From collapsed house idol to entertainment superstar

So far, Ding Zhi has portrayed many characters, and all of them have performed very well.

After experiencing Dao Zi, Zheng Zhi, He Guozheng and the recent Wang Yuanyang, even though more and more people are complaining about his rhythm on the Internet, no one will question Ding Zhi's acting talent and professional ability.

Even when the slightly derogatory term "traffic star" is mentioned, fewer and fewer people will include Ding Zhi in it.

There may be young actors who are as talented as Ding Zhi, but they are far less popular and have less resources than Ding Zhi.

As for some artists with similar popularity to him, not to mention their inferior acting skills, even one of them can be said to have no acting skills at all.

It can be said that after "The Hunt", among today's new generation of niche actors, Ding Zhi is already considered unique in terms of acting skills.

But Ding Zhi knew that he had actually fallen into a bottleneck.

The most intuitive thing is that the four scores of the sound stage, which have not shown a sense of presence in the dream space for a long time, have been stagnant at more than 80 points for nearly half a year.

Originally, he thought that Zhang Dongsheng, a more complex character, would loosen his bottleneck, but facts showed that until "The Hidden Corner" was completed, several of Ding Zhi's scores did not show a sense of breakthrough.

But obviously Ding Zhi felt that he was just a little bit close to understanding it, but it was still a bit invisible and intangible.

But acting is actually a very mysterious thing.

After you have solid basic skills, you need to take a step forward, which is to rely on spirituality and life experience. To put it bluntly, this profession requires talent.

For a while, Ding Zhi doubted whether his "potential" had been exhausted.

But vaguely, Ding Zhi felt that he still had potential that could be tapped.

He considered asking Liang Jiahui, but it was obvious that this specious bottleneck in acting was not something that others could help break through. All he could give was advice.

Liang Jiahui's suggestion is to play more different characters.

These words are somewhat meant to wake up the dreamer.

Ding Zhi recalled all the roles he played.

There are gangsters with righteous intentions, gangsters who are not afraid of death, antisocial personality disorders who kill people like crazy, and fathers who give their lives to protect them.

Even Zhang Dongsheng, who looks most like an ordinary person, is actually still a vicious murderer deep down.

Although these characters are not the same, they actually all have very special backgrounds.

To put it bluntly, no one among them is a normal person.

There is no reason for this. There is a reason why he was chosen by luck in the beginning, but more of it is also the internal reason of Ding Zhi's previous experience.

Ding Zhi is not an ordinary person in his past life or in this life.

No matter that Ding Zhi seems to have completely integrated into the identity of "Actor Ding Zhi", he has a beautiful and lovely actress girlfriend, he has never been able to easily earn money and material things in his previous life, and he also has a goal worth striving for throughout his life.

But just like the wind blowing from the high-altitude snow-capped mountains, even if it turns back to the flat hills in the future, it will still have a bit of the coldness of the snow-capped mountains.

In Ding Zhi's lowest subconscious mind, the shadow of "Hyena Ding" still remains.

Therefore, those characters with weird personalities that don't look like normal people are actually Ding Zhi's "comfort zone".

Even though he has experienced it deeply in the script copy of the dream space, his adaptability to the majestic "jianghu people" is actually much higher than that of an ordinary ordinary person.

In addition to wanting to breastfeed Zou Yutong and wanting to have a "love affair at public expense" with her, this romance film also has some experimental meaning in it.

On the other hand, Mr. Jin Shijie in the crew also gave Ding Zhi a lot of inspiration in some aspects. Gu

Ding Zhi has also filmed with many senior actors with superb acting skills, including the veteran actress Liu Xiaoqin in "Eight Hundred", the Berlin actor Wang Jinchun in "The Hidden Corner", as well as actors like Yam Dahua and Guo Tianwang

This type of acting school is very powerful.

But in terms of the strongest ones, Ding Zhi felt that they were Liang Jiahui, who had a close friendship with him, and was both a teacher and friend, and the old Mr. Jin Shijie in front of him.

There is a famous metaphor in explaining the three major genres of performance.

When a straight actor is asked to play a gay person, the experientialists look for elements in the man that make them "generate" love, and thus "fall in love" with the man.

The method school, which was born out of the experiential school, allows actors to imagine men as the women they love, thereby performing a kind of "self-hypnosis."

Expressionists, on the other hand, imitate every word and deed, from a frown, an orchid hand, a frown to a smile, to "imitate" themselves into a homosexual.

If we say that Liang Jiahui is the master of the method school in the acting school.

Then Jin Shijie is probably one of the ceilings of expressionism.

In "The Eraser in My Brain", Jin Shijie didn't have many scenes, but he had several scenes opposite Ding Zhi, and two of them made Ding Zhi feel the deepest.

The first scene is the drama of "father-in-law meets son-in-law by chance".

Perhaps because Jin Shijie is a drama actor, the precision and strength of his line skills, the micro-expressions, small movements, and eyes during the performance all perfectly match his emotions.

In this scene, the male protagonist Cui Ze, played by Ding Zhi, is a contractor from a poor family.

In other words, it's like moving bricks.

The heroine played by Zou Yutong is a rich lady from a well-to-do family, and she is a fashion designer by profession.

The heroine’s father, played by Jin Shijie, is the boss of a construction company.

When faced with the fact that my daughter wanted to marry a brick-moving contractor, she naturally expressed her overwhelming reluctance.

What kind of old father would be willing to do this if he doesn’t belong to the right family?

Jin Shijie gave Ding Zhi an unprecedented feeling during this rivalry scene.

The only thing that can compare is probably the convenience store scene between Liang Jiahui and Ding Zhi.

First of all, in terms of line skills, among the actors he knew, no one could compare to Jin Shijie.

How would an old father react when he saw the poor guy who "cheated" his daughter away by moving bricks?

Being self-restrained and caring about his daughter will make him stop the urge to scold her, but his dissatisfaction with his daughter's boyfriend will still make him feel unhappy.

A wise daughter is like a father, and he understands that his daughter must not hit the wall and never look back.

These emotions seemed to grow out of his face, and they all appeared on Jin Shijie's face. Even a curl of his lips and a wrinkle on his forehead seemed to be in the play.

They are obviously some small actions with a strong sense of design, but when they come out, they will make the audience feel that they are natural.

Many acting teachers will mention one point when teaching students: "Don't over-design."

But the expression on Jin Shijie's face is actually full of drama-like design and exaggeration, but it doesn't make people feel dramatic at all, and it even has a different kind of appeal.

When playing against him, Ding Zhi didn't feel as substantial a sense of oppression as Liang Jiahui at first, but he found that in Run Shui's silence, sometimes he was faintly suppressed by the other party.

It's probably another type of "mountain".

This made Ding Zhi become somewhat interested in drama, a performance method that he had never been exposed to before.