Divine Lucky Star
Chapter 463 Martial Arts Guidance World
After all, Li Chuang has been doing this for many years, and his understanding of the circle is more than one grade higher than that of Wang Hao, so he began to introduce to Wang Hao——
"This involves a lot of things, and you can't just find one." Li Chuang shook his head and said, "Actually, there are only a few schools of action guidance in China, but to put it simply, there are only two: one is based on Martial arts is represented by actual combat, and the second is that Peking Opera schools cut in from performance. For example, in the first two years of the popular martial arts hero, the protagonist is a standard martial arts actual combat school, with a very unique style. , Every punch is really powerful, the muscles are tense all the time, combined with a high-pitched and low-frequency voice, plus its own characteristic roar. The movement of the camera is relatively simple, with a sense of stage, or a sense of ritual , Appearance-fighting-reappearance. In the end, it is a kind of feeling that makes people feel pain, and then feels true. In fact, putting Master Yuan here is more of a tribute, but it is useless... "
So there is such a thing?
Wang Hao thought for a while—then Bruce Lee in his previous life should belong to this kind of person, right?
"There is also Zhang Jialiang Master Zhang who is hardcore, he is the direct descendant of Hongjiaquan," Li Chuang continued to explain to Wang Hao: "Hongquan is famous for its fierceness, so you can see a lot of it in Liu's movies. The shadow of Hong Fist. Hong Fist's movements are wide open and close, which is very suitable for action scenes. Liu brought this kind of movement into the movie, and his style has a kind of toughness of a man, or the romance of a man. But there are very high requirements for actors, first of all, actors with relatively long limbs, and secondly, the movements must be in place, because this kind of martial arts movements that require a lot of stretching will be very ugly if they are not stretched enough."
"His movement design is very real, every movement is like a standard, but it is not smooth enough, but this is deliberate, when two people fight, it is especially like playing PPT, whenever the two sides touch each other There is a small pause. The design of this kind of action has a great advantage in that it allows the audience to see clearly, enhances the sense of reality, and makes you have a little expectation for the following action. But Liu likes to intersperse some details Get into the action, like some hooks, claws, etc."
This is closer to the grappling hands in martial arts movies.
However, according to Teacher Li Chuang, this person is obviously not very suitable.
"Indeed." Wang Hao nodded: "Our film is not suitable for this kind of martial arts instruction."
"That's right," Li Chuang continued, "so the first type won't work. Then the second type is the type that inherits the mean. There are two representatives of this type of martial arts guidance, Hong Bin and Li Long. The style of the two is very difficult to talk about, so I was lazy and borrowed the word "moderate". Looking at their resumes, it seems that there is no form that they are not good at, but there is no thing that they are too good at. Perhaps the biggest style is their calm style They can make martial arts the highlight of the movie, and they can also make martial arts exciting without stealing the style of literary dramas. It seems that every martial arts movie has them, but they don’t want to steal you like a fiery brand. eyeballs. They are the perfect barrel, and the shortest piece can never be found."
"If you want to talk about the biggest difference between the two, then Hong Bin is good at group plays. He is very outstanding in the arrangement of group plays. The group is not chaotic, chaotic but not boring. A large number of martial arts actors in the same scene Can intersperse and run in a very orderly manner, with momentum but without the chaotic feeling of other gangsters fighting in groups on the street. Especially in a situation where there are more than a dozen, the sequence of arrangement, the movement of each person, the interspersion of the camera, and the coherence of the action are excellent. Very interesting."
"Li Long is more famous for emphasizing solid and solid movements combined with exaggeration and humor. He has won everyone's love and recognition with this down-to-earth expression. I also have to be cowardly. After the formation of this personal style, it has been throughout his entire film and television career, and has become a distinct personal brand and selling point. In addition, Li Long's martial arts moves like to replay the striking nodes of important striking shots, and they have special effects. For example, if we divide a striking action into three parts: "starting hand", "strike" and "after striking", we call the starting hand part A, the striking part B, and the striking part C. A, B, and C are three parts. The first part corresponds to the three shots 1, 2, and 3. A normal director will play normally like 1-2-3, and what you see is ABC. But Li Long does not! He will draw the blow of part B Come out and use the camera position 3 to take another shot. We call the extra shot part -3, and then put this part in front of 3 to play, so you can see four such as 1, 2, -3, and 3. Although the part is a bit longer, because the blow is played twice, visually you feel that the blow is more powerful than playing it once! Of course, this kind of special effect is definitely no problem for martial arts. For our martial arts, Still useless."
This is simply a small river and lake in the martial arts world of the Kingdom of Heaven. Who would have thought that there are so many sayings in the martial arts guide?
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