Entertainment: Started By Persuading Da Mimi To Escape Marriage

When Yangmi entered the traffic era in 2011, it must have been a proud horseshoe disease.

She certainly didn't realize that in a few years, her traffic would be eaten back.

By the moment she was eaten back, she would definitely be helpless.

Yang Mi is really a typical representative figure, now looking back at Yang Mi's artistic experience, we can also clearly see the whole process of this so-called "traffic era" from the beginning to the peak and then to decay: in 2006, Yang Mi attracted much attention for playing the role of Guo Xiang in "The Condor Heroes", when Yang Mi's aura was still there, which simply interpreted the naïve romance of Guo Xiang's role vividly.

15 After that, Yang Mi starred in works such as "Wang Zhaojun" and "Liaozhai Zhi Yi", although it was not hot enough, but it still won a lot of popularity for herself.

It was not until 2011 that Yang Mi officially entered the field of vision of the general public with a Yu Zheng's "Palace" fire, and finally became the first real "traffic ming" in China

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Since then, any topic about Yang Mi has continued to ferment, and the heat has not decreased.

In those years, just send a video at random, as long as you add a pound sign and bring the word Yang Mi, thousands of retweets are not at all.

Even an embarrassing black casual about "smelly feet" can instantly spread throughout the Internet, and the heat is so high that it can't be under the hot search for several days.

In short, whether it is blowing or black, it can be said that in those years, Yang Mi simply relied on her own strength to feed countless marketing numbers.

Later, it was time for the small-cost thriller "Far Cry" that was so rotten that even fans could not refute it was released, but it was such a low-quality horror film that could actually successfully win 90 million at the box office in 2011, allowing the producer to make a lot of money.

It was then that people first realized what it means to be a "fan box office".

Since then, the era of traffic has begun to rise, not only with popularity, box office, money [and later even Guinness World Records].

But things are bound to reverse, climbing high will fall heavy, and any good thing to the peak will have a day of going downhill.

So we saw that after "The Translator", "Negotiator", which also copied the workplace drama, turned off.

After "Three Lives and Three Lives and Ten Miles of Peach Blossoms", "Fu Shao", which also copied the fairy fantasy drama, was also extinguished.

Even "Baby", which now has the blessing of literary and artistic films, quickly extinguished after being strong and hot before the screening.

At this point, we have officially entered this era of "traffic backlash".

It represents such a thing as traffic, and even if there is, it is not so easy to monetize.

Yang Mi, who has high emotional intelligence, once had ideals and regarded Maggie Cheung and Zhou Xun as idols, finally ushered in this 470 head-on blow after squandering her acting skills.

This is a good wake-up call for many small flowers who only have traffic and no acting skills at present.

But then again, should the failure of "Baby" be all for Yang's back?

Lu Chenyang doesn't think so!

If the movie itself is good, but the actors lack acting skills, the score of "Baby" will not be as low as 5.6 today.

For example, in the costume movie "Embroidered Spring Dao 2 Asura Battlefield", although Yang Mi is the absolute star, the Shin film score has reached a respectable 7.2.

Why? Because to measure the quality of a movie, the most critical factor is still in the movie itself.