From the Island Owner to the King

317 bronzes.

Among the 317 bronze wares discovered by Chen Rui in the ruins, there are 89 bronze weapons, including swords, arrowheads, ge, tomahawks, spears and other bronze weapons.

There are 76 production tools, including cut, knife, chisel, file, axe, adze, ??, shovel and so on.

There are 152 pieces of living utensils, including the li for cooking food, the steamer for steaming food, the gui, tong, and yu for holding food, and the plate for holding water.

The most important part of bronze ware, the tripod, did not appear here, nor did it use bronze ware as an important utensil for sacrificing or burial, nor did it use bronze ware to distinguish between the noble and the inferior, the rank, and the preciousness of the status.

Bronze ware is only purely weapons, production tools, tools in life——

Chen Rui put these things into the Pregnant Sea Pearl Space.

At this time, Chen Rui can basically define the indigenous tribes who once lived here.

The golden culture, or the culture of giants, is aptly named.

According to Chen Rui's five or six days of meticulous 'archaeology' of this indigenous tribe, he found a large number of gold, bronze and pottery, and obtained a lot of information about this indigenous tribe.

This indigenous tribe has not yet formed the concept of a state, private ownership has just formed, tribes occupy most of the means of production and production resources, and there is no obvious class concept, such as kings or chiefs, nobles, craftsmen, commoners, slaves and other classes.

There is no writing, and all the artifacts found in the ruins have not found any writing. Therefore, this indigenous tribe cannot reach the category of civilization. Can only be regarded as a culture. Defined as relics of Aboriginal activities.

It is called the golden culture. It is because this indigenous tribe has a large amount of gold and has a large number of gold objects made of gold, although, it seems, these gold objects are very rough and the gold purity is very low.

However, the most profound image of this indigenous tribe to more than 500 million viewers around the world is gold, which has a huge amount of gold. An ancient city with only about 3 square kilometers and a population of about 10,000 people, but it has hundreds of tons or more of gold, and cast a giant statue with more than 40 tons of gold, so it is called gold culture.

Giant culture, giants are the gods worshipped by this indigenous tribe. Most of the cultures left by this indigenous tribe are related to giants. Therefore, Chen Rui also called this indigenous tribe the giant culture——

Chen Rui discovered a cave near the ruins.

There are some petroglyphs left on the cave walls.

The smooth and flat rock walls are covered with petroglyphs, which are very abstract. Use lines, colors to describe a thing or a thing.

The colors of the rock paintings are very vivid. Rich and diverse, with white, black, red, blue, green, yellow and other colors, they are all made of natural pigment particles + animal fat.

For example, natural lime + animal fat = white pigment, charcoal + animal oil = black pigment, iron-rich soil + animal oil = red pigment, and so on.

Many petroglyphs have gone through the vicissitudes of life, and the natural pigment particles have faded over the years, but some animals, items closely related to the life, hunting, and gathering of primitive people, as well as the hunting and gathering of primitive people, can be distinguished vaguely from the lines left on the rock paintings. , sacrificial activities, and very important things happen.

Chen Rui starts from the first rock painting on the far left.

A few simple lines, this is a fish, the lines crossing horizontally and vertically, this is a fishing net, a person is fishing with a fishing net, this rock painting depicts one thing.

The second rock painting depicts the hunting scene of the indigenous people. The painting is very abstract. Several people are hunting a very abstract deer with very abstract weapons.

Beginning with the seventeenth petroglyph, the subsequent petroglyphs depict information about giants at length.

The seventeenth petroglyph, a triangular-shaped aircraft appeared in the sky.

In the eighteenth rock painting, a triangular aircraft landed on the ground, a dozen giants stepped off the aircraft, and the indigenous people fell to their knees.

In the nineteenth rock painting, the leading giant ordered one of the giants to stay, the other giants re-boarded the triangular aircraft, and the triangular aircraft rose into the sky and disappeared into the sky.

The twentieth petroglyph, the giants become the great gods of the Aboriginal people

The thirty-seventh rock painting, the giant has become very old, looking up to the sky, looking at the sky with anticipatory eyes to the sky where the triangular aircraft has disappeared, sighing constantly,

Forty-second rock painting, the giant is angry

Forty-seventh rock painting, giant from anger to despair.

In the forty-eighth rock painting, the giant issued an oracle to build a giant sarcophagus, and engraved the hexagram pattern, the Milky Way galaxy map, and the Orion galaxy map on the coffin lid.

In the forty-ninth rock painting, the giant is getting more and more anxious and furious.

The fiftieth rock painting, the first giant sarcophagus failed to excavate, and the giants executed all the indigenous people who participated in the excavation of the giant sarcophagus.

The fifty-one rock painting and the second sarcophagus were successfully excavated.

In the fifty-second rock painting, the indigenous people dug holes in the cliffs to serve as the dwelling places for the giants and gods.

The fifty-third petroglyph, a giant dying of old age.

The fifty-fourth petroglyph, the giant is placed in a giant sarcophagus.

In the fifty-fifth rock painting, the giant sarcophagus was transported to the cliff by water.

In the fifty-sixth rock painting, the indigenous people cut down a large amount of wood, made a complex mechanical device, and successfully transported the giant sarcophagus to a cliff more than 300 meters above the water, and placed it in the hole.

The fifty-seventh rock painting is gone here.

After reading these rock paintings, some contexts emerged in Chen Rui's mind about giants.

To make it clearer, Chen Rui temporarily named the giant in the sarcophagus Giant Armor.

A long time ago, giants came to the center of the earth in triangular aircraft and were regarded as gods by the indigenous tribes.

Indigenous peoples are the first intelligent beings discovered by giants in the galaxy.

Giants need to know firsthand about this intelligent creature.

So, the giant leader ordered one of his subordinates, Giant A, to stay here and live with the indigenous people for a period of time, collect information, and make an agreement that after a period of time, he will come back to pick up Giant A.

However, the appointed time came, and the giant leader did not return.

Giant A sighs at the sky every day, always looking forward to the giant leader to come back and pick him up.

But the endless waiting brings endless disappointment.

The giant was angry, from anger to despair.

The giant felt that he was very old and was about to die, so he ordered the indigenous people to dig a giant sarcophagus as his burial place. (To be continued.)

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