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Chapter 210: Plan ahead

The Sharp Star is a weak chicken.

Even if he were placed in the ranks of cosmic people, he would be considered a relatively weak one. First appeared in Seven, and Aix and Uub's TV series also appeared.

The image of this cosmic man has been changed several times. At first, he was wearing a fencing mask and wearing a golden foil coat with a special emblem on his chest. During the Super Galactic Legend period, Tsuburaya made the second-generation Sharpele star man in a silver foil coat.

This design was used later.

Pengda’s version of the Sharp Star is silver in foil, and looks more like a "silver Kamen Rider without a belt."

As for the animated character, the shape is the same, except that his hands are more armored and the setting is a robot.

This is really a design crash.

The designer designed the Sharp Star according to Meng Lang's instructions, and the finished product has also successfully registered the image patent. Before this, no one knew of similar character images, and they had appeared in other works.

After understanding what happened, Meng Lang took the initiative to contact the producer of this animation to discuss how to deal with the matter.

Because this matter is ignored by both parties.

Pengda came out late, but held the image patent. The other party came out earlier, but he didn't have a patent.

In addition, whether it is the Sharpe Star or the animated character, it is not particularly important to both parties, and things are easily negotiated.

The two issued a joint statement.

This incident was purely coincidental, and the design of the leather case was not plagiarized. Pengda will remake the Sharpe Star into the image of the animated character, indicating that the two sides shake hands and make peace.

This is image linkage!

Although the turmoil continued in the middle, the final result was very good. After all, both sides gained enough exposure in this turmoil.

Like the Seven TV series, the discussion has never been hot because it has not been premiered in China. But after the plagiarism incident, fans following Saiwen surged and Meng Lang received many private messages asking when Saiwen was broadcast.

"It's almost time!"

Seven TV series, a total of 48 episodes.

The original version is one more episode than this, and the lesser episode is precisely the banned episode 12 "Dedicating Love to the Planet".

Seven is the most depressing work of Showa Ori, and it is also the work of Eiji Tsuburaya and Tetsuo Kaneshiro. They tried to add more discussion of human nature and irony of reality to the first-generation "anti-war" theme.

This also led to the great resistance of Saiwen whether in Neon or overseas.

Take China as an example, all the TV series of Saiwen seen through formal channels (not counting piracy network disks) are all cut versions. Most of these episodes have been cut to varying degrees.

Cannot cross the line, this is a matter of principle.

In this episode of Dedicating Love to the Planet, Meng Lang is a crooked nut, if it is filmed, the impact will not be as great as that of Tsukudani. But it will also be resisted by neon audiences, after all, "talk about nuclear discoloration".

He didn't want to die, so he deleted it.

What benefits will filming this episode bring him? If you get into some radicals, it will be troublesome. Although the group of people who were bombed is almost dead, as long as there is one left, the joke cannot be made.

So his version of the text has only 48 episodes!

It's not very long, it's about ten more episodes compared to the original. In addition, Severn is not as hasty as the first generation, and he has made sufficient preparations before shooting, and the shooting progress is fast.

20 episodes have been produced so far!

It can be considered to start broadcasting in China, and the schedule is the Spring Festival at the end of the year. As a happy day for the whole family, Saiwen's ratings are definitely good.

The premiere platform has not yet been determined.

The main reason is that Director Tao has been on a business trip and has not yet come back. Jiangchuan TV has been coveting Saiwen for a long time. If the conditions are good, Meng Lang is willing to hand it over to them.

Shop around!

The design of the crash caused Meng Lang to be extra vigilant. In order to avoid this kind of thing from happening again, he plans to squat all the classic monster images in the future.

This is also considered a rainy day.

As a "monster" company, Tsuburaya has designed countless monster images. Although many monsters are refurbished versions of old leather cases, there are also many new monsters.

From the first generation to Yumbius, each of Tsuburaya's Otto works will leave the audience with a big suspense, that is, what new monsters will appear in this work?

Dreambius is a watershed.

Before Xiaomeng, the audience will look forward to the appearance of new monsters. After the dream, the audience will look forward to the new episode of the whip corpse object.

It's so realistic!

In the past, Ultraman had whip corpses too, but that was occasionally. Later, Ultraman often whips the corpse, and occasionally produces a new monster.

This also reflects the current financial situation.

There are many monsters that can be remembered, including Showa and Heisei. Especially the BOSS monsters in each work, it is really hard to forget.

Like these monsters, most of them have specific design rules. If someone understands this pattern, then Meng Lang is in danger.

The image of the monster has been preempted by others, and he can't copy it, so the designer can only redesign it. Not to mention the time-consuming and labor-intensive ~www.wuxiaspot.com~ The redesigned monsters may not be as good as the original ones.

There is no choice but to squat!

Not only Ultraman, but also Kamen Rider. The subsequent images of weirdos and knights need to be registered in advance to avoid being intercepted.

He intends to implement the system of "make one, make one bet one", specifically for series like Ultraman and Kamen Rider. When filming one, you need to make the holster and model of the next one, and register it at the same time. An image patent.

This will save a lot of trouble.

And this is also the norm in the industry. Like Tsuburaya and Aunt Dong, after entering the new century, they have also embarked on the road of pre-registration.

It's just that they play very advanced.

Take Aunt Dong as an example, the design of the new knight, they will make N plans, and then unified registration. Before the shooting begins, the main rider will be re-made according to the designed knight. As for the design registered early, it will become a second rider or even a third rider.

Everyone knows the reason for this.

Business competition is cruel!

There are billions of people on the planet. Not everyone has a good brain. If you don't take precautions, people who deliberately make troubles really appear. Then what do you do?

More than just monsters in TV dramas!

Monsters like OV and big movies also need to be considered. It's just that the number of this part is small, and it's a drop in the bucket compared to the TV series.

How normal this is!

The monsters appearing in the Ultraman theatrical version are mostly corpse-whipping TV monsters. Even if there are new monsters, there are not many scenes.

There is only one Beria!

Looking at all the theater villains produced by Tsuburaya, Beria has more plays. Change to another villain, and there will be no picture after a movie.

It's like Beria. After the theater version is finished, you can go to TV drama to recognize a son.

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