are indeed deforming, but the speed is very slow. position moves.

Chased and run by aggressive walls, why move carefully in slow changes, which is more difficult? The former undoubtedly has more direct requirements for physical strength, but the latter forces people to tighten their muscles and concentrate on avoiding the traps on the road.

This is true for ordinary people, but the same trap is not necessarily in front of Gray Robe. The labyrinth itself had already demonstrated the solution to the trap. Cheese slapped his palm at will, and pushed the kite in front of him away, letting it stop in a corner that could not obstruct the route.

This precise control of spells may not last long for other wizards, who get tired, and tiredness leads to mistakes and then detonates traps. Spellweavers are not bothered by this, and clearing the way with breeze-making spells is no different for Cheese today than walking with open legs. He just walked forward, and the kites around him got out of the way.

Some are too simple, aren't they? It seems that the maze did not expect that someone could adapt to the obstruction of the two areas of movement and static so quickly. But the real insidiousness of these traps soon began to emerge. After all, this was not a place to play, and the tomb guards who came to Cheese wouldn't stop as he walked.

Those kites didn't slow down the headless puppet at all, and the sound of their footsteps stimulated Cheese's nerves step by step like a heartbeat. You should feel the urgency, you should speed up, or you're going to be caught up.

"Ah, it's such a trick." Cheese patted his head suddenly, as if he understood something. He waved his right hand vigorously, and the unrelenting wind slammed the kites against the wall. The skeleton of the kite split in an instant, turning into ferocious teeth, and their cloth surface was like the skin of a living creature, trying to wrap whatever it came in contact with.

The footsteps disappeared as the kites assumed terrifying gestures, as if they had never existed. And this is the trick in the mouth of the gray robe.

The principle of the trick is very simple, first use the strange scene to make people cautious, and then rely on various stimuli to put pressure on the passers-by. The purpose of the whole process is to use the psychological pressure to make people ignore the danger of kites and use the most obvious traps to achieve the goal.

I just don't know if this tactic was planned by the builders of the labyrinth long ago, or whether the ancient tomb developed it by itself in order to fight the invaders. If it's the latter, Cheese might be surprised to be able to use the senses and physiology of living things so cunningly, which is rarely seen in man-made objects.

A trap that has been seen through, no matter how well-designed it is, is no longer a threat. The voice in the ear disappeared, but the danger of approaching did not. The guards were indeed coming towards them, but the distance and number were different from what the hallucinations showed. The pace accelerated again, the current consumption is far from the limit of cheese, and the moderate exhaustion has stimulated his fighting spirit. In his eyes, the maze in front of him has become the best place to test his current limit.

The labyrinth was struggling, and those walls began to give up confusion and encirclement, and instead gathered together, turning into impenetrable walls and cages in which people were imprisoned. For some reason, this kind of emergency response seemed a bit frantic to Cheese. It seemed that the fact that the gray robe was so easy to break two levels in a row made the leader of the maze annoyed, so he simply gave up the fancy trap and turned instead. Mobilize the resources in the maze to directly wrestle with him. In a sense, this is actually the optimal solution, and this is the best tactic for the side with the best possible location.

Faced with this unreasonable change, Cheese also gave his own answer. His skin was gray, as gray as his robes. After a few seconds, the entire gray robe became empty, and the wearer turned into a state between a cloth piece and a three-dimensional object.

The robe from the gray tower itself has magic, and Cheese has used it more than once to block arrows or turn into mist. Now, the application of his magic power has reached its peak. By allowing the magic power to affect the body in turn, this spellcaster has achieved something that was impossible before, and he has alienated himself.

This kind of alienation is somewhat similar to Transfiguration, the difference is that Transfiguration is the transformation of reference objects, while Cheese's current changes to himself are completely carried out by subjective consciousness.

This means that in this change, he cannot rely on any existing knowledge, and needs to transform every blood vessel and every muscle in his body by himself, and imagine a final form of transformation out of thin air. The difficulty of doing this can be imagined. Compared with the body-making plan that Pinwei has planned for himself for so long, it is like child's play.

After the transformation of the alienation spell, Cheese and the clothes he was wearing, to be precise, the gray robe, were integrated into one. If the breath of dawn and the alchemy dice were the two most powerful magic props he got, this body The gray robe is not inferior in comparison.

The production method and ability of the gray robe were almost indecipherable to the former Cheese, but now, he has a vague idea. It is because of the efforts to develop this idea that the current cheese can show such a posture.

From the appearance, the mage at this time is like a puppet. The body is composed of gray cloth curtains with invisible stitches, with a subtle expansion. As he advances, the whole body is between the plane and the three-dimensional. swing.

The wall can trap a person with a multi-angle entity, but it is difficult to trap a piece of cloth without thickness, especially when the cloth can be turned into smoke, it can be said to be almost pervasive.