Detective Conan: Twelve Death Warlocks

Chapter 54 313 Libya Street

When Shuichi Akai swam to the shore from the sea, he went to the phone to call the FBI and reported his location. Then someone rushed to pick him up. Waiting for James Blake, Judy Stelling, Ann

When Drey Kamel and the other three arrived, Shuichi Akai had already explained everything completely, and then looked at them.

"Xiu, are you okay?" Judy Stelling observed Akai Shuichi carefully, looking completely panicked.

Akai Shuichi shook his head slightly, and just expressed his thoughts very calmly: "I think the other party is not an accident, and I heard them talking in Japanese. In other words, this is a Japanese criminal gang.

Great sex.”

James Blake was a little silent, as if he didn't want to express his opinion on this. However, Shuichi Akai knew very well that perhaps this was because he had promised a boring friend not to reveal this kind of "fact".

However, he still did not tell anyone about 313 Libya Street. After the place settled down, Shuichi Akai chose to leave. Libya Street is in West San Diego City, and it takes about one month to drive from here.

About an hour or so. Since the other party told me this place, it meant that he was very unwilling before he died, so he hoped that he could help him "revenge himself."

He knows this very well. Didn't he join the FBI to get to know the truth about the death of his father, Akai Mutake, in order to find the truth and then take revenge?

As for those people who are called Gin, vodka and bourbon, although I don’t know why these code names are all certain types of wine, one thing is clear, that is, the origins of these people must not be simple. From their belief that pretending to commit suicide is far worse than

From the fact that it is easy to completely destroy the corpse and eliminate all traces, it shows that there are unusual characters in it, such as Bourbon. Akai Shuichi did this, actually, he wanted to use some means to see if he could get the victim's information, and then deduce

the truth.

Of course, he also understood that even if he could find out these things, it would probably be in vain in the end. These criminals also have their own ways of dealing with things, and fake identities are likely to follow suit.

After arriving at the place, Akai Shuichi walked around the street to make sure there were no potential threats around, then walked there and opened the door and walked in. This surprised Akai Shuichi, and the door was not locked. He walked in and pulled the

I pulled the door handle and found that it could not be opened. I walked to the window and found that all the windows in the house were tightly closed. Since this road was impassable, I had to use the tool box I carried with me to pry the door open from the outside.

This kind of old-style small western-style building is not uncommon here, but if you want to buy such an antique-style small western-style building, it will cost a lot of money.

I opened the door and walked in, and found that the environment here was quite clean. I took a quick look at it and the dust on the floor. It seems that few people come here in normal times, so it seems that it must have been idle for a long time.

However, the paintings on the walls of this house are very tasteful, and they are all exquisite imitations: "Diana's Rest" created by François Boucher in 1742 and collected in the Louvre Museum in France; Baron's

·The "Three Graces" created by Jean-Baptiste Regnault in 1793 and now in the Louvre Museum in France; the painting "Psyche for the First Time" created by François Gérard in 1798

"Accepting the Kiss of the God of Love", now also hidden in the Louvre Museum in France...

Akai Shuichi discovered that the original paintings of these works came from the Louvre in France, and they were all human body paintings, with religious aspects accounting for the vast majority. Starting from the first floor, he checked the sofas, pianos, and cabinets in the living room.

Gradually, we move to the housekeeper's residence, kitchen, garage, warehouse and basement, and then to the office, reception room, living room, and study room on the second floor. Without exception, there are art paintings from France. This makes Shuichi Akai feel a little strange.

Explanation, is there any mystery in this painting?

Then he picked up a painting, took it off the frame, and found something sandwiched in the back panel. When he took it out, Akai Shuichi was a little shocked, and it read: Haneda Koji Inspection Report.

Koji Haneda?

Akai Shuichi's expression changed slightly, but then it became clear. It seemed that there should be some information here that could point to those men in black.

I returned home with the information and began to investigate and look through these records. Perhaps this was the only opportunity to unravel the truth behind the death of my father, Akai Mutake.

This information is different from many others. Most of it is the inside story of case files that were still unclear before. If these materials were made public, nearly half of the country's upper class would be imprisoned.

Perhaps due to geographical reasons, the case files did not include detailed information on the causes of death of Haneda Koji and Akai Mutake. However, one thing we can see is that no one conducted autopsies on these two people.

It's just that there are some differences between the two cases. Akai Mutake's final whereabouts are unknown, while Haneda Koji has a real body there. This can't help but make Akai Shuichi fall into deep thought. Could it be that the other party will be like before?

The same thing as what happened, is this a way to make your father disappear from this world?

This... is very possible!

"Did you go somewhere else during this time?" Judy Stelling looked at Akai Shuichi, as if she wanted to dissuade him from doing this.

"James asked you to come?" Akai Shuichi did not deny it, but he was disgusted with this approach.

"Xiu, you should know that this matter is no small matter. If they come for you, it is very likely that you will become their hunting target, do you know?"

Akai Shuichi opened the cigarette case with one hand, held a cigarette in his mouth, then put the cigarette case in and picked up a lighter to light the cigarette in his mouth: "I know this. And I'm pretty sure that I met someone today.

These men in black are the murderers of Haneda Koji and my father Akai Mutake."

"But how do we investigate this kind of thing?"

Akai Shuichi didn't seem worried at all. Instead, he looked at Judy Stelling and said calmly: "If I have the chance, I will sneak into these people and compete with them." Akai Shuichi's eyes sparkled.

Shenghui said, "I seem to be getting more and more excited now!"

"show!"

Judy Stelling didn't want Akai Shuichi to take risks, but she knew that no one could persuade him to turn back. Then she took a few steps back, and then shook her head gently. All she could do now was vote.

Recommended votes and monthly passes!

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