Dreams of the Fragrant River

In the past few years, if Hong Kong films wanted to sell to overseas markets, it was necessary to have a good box office in Hong Kong, but in the past two years, it has been very easy. Watermark advertising test The watermark advertising test is because Hong Kong films are popular in East Asia, and the film market in South Korea, Taiwan, the Philippines, Malaysia and other countries and regions is gradually opening up, unlike the original limit of only a few films per year.

Now, as long as there is a movie starring a Hong Kong first-line star, there is no need to watch it as a movie at all, and a movie can be sold directly in Taiwan and Southeast Asia.

As Hong Kong's number one high-grossing director, Kang Jianfei's films are the target of competition among film and academy businessmen from all over the world.

When Kang Jianfei just announced the filming of "My Sassy Girl", filmmakers from all over the world came to Oriental Entertainment Distribution Company to seek cooperation, and they directly gave them the most favorable share.

Oriental Entertainment Company is responsible for the distribution tasks of all the subsidiaries of the Oriental Group. The best thing to do is to release Kang Jianfei's films. This time, "My Sassy Girl" will be released in Hong Kong, Singapore, Malaysia, South Korea, Japan, the Philippines and Thailand at the same time. This is not something everyone can get.

After December 13, Kang Jianfei and the main creators of "My Sassy Girlfriend" have been busy. Wang Zuixian is very popular in Japan and South Korea. She is in charge of the publicity and premieres of these two countries, while Kang Jianfei took the actor to Nanyang for a circle.

Korea, Seoul.

Thanks to the industrial and agricultural foundation laid by the dictator Park Chung-hee in the 1970s, South Korea began to take off economically in the 1980s and became the last of the four Asian tigers.

The influence of the Gwangju incident has long since passed. Although today’s Koreans are far less wealthy than those in Hong Kong, Taiwan and Singapore, their increasingly plump wallets are still making the country’s film market prosperous.

Even the global stock market crash doesn't seem to dampen the enthusiasm of Koreans when Christmas is approaching. Merchants in the capital Seoul began to happily carry out various promotions,

On Christmas Eve, the people of Seoul are not watching TV at home like they did a few years ago. They were not interested in Christmas before. Because of the wealthy economy, they also began to come out to celebrate Western festivals.

Watching movies is naturally an important entertainment activity. A total of 6 films were released in Seoul this Christmas, two of which were Hollywood films. One is a Hong Kong film, and the other three are Korean local films.

That Hong Kong film was Kang Jianfei's "My Sassy Girlfriend". As for Cheng Long's film, it was basically selected to be released in South Korea during the autumn festival. Because the Mid-Autumn Festival is a very important festival in Korea. The whole country has to take several days off, which is a period comparable to the Spring Festival.

Tickets are better bought in the morning. Not long after noon, the theaters showing Hollywood and Hong Kong films began to fill up, while the screening halls for the three local Korean films were crowded.

Decades ago, South Korean and North Korean films also had many classic films, but later they were all tragic because of politics.

Not to mention the political environment in North Korea. South Korea is actually not much better. When Park Chung-hee was in power, despite the rapid economic development of South Korea, artistic fields such as music and film were severely imprisoned.

in the 60's. Due to the interference of the state power, the number of South Korean film companies decreased from 71 to 16. The entertainment control order in the 1970s continued, and the production of domestic Korean films dropped from 209 in 1970 to 96 in 1979. Many films were banned by the government, and some directors were even thrown into prison.

It was not until three years ago that the South Korean government changed the film censorship system to a deliberative system, and South Korea's film and television industry began to slowly recover. The real development of Korean films will have to wait until next year after the complete abolition of the film censorship system. Since 1988, the so-called "artistic spring" of Korean films has appeared.

Film movements in other regions are initiated by directors, but the "artistic spring" of Korean films is a bit funny, and it actually comes out of nowhere.

After the Olympic Games were held in South Korea in the late 1980s, South Korea's domestic minds were further opened up. The last dictatorial president of South Korea wanted to divert the people's attention. Vent on **** movies.

As a result, South Korea's truly thoughtful films were imprisoned during this period, and the official censorship of pornographic films was unusually bold and relaxed.

In addition, many foreign films released in South Korea purchased the screening rights directly, and the films in Hollywood were too expensive to buy, so they all went to Eastern Europe to buy them.

The so-called "artistic spring" of Korean films is composed of Eastern European art films and pornographic films, which has cultivated Koreans' unique movie viewing taste. Korean films after 2000 are the continuation of the original.

As for the local Korean films before 1988, how can I say that, Korean directors who have been imprisoned by their minds for 20 to 30 years, the films they made are not as interesting as the films in mainland China.

How can such a local film attract Korean audiences?

The Western culture and aesthetics of Hollywood, after all, have a layer of estrangement, and Hong Kong movies have become the favorite of Korean fans at this time.

