Exploiting Hollywood 1980

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After winning this short-term project, Ronald asked his agent Richard to search for the MV video tapes he could find since the channel started, and watch it at home for a day or two nights.

All kinds of music TV, he watched all at once.

Although it is a new thing, the development of music TV is very fast, and now there are various shooting genres and editing styles. Ronald had a plan in mind and started drawing the MV at the end of "The Magic Stain".

"The editing rhythm of an MV is not the same as a normal movie. A movie has a plot first and then a soundtrack. The MV is based on the rhythm of the song, and the pictures are matched. It doesn't need a complete story. The audience will imagine what is missing. part."

Ronald picked up his storyboard and showed original director Lou Adler his imaginary ending scene.

Lou Adler looked at those scenes carefully, "Your idea is very original, and it's not exactly the same as the music TV you put on."

"Yeah, the MV on stage now is either a live clip of the singer's singing, or a splicing of various symbolic images. If there is 'victory' in the lyrics, there will be a firework, and if there is 'love', there will be a kiss scene. We’re still making movies after all.”

Ronald divided the storyboard on the table into three pieces and said to Adler:

"Here is the live performance of the 'Magic Stain' band, here is the happy life they live, and finally here is their big record sale, winning an award, etc. Although it is relatively loose, the audience can still imagine and synthesize these shots. A complete story."

Lou Adler is quite satisfied, this fresh way of shooting music TV, looks very interesting. The station should also be satisfied with this innovative approach, rolling over the channel.

Before its release, this MV can also be used as a movie advertisement and trailer on the channel, where the audience is mainly teenagers, which happens to be the main audience of the movie.

So he affirmed Ronald's idea, and began to call the filming team, and the three leading actors who played the band members, began shooting the day after tomorrow.

"I'm very satisfied, I'll add your name to the director's team." Lou Adler found the team, gave Ronald a glass of whiskey, and said with satisfaction.

"Ah?" Ronald was actually unwilling in his heart. He didn't want to leave his name on such a bad film. It was enough to get the money and the director's gratitude.

"Actually, I don't really care that my name appears in the subtitles, Mr. Adler. To be honest, you have offered a very generous price, and I am very satisfied.

And I've already directed a film on my own, and it's not an improvement for me to appear in other directorial roles. "

"I understand what you mean, that's all."

Lou Adler is also very satisfied with Ronald's professionalism in handling affairs with money. This kind of dedicated practitioners has never been encountered when he was shooting. They are all salary thieves who do not work hard.

On the day of shooting, Ronald came to the location ahead of schedule, which was Lou Adler's mansion, a large villa in the middle of the mountain.

"The roof can be used as a stage for band performances, and the satellite dishes there can be used as a decoration, expressing a modern element." Lou Adler showed Ronald to various performance locations.

"Uh, okay." Ronald felt that this method of filming was also an idea, at least there was no need to re-find a large performance venue and start another day's work to waste money.

"This is my honor room with all kinds of recording awards."

Ronald looked at it, picked up a gold record certificate and read it, "The Mamas and Papas, 'All the Leaves Are Brown' - 1967".

"This is good, let Diane hold it then."

"This is my practice room, with all kinds of audio equipment."

Ronald felt that the Adler family could open a small record company.

There is also a recording studio.

By the time the dressing room and the costumer had dressed up the three protagonists, whether Ronald had already seen the sample, or was caught by the makeup of the three of them, Diane Lane.

"It's a girl punk rock band, ha!"

In between, Diane Lane wore a one-piece miniskirt with a Van Gogh-inspired pattern, bright red stockings underneath, and a pair of lavender high heels.

"Hey, Ronald, why are you here?" Diane Lane wore a long crimson wig on her head and lifted her bangs that were ruffled by the wind, and was surprised to see Ronald's figure.

"Didn't the director tell you? I'll shoot today's reshoots."

"No, Burt and I have been busy auditioning these days. There's a big-budget movie that's summoning actresses from all over the country to LA," Diane replied.

"Is it really you?" Laura Dern also came over after finishing her makeup. After she relayed Ronald's suggestion to Paramount through her mother, she did not expect to get the call to make up the ending scene so quickly.

After the Golden Globe Awards ceremony, she also gained some popularity as "Miss Golden Globe Award". If the film can be released... There should be a chance to play the heroine next time.

Ronald looked at Laura, who was wearing a purple vest and pink skirt, similar to Diane's, except that the stockings were white.

"The two of you stand side by side, let me see." Ronald found that Laura Dern was already taller than Diane. When filming in 1980, Laura was obviously still shorter.

"When the time comes, you will stand on the right, the one who plays Diane's sister will stand on the left, and Diane will look forward." Ronald took out the director's viewfinder, stepped back and observed the positions of the three in the camera, and asked Diane to point forward. The height difference between her and Laura is not obvious.

"A little further. Okay, let's rehearse and play music."

Lou Adler asked the staff to drag a pair of top hi-fi speakers out of the room and put them on the roof playing a pre-recorded song, "The Fabulous Stains," Diane had recorded.

