Fox in the Penalty Area

Make a few complaints.

I always think that since this book is written, everyone and I should have a tacit understanding.

That is, everyone knows what kind of story they expect to see, and I believe that everyone expects this.

But now it’s 2.7 million words, and it’s been almost a year since the serialization. I also saw some people say that the writing is too much and the writing is slow... People who say this, are you reading this book for the first time?

In order to pave the way for Hu Lai's professional football, I also wrote a full 700,000-word campus football. In order to pave the way for him to play football abroad, I prepared a total of 2.2 million words...

It's my style, and it's the style of this book, to pave the way and describe it tirelessly before an important game.

Up to now, I still talk about the foreshadowing and slow rhythm. Didn’t the more than two million words of foreshadowing and slow rhythm scare you away?

Before Hu Lai's first goal in the Premier League, I also spent a lot of pen and ink describing all aspects, and some people were impatient. But I insisted on writing because I knew it was necessary—I am the author of this book, I am the creator of this world, and I know which descriptions are necessary and which descriptions are not.

In fact, after a lot of foreshadowing, Hu Lai's Premier League debut and aftermath are more attractive, and the effect is indeed very good, whether it is from the number of this chapter or from the subscription.

So I know which ones are good and which ones are not.

To be honest, as an author who has written football for 18 years and has a total of more than 35 million words, I know how to write it, and I also know how to write this book:

This book is slow-paced and long foreshadowing from the beginning. Use sufficiently delicate descriptions and brushstrokes to lead everyone and Hu Lai into this world that is different from the real football world. Therefore, unlike the previous ones based on real football, I have no choice but to write about many things. I have to write and write thoroughly. Because I'm actually shaping a world.

From the perspective of Hu Lai's playing style, he is not the type who takes the ball and carries the whole court and is everywhere, but a shadow killer. Naturally, he can't focus on the protagonist alone. A lot of pen and ink space is given to other characters.

For example, the previous chapter spent a lot of time describing the interaction of the general managers of the clubs on the rostrum, but it can be finished in one sentence: "At the same time, on the rostrum, the general managers from all the clubs in the Chinese Super League gathered together. , have expressed their support for the Chinese team,

and expectations of their own players. These general managers who have broken their heads in the league have never been more united."

Look, how many words can be saved to enter the competition...

But writing like this is not in line with the style of my book. Writing like this can at most explain what happened on the rostrum, but it cannot take this opportunity to describe the characters and ways of doing things of these people, and thus enrich the book. world. To me, that's invalid description, real water.

In fact, when I was writing this paragraph, the speed was slower and more thoughtful, because I needed to completely construct such a stage in my mind, just like a movie screen, where everyone is, what they are saying, To whom, why are they saying that, what is the meaning behind saying that...

Just like the beginning of the Godfather movie, through a wedding, the relationship between the characters is involved-I am not saying that I have written to the level of the Godfather, I just said that I hope that when I introduce the description, I try not to use that dry The explanatory text should be combined with the picture and have the language of the lens.

Some characters need to be described repeatedly to create success, such as Hu Lai's father and Li Ziqiang.

Some characters I can do with just one point of their description. For example, the commentator Zhang Qinghuan played when he returned to Gongti has no role in it anymore, but he has also become a part of this world.

These managers and narrators are just a few of the many characters I have written about in my book, but they and countless others make up the world.

Only by describing a large number of characters and plots other than the protagonist on and off the field can a credible and substitutable world be formed.

This is why the grades of this book were so bad at the beginning, and my heart was very painful, but I still insisted on writing this book according to the existing rhythm and planned pace.

Because if it is not written in this way, this book will be completely useless. Then I might as well write a simple and direct Xiaobai style cool article from the beginning, maybe the subscription score is higher than this book...

No way.

Since I have chosen to shape the book in its current style, I will stick to it consistently.

From the beginning to the end of this book, I will maintain this rhythm, tirelessly laying the groundwork before important games and events, and describing people and things that some people look impatient.

If someone doesn't like this slow style, it's your right to take it off the shelf and don't watch it. I can't stop it and I won't stop it, and I won't change it just to keep you. I spent 2.7 million on this book Self-accumulated styles.

This is my attitude and persistence as a creator.

Because I know that only in this way can the book "Fox in the Restricted Area" be written well, and the story of Hu Lai and the world can have its beginning and end.

When the book is finished, in another ten years, there will be people willing to read it repeatedly and be moved by the people in the book and the stories that happened.

This is my ambition in this book, it has nothing to do with subscription results, I just want to give myself an explanation.

※※※

The above is what I originally planned to say at the end of tomorrow’s chapter update, but it turns out that the number of words is too much, almost 2,000 words. If it is really put in the VIP chapter, it will be a scam. It is estimated that many readers will shout: RNM money back!

So I'll make a separate chapter.

It just so happens that I haven't opened a single chapter for a long time, so it's an opportunity to explain my thoughts and thoughts on creating this book.

Anyway, that's it. Whether I like it or not, I will stick to my style and rhythm to finish writing this book.

And I firmly believe that as long as I finish writing this story in this way, my grades will not be too bad.

Yes, I have that confidence.

Finally, I wish you all a happy reading and a happy life.

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