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Chapter 98 99. Apprenticeship

"The Swordsman" has begun filming in an orderly manner.

One-third of Lin Pingzhi's scene has been filmed, and the next focus of the crew is Li Yapeng's Linghu Chong.

Han Qiao didn't pay attention, but he heard from Miao Yiyi that Li Yapeng worked very hard in filming. During this period, he was almost isolated from the world and lived like the ancients.

Moreover, Huang Jianzhong admired Li Yapeng's "Linghu Chong" very much.

Not only were many "Linghu Chong" character cards prepared on the set, but they also often gave Li Ya private performance reviews.

Han Qiao was not surprised by the news. Shao Bing's role in "Linghu Chong" was Huang Jianzhong's suggestion to the bearded man.

Li Yapeng and Shao Bing have one thing in common, they both have "cool" temperaments. This "coolness" fits Linghu Chong's cynicism very well.

However, Han Qiao will not sit still and wait for death.

During this period of time, he was out of action, lying in bed day and night watching "The Swordsman". Li Jie's performance of Lin Pingzhi in the original version of "The Swordsman" was actually quite good, and he played out the "sinister" side of Lin Pingzhi.

What is criticized is that Li Jie played Lin Pingzhi into an enchanting pervert.

You must know that Lin Pingzhi in the original work is not very good in martial arts, but he is chivalrous and righteous, pure and proud, extremely beautiful and filial.

It was only later that he experienced danger and cruelty in his wandering life, and by a single thought, he went to self-destruction. From then on, he became cruel and ruthless, ruthless and decisive.

However, no matter how you look at it, Lin Pingzhi is not a pervert. Perhaps, he is closer to a paranoid.

Therefore, when Han Qiao performed the scene before Lin Pingzhi went to Mount Huashan, the focus was on showing Lin Pingzhi's innocence and kindness.

After entering Huashan, Lin Pingzhi gradually moved into darkness.

………………

Two weeks later, Han Qiao went on stage.

Han Qiao rushed to the set and felt the subtle changes in the atmosphere of the crew. The crew was busy and orderly. They worked day and night for two weeks, but there were not many complaints and they were full of energy.

Leading actor Li Yapeng's "entertainment" gave the crew a lot of confidence.

Huang Jianzhong took the time to film the Linghu Chong scene. This scene was between Lin Pingzhi and Yue Buqun.

The director is a bearded man.

Han Qiao was putting on makeup backstage and met Weizi, who played "Yue Buqun".

Weizi is a highly respected artist and the acting director of "The Swordsman".

Han Qiao was very polite and greeted warmly: "Master Weizi, good evening."

Weizi looked at Han Qiao in the mirror and smiled: "Hello, Han Qiao."

This scene is about Lin Pingzhi secretly overhearing Yue Buqun practicing the "Evil Sword Manual".

The makeup artist was painting Weizi, but Han Qiao didn't rush him. He found a corner to sit down, took out the script and studied it.

This scene was a completely dark moment for Lin Pingzhi.

Lin Pingzhi suffered humiliation and became a disciple of Huashan, thinking that he would have a "family" from now on. Unexpectedly, the disciples of Huashan sent him to humiliate him, and the once rich and noble son fell into the mud.

At this time, Lin Pingzhi was burdened with a blood feud, and his heart was full of unwillingness and darkness. The care of his senior sister Yue Linshan and his master Yue Buqun became the only light in his life.

At this moment, his light went out.

The master's concern is for the purpose of "dispelling evil swords", but the senior sister has another purpose.

Han Qiao carefully tried to figure out Lin Pingzhi's psychological changes.

Weizi saw it in the mirror and smiled: "Han Qiao, Lin Pingzhi's performance is quite full today."

Han Qiao closed the script and said politely: "Teacher Weizi, you are a senior, please take care of me later."

Weizi's "Yue Buqun" is the most classic of all "Yue Buqun", with a feminine and ruthless manner, and a lifelike image of a sanctimonious hypocrite.

Weizi was not polite. He had a good impression of Han Qiao. During the training, Han Qiao was very polite and respected his seniors. After joining the group, Han Qiao was also very dedicated in filming and did not have the impetuousness of young people.

Weizi smiled: "No problem, after all, in the play, you and I are master and apprentice."

Han Qiao did not hesitate after hearing this. He stood up solemnly, bowed and said respectfully: "Disciple pays homage to master."

Han Qiao's actions surprised Wei Zi, who said in surprise: "Han Qiao, what are you doing?"

Han Qiao didn't reply and stubbornly maintained his posture.

Weizi smiled bitterly: "Han Qiao, you are "forcing the palace"."

Han Qiao said nothing and continued to maintain his posture.

After a long time, Weizi shook his head helplessly: "Okay Han Qiao, since you and I have a master-disciple relationship in the play, I can promise you that you can ask me if you have any questions on the set of "The Swordsman"."

Han Qiao bowed deeply and said respectfully: "Thank you, teacher."

Weizi put on makeup, sat on one side, and watched Han Qiao put on makeup. After thinking about it, he opened the script: "Han Qiao, while you are putting on makeup now, let's analyze Lin Pingzhi."

Han Qiao has no lines in this scene, while Yue Buqun and Ning Zhong argue. Yue Buqun shows his determination by throwing the "Evil Sword Manual" off the cliff.

Lin Pingzhi secretly saw it from the window.

"No problem, Teacher Weizi." Han Qiao thought for a while and said seriously: "Lin Pingzhi in this scene has completely turned dark. I think this is actually a kind of relief for Lin Pingzhi..."

"The word "blackened" is very accurate," Weizi nodded: "Han Qiao, you know Lin Pingzhi very well, but when you perform, you not only know it for yourself, but also let others know it."

"Voice, posture, eyes, lines, appearance, these are all the external aspects of performance. They are techniques, not Tao. What we have to do is to let ourselves find the Tao, that is, to become the character."

Han Qiao was thoughtful: "Teacher Weizi, is this the experiential school?"

Weizi smiled: 'Experientialism is not that simple. What I am talking about is simply "getting into the play".'

"I've seen your performance of Lin Pingzhi before. It was very good, but there's one thing I can't figure out. There are traces of imitation in your performance."

Han Qiao was startled, Weizi was indeed an "old drama actor", he could tell at a glance.

Weizi said solemnly: "I don't know where you are imitating, but from now on, I hope you can abandon "imitation", which will not be good for your future."

Han Qiao nodded and sat upright: "Okay, Teacher Weizi."

"Let's continue talking about "getting into the drama". Getting into the drama is very rare, but excellent actors must pass this level." Weizi said in detail: "The easiest way to get into the drama is to let yourself live as the "protagonist" for a long time.

In a single environment, under the subtle influence, it naturally falls into the play."

"Li Yapeng was like this during this period. His performance was very clumsy, but his temper was very stubborn." Weizi looked at Han Qiao: "The biggest difference between you and him is that your performance is very spiritual, which gives you another

A possibility of "entering into a play"."

Weizi explained it in detail, but Han Qiao understood it half-heartedly and nodded subconsciously.

Wei Zi smiled and said, "I call this kind of immersion in the play the feeling of the mind."

Mind sensing?

At this time, Wei Zi's temperament suddenly changed drastically. He became vicious and evil. He looked at Han Qiao with seductive eyes: "Lin Pingzhi."

Han Qiao looked into those eyes, lowered his head subconsciously, and respectfully shouted: "Master."

Weizi smiled: "Look, you were caught in the act just now. This subconscious reaction is Lin Pingzhi's most authentic reaction."

Next, Han Qiao benefited a lot from Weizi, who shared his experience of "entering the drama" in his mind.

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(End of chapter)