Dreams of the Fragrant River

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With several beautiful wives at home, Kang Jianfei didn't have the time to run away. During the Spring Festival, in addition to occasionally going out to meet Zhong Chuhong, Zhou Huimin and other women, Kang Jianfei has been staying at No. 4 Repulse Bay as a "good husband and loving father".

Lin Qingxia, Lin Fengjiao, Zhao Yazhi and Pan Yingzi were combined by him in pairs, trying all kinds of embarrassing poses, and sometimes the pregnant Ye Pei also carefully joined in.

Anyway, everyone had "frankly met each other" countless times, and several women lost their sense of shame in front of each other. In the end, Kang Jianfei pulled him to bed at the same time in broad daylight, and it was just blushing to accompany him, which was absurd.

Xinhua now controls more than a dozen media. Hong Kong's "Ta Kung Pao", "Xin Pao", "Wen Wei Po" and other leftist newspapers do not belong to Xinhua in name, but at this time they are under the direct leadership of the Hong Kong branch.

The article of Ye Shan's exclusive interview with Kang Jianfei was first published in Wen Wei Po, which quickly attracted the attention of film industry insiders.

Especially now that "Notes on Tomb Raiders" is being shown, Kang Jianfei is the director of this film, and he is also the boss of the largest entertainment group in Hong Kong. What he said is enough to attract everyone's attention.

In an exclusive interview, Kang Jianfei poured cold water on the prosperous Hong Kong films, pointing out that the Hong Kong film industry system is not perfect and the overall quality of Hong Kong films is declining. The former problem of the imperfect industrial system cannot be solved by a single person, which requires the joint efforts of the industry, but the latter point resonates with many people.

In the past, because the cinema company monopolized the market, you may not be able to release a movie after you shoot it, so the directors put a lot of emphasis on the quality of the movie. From the 1970s to the early and mid-1980s, the production cycle of Hong Kong movies was basically 3 month to half a year. (Shaw Brothers films are an exception, because Shaw Brothers films do not worry about local and overseas distribution, so the production cycle is relatively much shorter)

But now it's different. The first is the increase in the number of cinema companies, which means that cinemas can no longer monopolize the box-office market. Any film that can pass the standard will have the opportunity to be released. Even if it can't be shown in regular theaters. It can also make money through underground cinemas, video tapes and overseas film companies. Anyway, Hong Kong films can be made and sold.

Since you can make money by making any bad movie. Then, under the premise of profit-seeking, investors will naturally choose to make quick films to speed up the return of funds, and directors are also happy to make more films in a short period of time to get remuneration and dividends. In this way, the average production cycle of Hong Kong films has been shortened from more than three months to two months - these two months include pre-production and post-production time.

Kang Jianfei can make a good movie in half a month because he already has all the scenes in his mind. Those directors didn't have the "ability" of Kang Jianfei. In order to shorten the production cycle, the directors had to not even prepare for the storyboard. Moreover, when the actors' performances are not in place, they have to live by it, and the things that are filmed can only be described as appalling.

Fortunately, the integrity of the well-known directors has not faded, even Wang Jing, a fast shooter, still maintains the bottom line. The most chaotic directors are those with a little reputation. The films they make are occasionally released in the off-season. Most of the time, they can only go through underground theaters and video tapes. Because of the cheap price, they are bought in bulk by small filmmakers in Southeast Asia. Then it was screened in the Southeast Asian countries under the name of Hong Kong films. Seriously affected the local reputation of Hong Kong films.

This phenomenon has caused concern and dissatisfaction among many people in the industry. Many people even advocate reducing the number of theaters, believing that too many theaters have caused the flood of junk movies. Kang Jianfei raised this question in an exclusive interview. Immediately resonated with a large number of colleagues, each expressing their own views in the media.

The Spring Festival has not yet passed, and well-known producers and directors have already quarreled on TV and newspapers.

At the same time, "Notes on Tomb Raiders" was released in Singapore, South Korea, Taiwan, Thailand and other places, and the box office began to rise all the way. In Japan, due to the competition of Hollywood blockbusters, "Tomb Notes" was unable to be screened until the Spring Festival, and could only wait for the next good schedule.

There is no doubt that "Tomb Notes" quickly became popular locally, and its influence is no less than that of "Terminator 2". These regions belong to the Confucian cultural circle. There are a lot of Chinese people, not to mention the fact that even history books in South Korea are in Chinese. There is no cultural barrier in accepting "Notes on Tomb Raiders".

