From Flower Vase to Film Emperor in Hollywood

Light, yet rich.

Delicate, yet intricate.

Simple, yet three-dimensional.

The brilliance of this scene completely exceeded expectations.

Strictly speaking, not "completely," because the crew all knew the importance of this scene. In action movies, the action and special effects scenes determine the lower limit of the work, while the drama scenes determine the upper limit. This scene plays a crucial role in "Spider-Man," and everyone remained tense.

The filming itself wasn't difficult; all the weight rested on the two actors.

However, the key point is that this is a commercial film. The acting doesn't need to be too complex. If they focus too much on acting and try to dig out depth, it might not only disrupt the movie's rhythm but also clash with the overall atmosphere of the film. How the actors grasp the sense of propriety is particularly important—

Especially Anson.

Temporarily setting aside the stereotype of being a pretty face, this is Anson's first time playing the lead role in a movie. The lead role is absolutely different from supporting roles. Standing under the spotlight, can Anson showcase the character's charm?

The result?

What was surprising wasn't the brilliance of the scene itself, but the brilliance of the performance.

Anson truly delivered a stunning performance.

Logically speaking, the focus of this scene should be on Uncle Ben, because he will say that classic line; but Anson expanded the interpretive space of the entire scene with a layered and vivid performance.

No one expected that the true stroke of genius was actually the several moments of silence without dialogue. The confrontation in silence, the struggle and hesitation displayed through body language, allowed emotions to overflow, revealing the beauty of blank space to the fullest.

Moreover!

What's most worth savoring is actually the blank space after Peter gets out of the car.

His hesitation, his tug-of-war, his contradictions, his stubbornness, etc., etc., completely demonstrate the confusion of adolescence, laying the groundwork for the subsequent plot—

It is precisely because he realizes that his stubbornness and blindness have caused mistakes, and it is precisely because he understands that his adolescent rebellion has led to disaster, that he grows up overnight.

Standing behind the monitor, watching that figure repeatedly standing in front of the traffic, the hearts of the audience on set couldn't help but be pulled high, because they knew what was going to happen next. They hoped more than ever to change history, hoping that Peter could catch up with Uncle Ben's car and apologize.

This series of actions immediately filled the veins of the plot.

Now, the answer is finally revealed—

So that's how it is.

Anson was pondering and grasping the sense of propriety. If the performance in such a scene is overdone, it would appear cumbersome, adding unnecessary drama and ruining the viewing experience; if the performance is insufficient, it would lack layers. An idolized performance would be superficial and completely waste the interpretive space of this scene. The sense of propriety and scale are particularly important.

Clearly, Anson knew what he was doing and also knew how he should do it; he just needed some time, so he was constantly adjusting.

On the one hand, the immaturity and naivety of a new actor are fully revealed.

On the other hand, looking at it from another perspective, a new actor possesses such interpretive and expressive abilities. There is no other explanation besides talent.

Involuntarily, it makes people look forward to it.

Given Anson enough time and space to slowly grow, how high will he grow? What kind of actor will he eventually transform into?

In a daze, people temporarily forgot that handsome face.

This is indeed a surprise.

"Cut!"

In an instant, everyone breathed heavily, exchanging excited and exhilarated glances, and then realized a beat later that their palms were sweating profusely, even more nervous than Anson. Involuntarily, all eyes gathered on Sam.

Including James Franco and Kirsten Dunst.

James had always had a question: why was Anson able to beat him and get the role of Peter Parker?

It wasn't looking down on Anson or slandering Anson, just a kind of confidence.

James still believed that he was the most suitable actor choice for Peter Parker. Even if it wasn't Anson, if any other actor got the role, James would still have the same confusion.

Today, James's question finally had an answer.

This lightness and just rightness clearly show that Anson is not just a pretty face.

Confidence is confidence, but James doesn't think he can complete such a performance now. Confidence doesn't mean stupidity; however, it doesn't matter. Not being able to complete it now doesn't mean he won't be able to complete it in the future. James believes that he can also shine on the big screen.

So, the question comes:

In "Spider-Man," how should he dig into the character?

Aside, Kirsten was also in turmoil.

Unlike James, Kirsten believed that Anson had such ability. She had watched Anson's performance in "Friends." She knew that this actor was more than just a pretty face. This was also the reason why she was willing to audition for "Spider-Man." Sure enough, Anson didn't disappoint her.

Now, Kirsten is thinking about how she and Anson should develop their scenes together?

How did Mary Jane "see" Peter Parker?

Clearly, they are next-door neighbors, but she never noticed him, and later fell deeply in love with him; moreover, Mary Jane fell in love not with Spider-Man, but with Peter Parker.

As an actress, she needs to show this change so that the story and plot can become complete. Otherwise, Mary Jane would be no different from the pretty vases in other commercial movies, and the growth story of "Spider-Man" would lack a crucial link. After all, Mary Jane and Uncle Ben, like the two roles, jointly promote Peter Parker's transformation.

Before her, watching Anson's performance, Kirsten also began to think, and inspiration burst forth in all directions.

Whether it was James or Kirsten, they needed guidance and confirmation. Like the crew members, they all looked at the director—

Sam Raimi, completely unaware.

His face was serious, and he couldn't see any expression. He still had that sloth-lightning emoji look.

The second before he shouted "Cut," the next second he ignored the audience's gaze and looked at the monitor again, replaying it again, entering the world of Spider-Man.

To be more precise, entering Peter Parker's story.

Sam didn't forget his original intention. He wasn't preparing to film the story of Spider-Man, but preparing to film the story of Peter Parker.

There is an essential difference between the two. The former is a superhero movie, and the latter is a coming-of-age movie.

This is also the reason why Sam chose Anson. He believed that Anson could bring a different temperament to Peter Parker—

Sure enough, he was right.

Quietly and attentively, Sam looked back again, and the eagle-like eyes could no longer find the appearance of not being awake. Inadvertently, a touch of satisfaction was revealed. The emotional vein and dramatic tension of this scene perfectly matched his conception of the movie, and even further showed the layers.

He really couldn't ask for more.

He nodded slightly, then raised his right hand.

"OK."

Sam made a gesture—

Wow!

The whole place cheered.