Doomsday Cataclysm: Gods on Earth

At the end of this book, thank you very much for reading.

Thanks to all the book friends in the group, especially to the group friend who helped me correct my mistakes along the way: Ludos the Exile.

The birth of this book can also be described as a coincidence.

The author knows a lot about the plots of American comics and black robes. But this article can only draw lessons from American comics about one Superman.

As for the hero system, this is completely a matter of coincidence.

In the early stages, the author only had one idea: What would happen if an ordinary person who traveled through this world for eighteen years suddenly gained superhuman strength?

Thus, a draft of a book titled: With Great Power Comes Less Responsibility appeared.

Originally, the author had no hope of getting the manuscript published, but the editor said that I could give it a try, so I put the idea into practice.

Here, I would also like to thank the editor.

At different stages of this book, the author's ideas are also different.

At the beginning, the author planned to write about the experience of Wasteland and Superman from bottom to top, telling the story of a slightly kind-hearted person looking for the truth in a cruel world and turning into a tyrant of Wasteland.

But obviously, there were too many enemies arranged in the early stage, and Superman's plug-in was too powerful.

The author didn't make a good outline, so the "excessively powerful" Superman was completely crushed when facing the bottom-level city in the wasteland.

Therefore, the hero school, class, and scavenger group issues at the beginning were not explained in detail.

Heroes and idols actually have nothing to do with black robes.

The heroes in black robes are tools launched by capital. Money, traffic and fans are their lifeblood. But this is not the case in this work. In this work, you can see superhuman contempt for ordinary people everywhere.

For example, there is such a huge difference between people in slums and urban civilians. Why are two groups of the same human beings living in different places so different?

If heroes want fans, can't they patrol the slums and show off on a daily basis?

Therefore, ordinary people are just tools for entertainment and use for 'heroes' who have not received moral education since childhood and grew up in a distorted culture.

In one sentence, ordinary people are no longer human in the eyes of those heroes. Even in the eyes of the president of the Minghua City Heroes Association who died early in the novel, the situation is similar.

These three sentences of justice, courage, and integrity are spoken to humanity as a whole and the Federation. And helping the weak also refers to those qualified 'hero' preparations. Ordinary people without superpowers are not considered human at all.

However, there are good guys and bad guys among heroes, which is also one of the author's concepts.

Even in an environment full of mud, good people are still good people.

While Superman was becoming more powerful, in order not to deliberately suppress the growth and combat power of the protagonist, the original mid-term mini-boss, the Mel family, were also wiped out like bastards.

In fact, if the author had written a good outline and carefully controlled the details, the urban aristocrats in the article would have felt oppressive.

There is no shortage of resources in the wasteland, but the powerful have controlled more than 90% of a city's resources. All urban civilians and department members eat their scraps. C-level heroes that are out of reach for ordinary people are only a level that members of their family with a little bit of potential can reach.

Furthermore, there is one of the themes of this book, the end.

Since the world where the protagonist lives is called a wasteland, the disasters reflected in it are naturally called famines.

If a disaster can be defeated directly with superpowers and brute force, no matter how powerful the disaster is, it will become vulnerable to humanity's constantly advancing technology and accumulated superpowers.

Thus, a famine that transcended material forces was born.

The power of the famine comes from the true face of the wasteland, the abyss.

The abyss is the real BOSS behind the scenes, with only the instinct to devour everything. And the wasteland is just a little overflow from one side of the abyss.

This is in line with the situation in the early and middle stages of the plot, and also meets the level of Superman.

In fact, in the second half of the plot, the protagonist has surpassed the level of Superman in American comics.

In terms of setting and performance, Superman is not really indestructible, nor is he immortal. Superman will die if his head is chopped off and his heart is damaged.

Superman has had a lot of highlights in the comics, but those highlights are not his norm. Similarly, Superman also has an extremely crotch-stretching performance.

As for Superman's normal strength, he has shown the strength of lifting 200 billion tons, and there has also been a scene where he was punched away by Bane.

If you say that Superman being beaten by a villain is just a waste of time, that’s not necessary.

After all, Superman can go easy on Batman, but he won't let those villains who can only blow up a few cars or break the pillars of a building with one punch be happy with two punches.

As for smashing the multiverse with one punch, all I can say is read more comics. Don’t listen to other people’s nonsense about stepping on the right foot across publications and work types.

The upper and lower limits of Superman's abilities fluctuate greatly. Nowadays, when many people talk about these foreign works, the biggest problem is that they only focus on highlight performance.

Does Superman have the power to blow up planets with one punch?

Yes and no.

In some works, Superman does have very powerful abilities. But you can't transfer this performance to Superman in other comics.

In some comics, TV series, and movies, Superman is not afraid of kryptonite.

Having said that, Superman actually refers to two things.

The first half is the superhero from DC comics, Superman who represents hope.

The second half is the "Superman" in Nietzsche's worldview, which means infinitely transcending oneself, not being bound by external forces and external morality, and having one's own worldview, which is more idealistic than DC Superman.

This is also one of the main characteristics of the protagonist's character, ego and selfishness. But while he is selfish, he also has love for some groups, because in his eyes, those beings he rules are also his property.

At the end, the dark world part draws on some dark fairy tales, as well as a good XP RPG game, Dark Fairy Tales and the Five Demons.

Although this book has not written a million words, there is no point in continuing. The lessons that the author should learn have been learned, and what should be paid attention to will be paid attention to in the next book.

Finally, I would like to thank all readers who subscribed and watched this book.

Thank you very much.

At the same time, the author's new book will be released on December 1. The genre is astronomy. Interested readers can take a look.

The initial title of the book is "The Heavens: Achieving Great Supernatural Powers from the Journey to the West". (End of chapter)