With the strong position of Hong Kong films in Nanyang, when "Notes of Tomb Raiders" was released. Even more sensational than "Terminator 2".

Thailand's largest circulation "Thai Daily", called "Tomb Notes" an "unparalleled adventure film". Nearly 60 years old, the father of Thai action films, Paddy Wedge (who married a 38-year-old wife at the age of 83), immediately announced that he was preparing an adventure film about Western colonists smuggling Buddha heads in Thailand. An action-adventure film about the protection of the Buddha's head by Thai folk fighters.

In a follow-up interview, Paddy Wedge said: "The Tomb Notes, directed by Hong Kong Jianfei Kang, gave me a lot of inspiration. Why can't there be a Thai "Indiana Jones" and "Tomb Notes"? We have a long history in Thailand. The historical and cultural legends, as well as Muay Thai, which is not part of Chinese Kung Fu, can all be combined to create an excellent adventure action film.”

Follow the trend, to put it bluntly, follow the trend!

Hong Kong is the same, Thailand is the same, and South Korea is the same.

After Kang Jianfei's "Notes on Tomb Raiders" became a hit, it did not help the promotion of computer special effects, but caused a wave of follow-up.

After "My Sassy Girl", the films starring Wu Zhenyu once again dominated the Korean film market, and Wu Zhenyu's reputation in South Korea continued to soar. However, Korean audiences don't seem to like Zhang Yan's beauty. She has not been widely welcomed in Korea. Soft and charming actresses such as Wang Zuixian, Li Saifeng and Guan Zhilin are more popular in Korea.

However, the problem of the heroine did not affect the box office of "Tomb Notes" in South Korea. Although it failed to break the viewing record set by "My Sassy Girl", "Tomb Notes" still ranked second in the Korean box office list over the years. .

There are always some inexplicable angry youths in South Korea. Seeing that the top two Korean box office charts over the years have been occupied by films made by foreigners like Kang Jianfei, they actually ran to the South Korean government to protest, demanding that the quota for Hong Kong films be reduced to protect the development of local Korean films. .

Some Korean filmmakers who make money by buying Western films were originally dissatisfied with the dumping of Hong Kong films in Korea.

There is no need for a Hong Kong film company to do PR. South Korea has its own group of filmmakers who rely on Hong Kong films to make money, and these people are often richer, and they immediately started a war of words by manipulating public opinion.

Kang Jianfei has thus become a "cultural invader" in some Koreans. In the following years, his name was occasionally raised by angry youths in South Korea to protest. But it's probably out of emotion. When Kang Jianfei was interviewed by the Korean media in order to promote his movie, he said that he liked South Korea very much, and after a lame Korean greeting, many Korean angry youths suddenly turned black, praising Kang Jianfei as a very talented Aesthetic director.

The unreasonable vexatiousness of Koreans is actually a manifestation of inferiority. As an internationally renowned director, Kang Jianfei's films often make money in the Korean market. Naturally, it will arouse the dissatisfaction of the angry green hanging silk. And when he praised the country of South Korea, the vanity of those angry youths was greatly satisfied - Director Kang Da likes South Korea so much, which shows that our country is very good and great.

In any case, Kang Jianfei made money anyway.

Not only is it transferred to the box office of the movie, the newly established Oriental Publishing House has already assembled and published the first part of "Notes on Tomb Raiders" in Hong Kong, and at the same time contacted publishing houses in South Korea, Thailand, Taiwan, Singapore and other places to discuss the matter.

Although Kang Jianfei often works to cross rivers and demolish bridges, his basic credit is still there. "Notes on Tomb Raiders" is still serialized in Ma Chengkun's "Oriental Daily" and has not been transferred to "Daily Daily". But the publication of the album has nothing to do with Ma Chengkun.

Speaking of "Daily Daily", I have to mention Huang Yulang. After he sold many of his media to Kang Jianfei, he finally had key working capital. Although his lawsuit is still not over, and the bank will not provide him with loans for the time being, the entire Yulang International has finally come back to life.

Ma Rongcheng, who left Yulang International, also formed a publishing company with his friends. After the Spring Festival, he began to serialize the "Storm" series of comics, which once again attracted the attention of Hong Kong comic fans.

The reason why Ma Rongcheng left Yulang International was not because he saw Huang Yulang's lawsuit and jumped jobs. After all, the copyright of Ma Rongcheng's famous work "Heroes of China" belongs to Huang Yulang. After leaving Yulang International, Ma Rongcheng has to start all over again.

