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Every person, every bird and beast, the details on the body are extremely refined, very vivid and lifelike.

It can be seen that the painter who painted this mural back then must be a master.

On the far left and right of the mural, there stands a giant tree, standing among the mountains on the left. The whole body is dark and dark, and the whole body is surrounded by purple, exuding a cold and quiet atmosphere.

Around this giant tree, many gray creatures lingered on the ground, some were about to walk into the mountains, not knowing what happened.

The tree on the far right has a straight body and red body. It has nine branches, nine leaves and nine fruits. On each of the nine branches, a golden three-legged bird stands.

Compared with the one on the left, this tree has a different feeling, vigorous, fiery, and sunny.

Looking at these two completely different types of giant trees, and the creatures on the ground who walked from east to west, the sadness on their faces became heavier as they went west, Jiang Le fell into deep thought for a while.

The red giant tree on the far right of the mural, if he guessed right, is probably the legendary Fusang.

Fusang is a huge wood recorded in "Shan Hai Jing",

"Liang Shu·Zhuyi and Fusang Country" said: Fusang is more than 20,000 li in the east of the Great Han Kingdom, the land is in the east of China, and its land is rich in hibiscus wood, so it is named.

The description in "Ten Continents in the Mainland·Daizhou": multi-growth trees, leaves are like mulberries, and there are trees. The trees are two thousand feet old, and they are more than two thousand around. The trees grow on the same root in pairs, and they are more dependent on each other. The name is Fusang.

People in ancient times believed that Fusang was the place where the sun rose. Therefore, in the murals, the giant tree on the east side was red like a fire, Jiang Le is understandable.

As for the nine golden three-legged birds standing on the hibiscus tree, one can tell at a glance that they are the golden crow, the sacred bird in myths and legends.

Fusang and the Golden Crow, which represents the sun, mean the east of the earth, and the opposite of the east is the west.

"Are there any giant trees in the West?" Jiang Le asked himself.

In an instant, a thought popped out of his mind.

Jianmu!

Jianmu is a sacred tree worshipped by ancient ancestors. According to legend, Jianmu communicated with heaven, earth, people and gods. Fuxi, Huangdi and other emperors all returned to the world and heaven through this tree.

Among the many cultural relics unearthed in Sanxingdui, Guangyuan City, there is one of the most famous bronze trees. This tree is exquisite in workmanship, with branches and leaves, flowers, fruits, birds, animals, hanging dragons, and sacred bells.

Many archaeologists believe that the prototype of this bronze tree is likely to be Jianmu.

From this we can know that Sanxingdui civilization must have some special connection with Jianmu.

This mural is huge, and there must be a lot of clues and information hidden in it that Jiang Le has not discovered. Jiang Le took out his mobile phone from his pocket and photographed the entire mural, just to be able to capture every detail on the mural. Every detail is recorded in detail.

However, at this moment, in a pile of coffins not far away, a skeleton lying on the coffin caught Jiang Le's attention.

I saw this skeleton wearing a leather jacket and jeans, and a pair of sneakers on his feet. It was obviously a product of modern times, and beside this skeleton, there was another skeleton leaning against the coffin.

This skeleton is even more terrible. He wears a military helmet and a military uniform on his head, and holds a submachine gun tightly in his hand.

"Modern people?" Jiang Le was surprised.

Could this be the reason why the state announced that it would no longer excavate the Sanxingdui site?

Seeing the bones of modern people in this place full of ancient coffins, the meaning behind it is really too great.

This means that the country has sent special personnel to explore and investigate here, but for some reason, these people failed to go out alive in the end.

Looking for a pass nearby, Jiang Le finally found a lot of modern human corpses, as many as 14 in total.

None of these bones had any wounds, which showed that they did not die because of being killed, but because of natural death.

Obviously he was in a treasure house of huge wealth, but there was no way to take it out. I have to say that this is really one of the most tormenting things in the world.

After shooting the details of the complete mural, Jiang Le put away his phone and continued to walk deeper on the left side of the grotto. The deeper he went, the less coffins piled up on the ground.

At the same time, the shape and material of these coffins have also undergone great changes. They have begun to contain copper and iron, gold and silver, and the obvious luxury has risen.

After a hundred steps, there was a stone step, and as the stone steps went up, a huge stone table with phoenix feet was caught in Jiang Le's eyes.

On this stone table, there are two wooden boxes and a large pile of messy paper. Judging from a ballpoint pen scattered in the paper, it should have been left by those modern people who died outside before.

Picking up a piece of paper casually, Jiang Le immediately scanned the text on the paper.

‘After being sucked in by the whirlpool, we have been here for two days, and we still have not found a way out of this place. If this continues, everyone will die here’

"The secret of Sanxingdui civilization should exist in this scroll on the table. We are studying and the reports we summarized will be recorded on paper. If someone comes here one day, I hope you can bring these materials out alive and hand in. To the country'