Entertainment: Started By Persuading Da Mimi To Escape Marriage

Chapter 272 His Billionaire Sings About Nothing!

When everyone had sung it again, Lu Chenyang sang the song "The Princess" again.

"The swaying glass of red wine, the lips like stained blood, the unusual beauty, the unforgivable sin......... My princess, I will take possession of your beauty!"

This song is sung live, it is still very shocking and very motivating!

Everyone danced and sang along with Lu Chenyang.

The crowd was not too addicted and wanted Lu Chenyang to sing another rock song.

"I once asked endlessly when you "037" would go with me, but you always laughed at me and had nothing!

I want to give you my pursuit, and my freedom, but you always laugh at me and have nothing!

Oh! When will you come with me! Oh! When will you come with me!

The ground under my feet is walking, the water around me is flowing, but you always laugh at me, nothing!

Why do you always laugh enough, why do I always pursue, in front of you, I will always have nothing!

Oh! When will you come with me! Oh! When will you come with me!"

Di Li Gerba, Dong Xuan, and Liu Tao all showed a magical smile.

Lu Chenyang has so much money, so handsome, so talented, he actually says he has nothing? Make no mistake!

Lu Chenyang is a billionaire, and he actually sings "Nothing", which is also hilarious!

However, they understand that this may be the time when Lu Chenyang sings about his own undiscovered time!

During that time, Lu Chenyang was dumped by several girlfriends in a row, and the song came out!

It turned out that in that life, "Nothing" was Cui Jian's masterpiece, with lyrics and music composed by Cui Jian.

While creating, Cui held the guitar and combined melodies and beats in his mind while plucking, "A lot of things that pressed on his heart flowed naturally."

At first, he even thought that these melodies had nothing to do with Chinese songs, but as soon as the song was completed, when Cui Jian filled in the words, he found that it was a Chinese style song.

In 1986, Cui Jian sang this song for the first time at the concert of 100 singers of the International Year of Peace held in Northview.

In 1989, the song was included in Cui Jian's album "Rock on the New Long March Road".

Rock music, as a form of popular music after opening up, was not recognized by the mainstream culture of the society in the 80s, and it was not until the emergence of Cui Jian's "Nothing" that rock music was gradually recognized by the mainstream of society.

Because of this work, Cui Jian is known as the "first rock man"; "Nothing" also ushered in the era of Chinese rock music.

On July 16, 1988, a daily newspaper published a 1,500-word article "From "Nothing" to Rock and Roll————— Why Cui Jian's Works Are Popular" as the headline of the literary and art section, which was the first time that rock singers were reported in the mainstream media in the mainland...

In 1996, Beijing University Press published "A Hundred Years of Literary Classics" edited by Xie Mian and Qian Liqun, and "Nothing" was selected from the seventh volume of poetry works in the eighties.

Chen Sihe, editor-in-chief of "A Course in the History of Contemporary Literature", devoted a section to "Nothing", praising it as "having reached a unique and excellent state in art."

It turned out that in that life, Cui Jian's high-pitched and sincere hissing, songs similar to northern folk songs, and colloquial lyrics brought a strong shock to people.

In the era of rapid social transformation shortly after opening the door of the country, "Nothing" allowed a group of painful, lost, confused and helpless young people to finally find a channel to release 5.6 their own energy, and the material and spiritual state was frankly stated in this 3 and a half minutes of vernacular, and turned into a sharp cry in the form of rock music

In this song, you can't find pretentious love, nor can you find an urban love song that describes the empty heart in capitalist society, and what fills "Nothing" is an omnipresent sense of anger and powerlessness, which is fully reflected in Cui Jian's sincere and violent, almost roaring song! ! .

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