With the success of Hong Kong films invading South Korea, Hong Kong stars are also well known to Koreans, and then Cantonese songs are popular in South Korea. Now many young Koreans choose Cantonese songs to sing in karaoke.

"Wow, there are so many people in the afternoon. Fortunately, sister, you got two tickets." Cui Zhenying followed behind her sister Cui Zhen, and squeezed into the screening room through the crowd.

Cui Zhenzhen said: "Of course, this is a new film directed by Kang Jianfei. I heard that it was released at the same time as the one in Hong Kong. I got these two tickets very hard."

Cui Zhenzhen is usually very frugal, basically eating kimchi every day, and only occasionally eat vegetables and meat when he is on set. The reason why she is willing to watch expensive movies today is because Christmas Eve is her 20th birthday, and she wants to celebrate it in this special way.

In another time and space, Cui Zhen, who had become a big star 20 years later, committed suicide, followed by her star brother Cui Jinying.

At this time, Cui Zhenzhen was just a behind-the-scenes clerk, and his younger brother, Cui Zhenying, had just graduated from middle school and came to Seoul for a few months.

It was hard to squeeze into the screening room. The position of the sister and brother was not very good. They had to keep their heads raised to watch the movie in the position on the edge of the first row.

The familiar DreamWorks title appeared on the big screen, followed by a fiery cloud, a man stood under a tree and looked at the sky, and an off-screen sound rang out in the screening hall: "Two years ago today, she and I buried a time box here. , made an appointment to meet here in two years. However, she did not show up..."

For the first two or three minutes of the movie, Wu Zhenyu was performing alone. Cui Zhenzhen did not know the Hong Kong actor. However, Cui Zhenzhen works in a TV station herself, and she thinks Wu Zhenyu's acting skills are very good, at least better than many Korean actors' acting skills.

"It's Wang Zuixian! It's Wang Zuixian!"

The scene on the subway station platform began. As soon as Wang Zuixian appeared on the stage, he was immediately recognized by Korean fans before his face was revealed, and many people shouted her name excitedly.

Then came bursts of laughter. Cui Jinying laughed when she saw Wang Zuixian throwing up on the bald head of the old man (played by Li Jiading), while Wu Zhenyu covered his crotch with a water ladle while naked, and was given by the policewoman who came to check. The scene where he pointed the gun and told him to raise his hand made Choi Jinyoung cry even more.

"quite funny!"

"It's unfortunate for the cows."

"It's idiot cute."

"Wang Zuixian's performance is not gentle at all this time, but it is more charming."

"..."

The plot of the movie develops to the heroine's birthday, and the hero prepares the perfect birthday celebration program at the Liyuan Amusement Park, only to screw it up as soon as he enters the playground.

A prisoner who had just escaped from prison was sitting behind the playground wall with a gun and smoking a cigarette. Wu Zhenyu, who came in over the wall, stepped on the prisoner's head with one foot, then stepped on the other's shoulder, using it as a ladder for stepping down, and then the heroine played by Wang Zuixian came again.

"Hahaha……"

There was constant laughter in the cinema, and the fact that the hero and heroine were kidnapped by the fugitives did not make everyone worried and nervous, but made everyone laugh more happily.

Gradually, the fans stopped laughing. The first half of the movie made people laugh until they burst into tears, and the second half made people cry and laugh.

When Morning Bull's Ten Rules of Love came out, this classic line instantly captured the hearts of countless female audiences, and male audiences were also quite touched.

The movie finally had a happy ending. When the theme song at the end of the film sounded, the Korean audience was pleasantly surprised to find that the theme song was actually sung in Korean.

In fact, this time the theme song "i_" has a total of four versions, which are in Mandarin, Cantonese, Japanese and Korean. They are sung by Zhang Guorong and two singers from Japan and South Korea respectively, in order to please audiences in different regions.

It is rare for a Hong Kong movie to have the theme song of the Korean version, which greatly satisfied the vanity of the newly prosperous Koreans, and instantly increased the sense of the movie "My Sassy Girl" by several grades.

"It's a great film~www.wuxiaspot.com~ It's worthy of being a Hong Kong movie."

"Of course, Hong Kong is known as the Hollywood of the East."

"Hong Kong is so developed, and the subway station is so luxurious, South Korea can't compare."

"I didn't expect Wang Zuixian to change into ancient costumes and act so beautifully in modern dramas."

"The actor who played the morning bull was so considerate, but he didn't know his name."

"Kang Jianfei deserves to be an international director."

"Actually, girls are quite cute when they are savage."

"..."

After watching the movie, the audience who walked out of the theater were still excitedly discussing the movie they just watched.

Cui Zhen looked back at the poster outside the theater and thought: When can I become an actor and make such a good-looking movie. ()