Ma Rongcheng was forced to leave Yulang International. He was threatened in April last year not to write cartoons for Huang Yulang, and was ambushed later. Both hands were almost chopped off, and it took half a year to recover from the injury.

after this horrific incident. How can Ma Rongcheng dare to stay in Yulang International?

The reason why Huang Yulang took the initiative to sell "Daily Daily" to Kang Jianfei, rather than to a buyer who had been wanting to acquire it, was because he suspected that Ma Rongcheng was hacked by those people.

Ma Rongcheng is Huang Yulang's cash cow. The other party used violence to force Ma Rongcheng away. How can this not make Huang Yulang angry and jealous?

In any case, Ma Rongcheng, who left Yulang International, started to create a comic called "Wind and Cloud", which shined during the Spring Festival this year.

...

"Brother Fei, next week my mother will be celebrating her 55th birthday in Canada." He Chaoqiong handed over a towel to Kang Jianfei, who came back from the morning exercise, and asked tentatively, "Would you like to go too?"

Kang Jianfei smiled and said, "Canada is so far away, what am I going to do? If I live in Hong Kong or Macau, I will definitely go to congratulate her old man."

He Chaoqiong's face was a little gloomy. Ever since her mother Lan Qiongying planned to announce their marriage last time, and also exposed to reporters that the two of them had a son, the relationship between Kang Jianfei and Lan Qiongying has been very stiff.

Fortunately, Lan Qiongying immigrated to Canada last year, and has rarely returned to Hong Kong recently, so nothing unpleasant has happened again.

As for Lan Qiongying immigrating to Canada, she actually went there to help He Gambling Wang manage his business. Since it was determined that Macau will return, He Gambling King has been making two-sided plans, secretly contacting the mainland while secretly transferring property and investing in Canada. Once he finds something wrong, he can run away at any time.

Lan Qiongying's father had immigrated to Canada long ago, and he had many relatives there, so he naturally became the best person to manage the Canadian business.

Kang Jianfei was happy and quiet. After this mother-in-law immigrated to Canada, she never talked nonsense in front of him again, which made his married life with He Chaoqiong a lot more harmonious.

He Chaoqiong originally wanted to adjust the relationship between her mother and her husband, but seeing Kang Jianfei's reaction, she temporarily dismissed the idea. Although Kang Jianfei was smiling when he spoke just now, his refusal attitude was obvious, and he didn't want to congratulate his mother-in-law at all.

"After the Lantern Festival, I will send Xiaoxin to the kindergarten." He Chaoqiong said during breakfast.

Kang Jianfei nodded and said, "Xiaoxin will be 4 years old soon. It's time to go to kindergarten and get to know more friends."

He Chaoqiong said with some resentment: "I've been bored for the past few years. When Xiaoxin goes to kindergarten, I also want to find something to do."

"What are you going to do?" Kang Jianfei asked.

"I don't know," He Chaoqiong was a little confused, "My dad asked me to go back and help him, but I haven't made up my mind yet."

Kang Jianfei's macho psychology began to play havoc again. His own woman should help herself when she wants to do things.

"Why don't you come to the Oriental Media Group and work at the middle level for two years, and then take over slowly." Kang Jianfei said.

He Chaoqiong has been at home with children for a few years, and has long been bored, but she doesn't know what to do for a while. After hearing what Kang Jianfei said, she agreed, "Well then, I'll try it first."

"You can definitely do it~www.wuxiaspot.com~ Kang Jianfei said while holding He Chaoqiong's hand.

He Chaoqiong's business talent is unquestionable. The diploma of St. Clair University in the United States is not enough to explain anything. Her performance in the shopping mall in another time and space is really dazzling.

At first, He Chaoqiong grew up under the wing of the gambling king's father, but in her 40s, her net worth has already surpassed her father's, and she still does not count the shares she holds in Xinde Group and SJM Holdings. (The latter two groups are the industries of He Gambling King).

When Kang Jianfei crossed over, He Chaoqiong was already the richest woman in Hong Kong, and she was also one of the shareholders of TVB.

Of course, at this time, He Chaoqiong didn't have much business experience, and he had to go through practical work to train it. Kang Jianfei was also optimistic about her potential ability by letting her enter Oriental Media.

As for the fire in the backyard in the future, the division of property between the husband and the wife, and so on, that will happen after Kang Jianfei's death. According to Kang Jianfei's understanding of He Chaoqiong, this young lady has a temperament that is not free from arrogance. If she is allowed to fight for property by being fooled, she will definitely choose to give up, and then rely on her own ability to earn it back. (To be continued)()