",." Diane Lane spoke to his own voice and opened his mouth.

"My God, Diane really can't sing," Ronald thought to himself, the out-of-tune voice was terrible.

"Clothing, clothing?" Ronald called the costumer. "Give Diane a dark coat, otherwise the bright red stockings and light blue top won't hold up."

"What kind of shirt?"

"It's just me." Ronald took off his metal-buttoned navy blue uniform, called Diane over, and tried it on for her.

"That's it, the dark blue on the top is matched with the red on the lower body, and the black one can also be used."

"What kind of grass stage team are these, and I don't know how to match the clothes." Ronald shook his head and thought to himself as he watched the costumer looking for clothes.

"You're going to rehearse first." Ronald walked behind the camera and looked at Diane through the viewfinder. His coat was too big on her, with shoulder pads to support her shoulders, but the sleeves were still long. , a little funny.

"Fine, that's all."

Ronald went to check the recording equipment again. There was wind on the roof and the recording rod was relatively long. Ronald saw that the recording engineer's arm strength was good, so he felt relieved and prepared to start shooting. The level of this work team is average, and you have to read it once before you can do it.

Diane carried the electric guitar, made a few strumming gestures with his right hand, pinched a chord with his left hand, and secretly glanced at Ronald, who was talking to the sound engineer below.

After he finished speaking, he looked at himself again, and Diane immediately retracted his eyes and began to pretend to play.

"Recording, camera,!"

After filming the show, Ronald added some additional shots of Diane celebrating with a gold record, playing with his two younger sisters in the swimming pool, and various fake magazines featuring Diane's face.

"Let's just shoot here. After I finish editing, the director should arrange for the release."

"Okay, Ronald." The actors went to remove their makeup.

Ronald looked directly at the end of the original film on the editing machine at the director's house, thinking about how to connect the footage that was shot today.

The original closing shot was on Diant, where her lead character was kicked out of the tour, but her single was heard on the radio. It's an expression that can't be laughed or laughed. If it ends like this, the audience is really dissatisfied.

"Here let's add a narration from Diane. She said that she would not give up. She turned out to be a little girl that no one noticed, and now she is the lead singer of a punk band that made it to the charts. I won't give up, and you shouldn't give up. "

Ronald pointed to Diane's skunk makeup on the monitor and said to director Lou Adler.

"I think it's okay, I'll go get Diane to record."

"I used to be like you, and I was nothing. But I didn't give up, and you shouldn't give up. You made me who I am now." Diane, who had taken off her makeup, faced the whiteboard on the opposite side in the recording studio. Finished his narration.

"Very well, that's it." Director Lou Adler manipulated the tape recorder himself.

Ronald was still outside the glass of the recording studio, holding a whiteboard against the glass with the narration lines he had just written.

Now Diane is back to her everyday look, with her long brown hair pulled back in a braid. Her face shape is very suitable for filming, and the left and right sides are beautiful in the past.

"The general idea of ​​editing is like this..." Ronald put down the whiteboard and chatted with director Lou Adler about editing.

Diane came out of the studio and stood by and watched Ronald for a while, watching him and the director discuss editing, until Laura Dern came to her.

"What are you laughing at, Diane? What do you think of the movie? Can it be released?"

"Ah? I don't know. It feels better to add an ending. You should have confidence in Ronald. I think he understands movies better than the original director."

The two walked out of the room together while talking.

"That's what I'm thinking. What do you think? Mr. Adler?"

"Very well, I don't have any comments, we'll just follow this. I have an editor here, and I can finish it here when it's developed."

"Okay, then I'll go back first." Ronald bid farewell to the director, preparing to go home.

"Hey, where's Diane?" Ronald looked up and saw that Diane was gone, and it was already dark outside the window. "Let's go first? Forgot to ask her what movie she was auditioning for. It shouldn't be Coppola's world. Outer urchin', the one who hasn't signed the issuance contract, the loan hasn't come in, and Coppola has no money to pay."

A few days later, Ronald completed the editing of "The Magic Stain Band", and Lou Adler had some new ideas. In the ending MV, he added a lot of scenes of his band getting up early to show the traditional pay tribute.

Ronald disagrees, the whimsical editing may be fine for pure music TV, but the ending of the movie is obviously inappropriate.

But his task has been completed, take the money and leave, there is no need to say more.

Lou Adler was very excited and wrote a check on the spot, expressing that he would work with him again in the future to shoot MVs for his singers.

"You can contact Eddie, my agent in New York for things other than movies."

A few days later, Ronald waited for a call from his agent, Nisita.

"Hey, is Coppola getting the loan and preparing to set up a crew?" Ronald couldn't wait to learn Coppola's secrets.

"Don't worry, he has gone to Europe to sign and will be back soon.

I am looking for you is another thing. It seems that someone copied your idea and followed suit and made a movie with a plot similar to that of 'Fast-Paced Richmond High School', and I asked Richard to pick you up..."

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