If we really want to go into depth about what a performance is, I’m afraid I would have to spend a long time studying it with several tomes and still not be able to explain it.

But when it comes to the actual operation on the part of the actor, it is nothing more than the sound stage shape, seven powers and four senses.

Based on this, the characteristics of the characters are presented through modeling, props, understanding, experience, experience, etc., and then the audience can have a sense of empathy.

It's also a crying scene. For example, some actors can wear masks and only reveal a pair of eyes. With just a look back, tears flashing, they can still hit the hearts of the audience instantly.

Some actors, holding their dead loved ones, their faces distorted as if they were wearing masks of pain, tried their best to express their sorrow, but the barrage was blank, "Look! Look! He is laughing!"

He’s smiling so happily!”

Here it is a question of experience and sensitivity.

Of course, this doesn't mean that if there is no mother in the play, the actors will have to have no mothers or anything like that.

But everyone has the ability to empathize. Doesn’t this go back to the actor’s most basic imagination and sensitivity among the seven powers and four senses?

This is the most basic thing, and it is often the watershed that distinguishes the quality of an actor.

Some people are extremely talented, and God puts food in their mouths. Some people are just mediocre in talent, so they have to work hard.

The former eventually became movie kings and movie queens, and the latter was not bad either. After their skills matured, everyone called them actors.

What? You said there are those who rely on staring, eye drops, and cutouts to stand in?

Please, you are very cool. We are talking about actors here. Do you think that is an actor?

Do serious actors do this?

Bah! Despicable!

In the eyes of others, Ding Zhi was one of those with extraordinary talents. Even Liang Qiong and others who were familiar with his previous life just thought that he had suddenly enlightened.

In fact, Ding Zhi's performance style is both wild and complex.

He himself does not have any experience studying in an acting academy, but many of the courses in Dream Space are the essence of the academy.

On the one hand, although there is no "movie-level acting" skills that can be achieved in one step, the dream experience like a second life has allowed him to gain "experience" and "experience" out of thin air that many people cannot match in several lifetimes.

.

There are three performance schools that are often mentioned, "experience school", "method school" and "expression school".

But in fact, these schools are not as distinct as the "Huashan School" and "Emei School" in martial arts novels. Many actors use the techniques of the Method School and the Expression School when performing. On the one hand, they also follow the

Follow the path of experientialism.

If we really want to dig deeper, Ding Zhi's current performance is actually influenced by the experience of those scripts in Dream Space, and is closer to the experiential approach.

Therefore, during the nearly one month of preparation for "Pursuit", after he returned to Kyoto, he even stopped paying attention to the "Human Observation" program that he and Li Xiuyuan started to create in a playful manner.

Little Buddha wanted to discuss matters with him several times, but was rejected several times. He could only silently lament that "love will disappear in the end."

Then Ding Zhi stayed at home almost without leaving home, while writing biographies of characters, while strengthening his fitness to make his body shape more in line with the character settings, and then experienced it over and over again in the dream space.

Later, his body fat rate, which was already strong and muscular, reached an astonishing 7%. Being immersed in the role for several weeks changed his temperament from the inside out.

Even Liang Qiong was a little surprised by the changes in his temperament and appearance when she came to see him by chance.

Not to mention Wen Yongshan, whom I haven’t seen for a long time.

However, Wen Yongshan is not an outsider. Seeing this scene, Ding Zhi also noticed that he was preparing for the role.

In fact, this is exactly the case. Wang Yuanyang is aphasic due to damaged vocal cords, so after arriving at the scene today, Ding Zhi was basically silent, just "nurturing" this role.

As a result, Wen Yongshan's intention to joke became a little less intense, probably because she was afraid of disturbing Ding Zhi, so after a few words of conversation, she walked away knowingly and knowingly.

In addition to the opening ceremony, today is also the first day of official filming.

At this time, the crew was already running as fast as clockwork.

Even Sister Wen can see that Ding Zhi is in very good condition now, let alone director Zhou Xianyang.

When Ding Zhi appeared in front of him and entered the state instantly, Zhou Xianyang's mixed worries were immediately swept away!

Zhou Xianyang was pleasantly surprised to find that Ding Zhi and Wang Yuanyang in his mind were basically the same as the one printed on the cake.

At one moment, he was even convinced that the actor he found was Wang Yuanyang himself!

According to the general practice, when starting the first scene, you will usually choose a relatively simple one, trying to get through it in one go, which can be considered a good thing.

But he was obviously amazed by Ding Zhi's current state, so he changed the schedule and decided to shoot a highlight scene, which was also the scene that best established the character and temperament of the character "Wang Yuanyang". He seemed to be afraid of this state.

It seems that Ding Zhi won't last long.

...

...

Zhou Xianyang's work style is not only good at exploring the depths of human nature, but his camera language and narrative style are dark and sharp, and he is also somewhat obsessed with the aesthetics of violence. Today's scene can be regarded as his

An attempt made in it.

The camera was ready from the dark, and the lighting engineer created an extremely cold and humid atmosphere for the entire scene.

The shower head above the head is spraying water sparsely down.

It's obviously a bathhouse.

The water flowed down the back of an extremely muscular man, washing away the blood on his body.

Ding Zhi's face, as hard and cold as cold iron, appeared in front of the camera.

The veins in his arms popped out, obviously he was exerting force.

"Ahhhhh!"

A whine mixed with fear sounded from under Ding Zhi's body.

As soon as the camera turned, a shirtless bald man's neck was locked tightly by Ding Zhi, his face was stained with blood and blurred. The mouth was grabbed by Ding Zhi's hand and pulled to an exaggerated extent, and blood fell from the corners of his mouth.

, so that even if he wanted to beg for mercy, he could only make a vague wailing sound.

Ding Zhi grabbed the bald man's neck and dragged him back violently.

The fear of death made the man wave his hands desperately, as if he wanted to reach Ding Zhi behind him, but in the end it was to no avail.

In addition, there was a fat man next to him who was completely naked. Seeing everything in front of him, he ran away crawling and rolling as if he was seeing a ghost, even forgetting to take his clothes.

The expression on Ding Zhi's face didn't change at all. He pushed his bald head to the ground and kicked the opponent's face, stomach, and even the heart with his feet!

He beat his bald head until he could only curl up into a ball.

At this time, the iron door of the bathhouse was suddenly knocked open with a clang, and several sturdy men rushed in.

Someone flew over and hugged Ding Zhi, knocking him to the ground.

At the same time, another man came in, holding a knife made from a toothbrush handle, and aimed it at Ding Zhi's belly and stabbed him!

One knife, another knife!

Then twist it!

Blood spread from under his body and slowly smudged out in the spray of water from the shower head.

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