From collapsed house idol to entertainment superstar

In fact, those who are interested will know if they study all of Ding Zhi's works since his debut in the film industry.

For films such as "Eight Hundred", "Cold War 2" or "The Hunt" and "Greed Wolf", where Ding Zhi's influence is temporarily out of reach, his sense of presence can be harmoniously and perfectly unified with the director's own style.

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But dramas or movies such as "Peeps", "The Hidden Corner", and even "The Eraser in My Mind" are influenced by Ding Zhi.

There are more or less the same styles.

This is not too obvious in "The Eraser in My Brain", such as "Peeping" to "The Hidden Corner", and now "The Tuner".

The smell was really too strong.

It can be said that Ding Zhi's behind-the-scenes participation and control over the latter three dramas are gradually increasing.

In today's "The Tuner" crew, anyone with a discerning eye can actually see that director Cai Wen is obviously a pure tool man.

The “purity of Ding Zhi” can be said to be unprecedentedly high.

After all, in the previous two dramas, he didn't even take care of the storyboarding before he had time, right?

Even Chen Ke, the real mastermind of this film, understands what it means to hand over the production of this film to Ding Zhi.

To a certain extent, Chen Ke can be regarded as "don't trust those who employ him, and do not trust those who doubt him".

His trust in Ding Zhi has been somewhat unfounded since "Peeping".

But obviously, Ding Zhi has never let him down.

Talking back to this drama, Ding Zhi seems to particularly like to use long shots.

Just like in the first scene, Wu Xiaozu in the film enters the toilet, then walks out pretending to be nonchalant under the gaze of the bearded adulterer, and then is supported by Mrs. Chen back to the piano, and finally plays the piano.

, while witnessing the part where they were disposing of the corpse, the whole process was done with a long lens, without any trace of switching.

The purpose is to reflect the funny feeling of "blind people witnessing all evil".

This is undoubtedly a big test for photographers, especially actors.

After all, every time a lens is ruined, it means you have to start over.

When Ding Zhi was filming "The Greedy Wolf", the 4-minute long shot of the prison melee took nearly half a month to shoot, and a lot of complex equipment such as camera cranes and camera tracks were used. To be honest, it was just

There are really not many Hong Kong directors who can control that kind of scene management.

Of course, "The Tuner" doesn't have many group scenes, but more one-on-one antagonist scenes.

This also reduces the pressure of scene scheduling to a certain extent.

After all, the scheduling of literary opera scenes is much simpler than that of martial arts scenes.

In fact, among the actors in this drama, Ding Zhi and Zou Yutong are the most famous among the entire cast.

But when it comes to box office appeal, the only one left is Ding Zhi.

Actors such as Zou Yutong, Zhu Zhu, and even some unknown directors Cai Wen can't actually support the box office of a movie.

Not to mention the other supporting characters.

This is also the reason why Chen Ke insists on grabbing Ding Zhi. In addition to the short film Zhu Yu, it is difficult to replace him. More importantly, in today's market, Ding Zhi can actually handle the box office of one film.

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However, this does not mean that the other actors in this film are not good at their job.

In fact, most of the other actors were personally selected by Ding Zhi as the producer.

Needless to say, there are four main characters.

The character in the play, Chen Yao, who played the role of the "sufferer" who was cuckolded and brutally murdered, is a former Hong Kong star who is now a fat and big-eared Hong Kong businessman.

The actor who plays this role is called Lin Hao, which is quite coincidental in terms of identity. He is famous as the "Gold Medal Green Leaf" in Hong Kong films.

Most viewers may not be able to recall his name alone, but once they see his fat face, most of them will definitely recognize him at a glance.

Whether it was the little leader of the Ax Gang whose hat was blown up by Master Xing with a firecracker in "Kung Fu", or the "Fat Snow" who was shot in the head with a stick by a Dongguan boy in "Harmony" and was still talking about the gang rules.

” are all familiar to the audience.

It's also like the grandmother who lives opposite "Mrs. Chen" and stuck her head out when Wu Xiaozu knocked on the door. She is also the "Long Po" who often appears in various Hong Kong horror movies and is familiar to everyone.

These "veteran actors" are actually the "foundation" that supports the lower limit of the quality of this film. As for the "upper limit" of this film's quality, it depends on the script itself and the director's skill.

