From Flower Vase to Film Emperor in Hollywood

Karl Rivette, a new generation film blogger.

With a brand-new media format and method of engagement, the way he writes news and reports is naturally different from traditional journalists.

Nicholas Flynn had also written similar features for "The New York Times," showcasing Anson's side away from the spotlight, but as a traditional, authoritative, and professional media outlet, Nicholas's writing maintained a relatively objective and calm tone, avoiding sensationalized, immersive descriptions.

But Karl is different. He brings an immersive experience from a first-person perspective, with subjective exclamations becoming the most vivid and lively colors in his writing, allowing every reader to feel his emotions at the time through his words. This kind of immersive narrative gives the article a different soul.

"…I don't understand what happened, but the reality is that I should have been eager for Anson to speak so I could secretly take the opportunity to interview him, but instead, I kept telling Anson to shut up, as if I was worried I would explode if he continued to speak.

However, what's even funnier is that at that time, my brain completely stopped working; I just followed Anson's rhythm and was completely immersed in the conversation.

The psychological activities mentioned above? No, they didn't exist.

Believe me, when you're facing Anson Wood, you won't be thinking about yourself, because he's all that's on your mind.

Later, through deeper conversation, I learned that after finishing his performance in Prague, Anson didn't leave the Czech Republic but went directly to the Karlovy Vary Film Festival.

And I, a fool, after Cannes, spent another week with Anson at the Karlovy Vary Film Festival, and even watched movies together more than once, but never noticed Anson's presence.

'Why?' Obviously, Anson isn't the type to easily blend into the crowd and go unnoticed.

'The protagonist of the film festival should be the films. I'm glad everyone is discussing the films and not some fool who ran over from Hollywood, thinking he knows everything but actually knowing nothing, just pointing fingers.'

When you hear Anson make fun of himself like that, you'll be captivated by his charm. Believe me, his eyes seem to be able to see through your soul.

However, it wasn't until thirty minutes later that I realized Anson's initiative to talk to me wasn't because he was bored or because of my infinite charm, but to help me relieve my anxiety—

This was the calmest, most stable, and smoothest takeoff I've ever experienced on a plane. I didn't even realize that this hundred-ton iron bird was already flying above the clouds because I was completely immersed in Anson's wit and humor.

If you only see Anson's outward appearance, then you're missing 90% of his true charm.

I was eager to conduct an exclusive interview, but I didn't get that opportunity. Relatively speaking, however, Anson and I had a conversation about film.

We discussed the controversies at Cannes, the predicaments facing film festivals, and the relationship between art films and genre films.

I can't say that I 100% agree with his views. In fact, we blushed and argued more than once because of our different opinions, but without a doubt, his extensive film knowledge and independent self-reflection once again broadened my horizons. Such discussions always remind me of my time at the film festival.

If you, dear readers, still don't believe that this man is Anson Wood after reading this far, then I will give up arguing and give up trying to convince you, because you are skeptics, you have your own beliefs, and I have mine. Let's just give each other a break.

I 'believe' I met the real Anson, and I 'believe' I had an unparalleled time."

With a light touch of self-deprecation, Karl demonstrates his ease in his blog. He knows he can't convince everyone, but he doesn't mind; he's willing to accept this outcome openly—

Because he knows he met Anson.

But the key point is that Karl's narrative style successfully resonated with a wide range of netizens, which is also the reason why Karl's blog post went viral.

"At this moment, I truly realized that Anson Wood is an actor, a true actor.

I sat aside, looking dazed, like a fool, but my brain couldn't stop at all. Countless thoughts exploded like a spring.

Until a certain moment, I suddenly realized that I was looking forward to Anson's performance as an actor—

I wondered what the movie would look like if Anson starred in 'Pirates of the Caribbean,' what colors Anson would inject into the movie if he starred in 'Chicago,' and what kind of role Anson would bring in his next works 'Eternal Sunshine of the Spotless Mind' \u0026 'The Butterfly Effect.'

When I see an excellent movie, I would be curious about Anson's interpretation and performance.

Obviously, Anson's personal charm has conquered me.

But what about Anson?

'Go home and be an ordinary person.' This is Anson's expectation."

Full stop.

Karl ended this article in a slightly special way, but undoubtedly, the lines fully expressed his appreciation and admiration.

In fact, Karl had already been deeply impressed by Anson at Cannes. Although "Elephant" wasn't his favorite, there was no problem with this film winning the Palme d'Or. Anson's eye for selecting works was impressive; and now, Karl's impression of Anson has skyrocketed, adding points like crazy.

It must be said that the aura of a superstar is invisible but objectively exists. This is true.

Heart pounding, blood boiling.

Even though Karl had seen many top actors and top directors at different film festivals and premieres, his heart would still race when he saw a superstar.

Could this be considered idol charm?

At this point, careful readers should be able to notice that Karl's article… is not finished—

What happened then?

If Karl didn't disturb Anson throughout the entire flight, giving Anson personal space, then what about when the plane landed? What happened afterwards?

Could it be that Anson left alone first through the airport VIP通道, so he didn't alarm anyone? So it didn't attract any media attention?

By the way, Anson's arrival in New York didn't attract any media attention at all. The entire process from takeoff in Amsterdam to landing in New York was silent.

It is precisely because of this that Karl's blog post can resonate widely, and also trigger countless questions, strongly suspecting the authenticity of the article—

In all aspects, Karl is the only one who personally witnessed Anson returning to New York, at least the only one who publicly spoke out in the media. Is this true? Is this definitely not internet fabrication or fan fiction?