Digital World: Survival Game Werewolf

That is, the youkai pawns obtained from Horton, can they also be upgraded by merging like the pawns of Ghost Chess?

Fisher tried it and undoubtedly failed.

It is clear that what is needed is not a simple copy, but a combination of the enormous forces contained in the pieces.

Fisher once again remembered the movement of various chess pieces when he saw Horton mobilize the aura in the secret room, and the aura he saw around the chess pieces.

That's right.

Much like Van Gogh's Starry Sky, it has both the brilliance of the stars and the moon and the flow of air, although the atmospheric vortex model was not established until hundreds of years after Van Gogh's death.

Fisher also remembered what Xiang Yangsheng had told her before, "The small universe exploded!" ", although I think it is very naïve. But perhaps Van Gogh and Xiang Yangsheng can feel the flow of energy.

So Van Gogh was able to paint paintings with emotions.

And Xiang Yangsheng can exert his skills beyond the boundaries every time.

Perhaps a painting, the criterion of judging whether it looks like or not, actually seriously binds the painting. After all, the greatest painters, none of their paintings resemble them.

But when you look at their paintings, you can be brought into the emotions of their paintings when they paint.

Principal Feynman once said that the reason why he hopes that children will learn more music and painting is that he hopes that each child can better understand themselves and the world.

The same blue can be melancholic or bright.

"When people's emotions start to delicate, the world should be better."

So, emotions, emotions ....

Fisher recalled learning to sing with Principal Feynman

, and hummed softly: "Still and silent, Calm before the storm."

Head down and silent, the calm before the storm.

Gold and diamond，Jewels behind the throne。

Gold and precious stones, jewelry set with the throne on the back.

Into the night Out of the dark，Take to the sky，Chasing the stars。 "

(They) transcend darkness in the night and are taken into the sky and followed by the starlight.

While humming, Fisher's brush swims through the book, and at this moment, she integrates the emotions of the singing into the painting.

Some seemingly meaningless lines seem to have energy fluctuations.

What kind of energy?

Is it the wind?

Is it water?

Is it the heart?

Maybe neither, or maybe both.

Imagination also comes from people's emotions and emotions, and Fisher violently remembered that Xiang Yangsheng fooled the Cautious Emperor to "avenge the cakes!" (Chapter 160)

Although Fisher couldn't help but feel funny when he thought of that picture, it was obvious that the ups and downs of emotions at that time made the Cautious Emperor at that time exert power that exceeded his skill level.

And Xiang Yangsheng himself has surpassed everyone's imagination countless times to exert the power of skills. In addition to his wild imagination, it is the sincere emotions under all his actions.

And the power of skills has always been Fisher's shortcoming, perhaps too much rationality, but less emotions and emotions to bring in.

However, at this moment, Fisher hummed unintentionally, unintentionally painting a painting that he didn't know what it was.

Perhaps some things are that you must let go of reason in order to be able to believe, and to be able to believe can awaken power.

Whether it is the power of faith or imagination, it seems that there is such a wonderful connection, and it can also make people strong.

While painting, Fisher thought of Kant.

First Kant as a companion, and then Kant as a thinker who is worshipped by his companions.

Kant's critique of reason, in cognition, is not that the mind conforms to things, but that things conform to the mind. (Also translated: The characteristics of things are related to the observer and the way of observing.)

Human beings possess an innate innate ability to know themselves and the outside world beyond their experience. (This is where Jung's collective subconscious derives from the master of psychology.)

Fisher seemed to see one afternoon, Principal Feynman leaned against the window basking in the sun, and said to the students with a sigh: "There are three views in life, seeing heaven and earth, seeing all living beings, and seeing yourself." We have seen the changes in the heavens and the earth, the hardships of life, old age, sickness, and death, and the greed, hatred, and resentment that accompanies our own feelings of fame, wealth, and power.

Fisher, who was still called Xin'er at the time, just stuck out his tongue and said, "That's better not to see."

Principal Feynman was amused by her words, and said leisurely: "If you don't want to see it, you will see it eventually." Seeing heaven and earth know reverence, so humble, seeing that all beings understand mercy, so tolerant, seeing that they know their way back, so open-minded. When you can reach the state of humility, tolerance, and open-mindedness, then I will be blind even under the fountain of wine.

At that time, Xin'er pouted and said: "Gluttonous!" Then

Xin'er was kicked out by Principal Feynman.

"Hahaha!"

Fisher couldn't help but laugh when he recalled the scene. Just laughing and laughing, another tear slipped silently.

When a whistle breaks the tranquility.

Fisher realized that he had drawn many pictures. I don't think about anything in these paintings, but when I look at it again, I can remember the past.

Although Fisher has also shown good skills a few times in the past, those are all subconscious in times of crisis.

However, this time, with the help of brushes and artist skills, Fisher for the first time integrated all kinds of feelings he had learned and experienced.

Looking at the approaching smuggling fleet, a confident smile appeared on Fisher's face: "It turns out that the painter's pen is used like this. "

Whoops!

There are a few strokes outlined in the painting book, and these strokes seem to extend, becoming violent winds, becoming huge waves, and the weather at sea instantly becomes choppy.

The two monster chess pieces that Horton lent to Fisher before became 1, and the larger Water Elemental Demon God appeared in this wave.

The momentum smashed the ships in front of them.

Fisher drew more strokes, making the entire Terran island seem to be shrouded in a huge storm.

Although Fisher's brush produced more power, these powers were not transformed from Fisher's physical strength.

Rather, these energies are originally in heaven and earth.

Fisher merely dragged them out with his strokes.

At this moment, some boxes of the wreck drifted over.

Fisher saw a briefcase and picked it up from the sea.

The above content reads: "The 7th prince of the Green Ghost Clan, Shura, staged a coup d'état and is fighting fiercely with the Green Ghost Imperial Court. "

Huh?" Fisher was surprised, how could things develop like this?

Without having time to think about it, Fisher jumped on a wave and made up a few strokes, and this wave took her to the opposite shore as if it were alive.

It turned out that Asura and Miró had newly trained the combat units with the strongest maneuverability and rate of fire.

Milo originally said happily: "The next time the Red Ghost Clan dares to come again, our mobile artillery group will definitely give them a good look."

But Asura sighed and said, "It's difficult!

"Why?" Milo was puzzled: "With our firepower, no one on the mainland is our opponent."

Asura shook his head and said, "But the ammunition is consumed too much. I'm afraid that the current stock is only enough for a war.

Milo also sighed and nodded when he heard this.

Asura suddenly said at this moment: "If there is only one battle, how can you fight to solve the problem?" Milo

was puzzled, but when he looked up at Shura, he found that Shura's gaze was looking at the royal court of the Green Ghost Clan.

So this mobile artillery group, armed with a new military mind, left the fortress of Laika at night. Rushed towards the location of the Green Ghost Clan's royal court.

(pictured with Van Gogh's starry sky).