As the "heroine", Zhu Zhu didn't let up at all in the first scene, and the scenes opposite Ding Zhi can be said to have supported each other.

Some details, and even the derivation of some small expressions, are all done quite well.

Of course, this does not mean that her acting skills are really comparable to those of Ding Zhi.

In fact, many times, the fit between the character and the actor is also very important to a drama.

For example, in reality, Xia Yu, who has always been the youngest winner of Best Actor in Venice, Singapore, and Golden Horse, why can she become the top three Best Actor in her debut film?

To a large extent, it is because the actors themselves and the characters fit so well.

It's just that when it comes to the top performers in the Chinese film industry, it has nothing to do with the youngest actor. On the contrary, the Thousand Faces actor Liang Jiahui is a name that cannot be avoided.

This is a question of "adaptability" and "role of play".

Some people are lucky enough to encounter a very suitable role and leave a mark in movies and TV shows.

But some people are able to make themselves "fit" every role.

In fact, Ding Zhi also has the latter tendency.

Thanks to the help of the dream space, the span of roles he can play in many cases is actually beyond the imagination of many people.

Zhu Zhu and Ding Zhi's rivalry scenes can appear to be equally matched.

In addition to the fact that Zhu Zhu’s “fitness” with this role is very up to standard, it’s also because Ding Zhi actually supports her all the time.

When they complement each other, the play will be good.

If, as described in many novels, you use your acting skills and momentum to overwhelm your opponent, and even make the opponent forget your words to show how great you are.

In reality, you are offending yourself.

And it’s not just the actors who are opposite you who are offended, but also the directors, assistant directors, lighting photographers and even the set managers who have to accompany you.

Do you really think that no one can understand the little idea of ​​deliberately suppressing the opponent's play?

Not to mention the people on the field, even the audience can tell something during the broadcast.

Isn't it just like "XX Princess", which has been replayed continuously for more than ten years, and netizens can find new flaws and bad jokes every time?

Even details like Erkang being a show-stopper and Ziwei rolling her eyes were dug out.

But Ding Zhi is different.

Zhu Zhu, who has acted opposite Ding Zhi in person, can clearly feel that when acting with him, the comfort of being firmly supported no matter what moves you make, even when she sometimes improvises

Every little detail of his performance was caught by Ding Zhi keenly and then thrown back.

Maybe the monitor or even the people around him couldn't notice it, but as an actor who acted opposite him, he could vaguely feel an illusion in Ding Zhi.

It's like facing a thickness as steady as the earth and a depth as deep as the sea.

It is undoubtedly very comfortable to act with this kind of actor.

This undoubtedly surprised Zhu Zhu.

In fact, she is not young in her career as an artist. She has even worked in Hollywood and signed a contract with one of the world's top agencies.

Her family background is enough for her to stand at the end point that many people may have to struggle for years or even decades to reach when she first entered the industry.

Many people think that this comparison actress is more like a socialite woman who comes to the entertainment industry just to play for tickets.

But it is undeniable that she can play much better than most people. She has even played with many well-known actors at home and abroad since her debut. And Ding Zhi, who is young and even ten years younger than him,

Give her an invisible feeling.

She had only seen that kind of lightness and spontaneity in performance from some veteran actors.

But it appeared unusually inconsistent on such a young face.

And after Zhu Zhu played against Ding Zhi, it was another experience when she looked at it from the perspective of a bystander.

Just like this, it is exactly like this.

After filming the "Murder Scene" scene,

The crew began to change scenes and began filming the scenes between Ding Zhi and Zou Yutong.

The character played by Zou Yutong is actually Wu Xiaozu's girlfriend in the play, named Tang Ni.

She and her father are Thai-Chinese and opened a Chinese restaurant in Thailand.

Yes, it is the "Tang's Restaurant" that Wu Xiaozu mentioned when introducing himself to Mrs. Chen.

The acquaintance between her and Wu Xiaozu also originated from an accident. She hit the "blind" Wu Xiaozu while riding a motorcycle on the road.

Feeling guilty, Tang Ni invited Wu Xiaozu for a meal. After learning that he was a pianist, she thought of a piano in her restaurant, so she wanted to drag him to her restaurant as a professional pianist.

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After going back and forth like this, the two of them became attached.

And Tang Ni rides her motorcycle every day to shuttle Wu Xiaozu, who is "blind", to his rented residence and Tang's restaurant.

The time the two spend together is also increasing day by day.

Wu Xiaozu's somewhat romantic labels of "blind man" and "wandering pianist", coupled with his profound knowledge, gentle conversation, and of course, the most important thing is his handsome appearance, deeply attracted Tang.

Ni.

Tang Ni's youth and beauty, as well as the innocence and romance in her character, also moved Wu Xiaozu's heart.

In the script, this section is actually a relatively omitted part.

It is assumed that when the film is completed, it will not occupy too much time. After all, this is a suspense film, and the love component will not occupy too much time in this film.

Even if this character is his girlfriend, Ding Zhi will not change at all.

But in order to confirm their relationship, there will also be a scene where the two of them break through the window paper.

It was a rainy night, and Tang Ni drove Wu Xiaozu back to the slightly humble home because both of them were soaked to the skin.

So Tang Ni entered Wu Xiaozu's room for the first time.

In the 13-minute short film "The Tuner", there is a scene in which a girl who is learning to dance reveals her beauty in front of the tuner while he is tuning the piano in the dance studio.

Had a dance.

There is another "classic reappearance" here.

Tang Ni was also a little careless in front of Wu Xiaozu because he was blind. She took off her soaked clothes without hesitation and took the dry towel and dry clothes from Wu Xiaozu.

And Wu Xiaozu, who was feasting his eyes on it, was not "escaped". When he returned to his room to take off his clothes, Tang Ni, wearing his knee-length shirt and holding a bottle of red wine, wanted to ask Wu Xiaozu where the corkscrew was.

Perhaps she had a vague idea of ​​"peeping", but Tangni watched helplessly as the other person took off his shirt, revealing his extremely smooth upper body.

As a "blind man", Wu Xiaozu could only change his clothes as if nothing happened when facing the other party's appraising eyes.

It wasn't until Wu Xiaozu unzipped his pants that Tang Ni blushed and made a soft sound.

And Wu Xiaozu naturally zipped up his trousers.

This scene is undoubtedly the scene in the "Tribute" short film when the sound engineer faces the scrutiny of the young woman.

However, the scene at that time was obviously a bit tense.

But in today's scene, there is more of a vague atmosphere of ambiguity.

What's even more ingenious is that although the roles played by Ms. Zou in the two works are different, she was the one who "examined" Ding Zhi's good figure both times.

After the two changed clothes, they had a drink together in the living room and chatted as usual.

Until Wu Xiaozu's first "identity crisis" appeared.

Donnie found a blindfold near the piano at his house.

Let me ask you, if a blind man has a pair of blindfolds at home, it is somewhat unusual.

"I sometimes suffer from insomnia, and the eye mask is a tool to give me psychological hints and force myself to fall asleep."

Wu Xiaozu's quick wit obviously saved this crisis.

Tangni, who didn't think much about it, apparently quickly accepted this somewhat flawed reason.

After that, I put on the blindfold, saying that I wanted to experience what it feels like to be blind.

Then in a flurry of things, the two of them came together.

Maybe it was the rainy night, maybe it was the rise of drunkenness, or maybe it was all the atmosphere that was just right.

Tang Ni grabbed Ding Zhi's hand and stroked her face.

"Can you tell what I look like just by touching it?"

The camera zoomed in, and Zou Yutong's eyes were covered by a blindfold. Ding Zhi's eyes that usually pretended to be dull were actually a little gentle and shining at this time.

He carefully stroked Zou Yutong's eyebrows, the high bridge of his nose, and then his beautiful lips.

At this time, an "emergency" occurred that surprised all the crew members.

Miss Zou suddenly opened her red lips, bit Ding Zhi's finger, and then gently sucked on his finger.

Obviously nothing was done.

Ding Zhi's eyes, the blindfold covering his eyes, and Miss Zou's gentle bite all gave off a "full of lust" feeling.

The director, Zhu Zhu and others behind the monitor were astonished by this "magic stroke".

After filming these scenes, Zou Yutong seemed to be "infected" by Ding Zhi. The ambiguity between men and women, the vague feelings lingering in the air, and the feeling of hormones colliding with each other were all extremely vivid.

If the crew members of "The Eraser in My Mind" could see this scene, they might be surprised to find that Ms. Zou's "extraordinary performance" this time is almost the same as that then.

Only the most perceptive Zhu Zhu seemed to notice something unusual, and was more convinced of his vague conjecture.