From White Box To Supervision

Imai Green's own inspiration, Zhang Beichuan, is also a little curious, but he will know in a little while, so don't be too impatient.

After a routine morning meeting, Mr. Morishita Yuya was led by Miyamori Aoi to Musashino, carrying various documents, followed by the original artist from Yomiuri TV station behind them. Let's briefly meet the original artists and Zhang Beichuan.

Although the script has not yet been written, the preparation work has already been carried out one after another, among which is the issue of the schedule of the original artists.

The original artists themselves have their own tasks, so when planning, let them free up time.

"Supervisor Beichuan, these are some character pictures, which are some settings and materials of the TV version, which may be useful for the next creation." Morishita also continuously handed various printed documents to Zhang Beichuan.

"thanks."

"Also... let me introduce to Director Kitagawa, these are the original artists we specially recruited to assist Musashino, Toshiyuki Inoue, Hiroyuki Horiuchi, Atsushi Aono, they are all original artists in TV animation, and they are very experienced. At the same time, Mr. Atsuji Aono is also a supervisor in the animation."

As a supervisor, that is, a painting supervisor.

"Tsk tsk, it's luxurious." Zhang Beichuan was secretly surprised. These three people are not small in the original painting world, and they are all well-known existences. Sakura: Transparent Cards", "Pokémon Sun and Moon", "Pokémon XYZ" painting supervisor, the original paintings drawn are the original paintings of "Speedy Otaku Theater Edition", "Naruto Boruto Biography", "Lupin" The Three Worlds" and other original paintings.

He is also a senior in the original painting world.

As for Toshiyuki Inoue, he has been responsible for the painting supervision of "The Family of the Dingtian" and "EVA New Theatrical Version Q".

And the last Atsuji Aono has the longest production time in Detective Conan, and he has participated in the most works. If we say that the most helpful TV animation of "Detective Conan", the first one is Mr. Atsuji Aoye. Luxurious, and known as the 'father of Huiyuan Ai' because the original paintings of Xiao Ai he drew are of the highest quality. Most of the original paintings of Xiao Ai's peak appearance are from his hands. Not enough to be the father of Haibara Ai.

The most powerful thing is that the style of the original artist he drew is the closest to the original author, Aoyama Gosho. He was the most eye-catching in the early performance. He was moved by Aoyama Gosho. In the comics, Xiao Ai's father is called Miyano Atsushi, the original artist. Atsushi Aono, you taste, you taste carefully, taste carefully.

Although I don't know if it is a coincidence of Aoyama Gangchang, but this does not prevent fans from playing tricks, so the title of the father of Haibara Ai also comes from this.

"Mr. Inoue, Mr. Horiuchi, and Mr. Aoye." Zhang Beichuan extended his hand to greet them one by one, and did not despise them just because he was a supervisor. Each of them had been in the industry longer than himself, and they were all seniors.

"Hello, hello." They all responded one by one, and their attitudes were all quite kind.

Zhang Beichuan saw a very young man standing next to him again, and said, "This is it."

Morishita Yu also said: "This is the production producer assigned by our committee to supervise you here - Mr. Amamura Shota, who was born in a famous university."

Production production? Zhang Beichuan instantly knew the meaning of this position. This position was sent by the investor committee, that is, the representative sent by the investor to supervise Musashino's animation production. You can't ignore the funds. The progress of your production, the direction of the production, and the use of the funds can all be dealt with by him. This is the so-called production and production.

In the past, Kotaro Katsuragi and Huang Nakamura were mostly producers and producers.

"Oh." Zhang Beichuan also stretched out his hand: "Hello."

"Good supervision, please take care of me." Amamura Shōta said lightly, but didn't mean to reach out.

Zhang Beichuan frowned slightly, but didn't say anything, just stretched his hand back.

Seeing this, Morishita Xiong also immediately said: "Okay, let's go in and discuss it carefully."

Miyamori Aoi said: "Okay, please come in, please come in."

They were invited into the conference room, and after a while, Miyamori Aoi came over with the tea that had just been brewed.

"Please drink tea." Miyamori Aoi brought everyone a cup of hot tea.

"Thank you Miyamori for the production."

"fine."

"Supervisor Beichuan, I don't know the extent of the script creation." Morishita Yu also asked.

"It's still in the process of being created, but it will take some time for it to be fully created."

"At present, the production still has to wait until the script creation is completed before it can start."

Zhang Beichuan briefly described the current situation.

For this project, Musashino also attaches great importance to it. He transferred Ema Yasuhara, Shita Zhiyu, and a group of backbones to Zhang Beichuan. The reserve on the original painting is definitely more than enough. It can be said to be luxurious. His teacher, Makoto Kinoshita The production of the first squid girl is not as urgent as the beginning, so other departments can also use the two productions together.

During the chat, Zhang Beichuan also took this opportunity to chat with the original painters brought by Morishita Xiong also for a while, so as to learn more about them.

On the one hand, I accumulate contacts for myself, and on the other hand, it is also more convenient to find out what they are familiar with and good at ~www.wuxiaspot.com~ when distributing original paintings.

After chatting for a while, and having a light meal at noon, they went back separately.

Time has passed, and about a week has passed. During this time, the script handed by Imai Green was constantly being reworked by Zhang Beichuan. It was not the details, but the creativity was okay, but the storyline did not meet Zhang Beichuan's needs.

Today, Imai Green confidently handed it over to Zhang Beichuan.

"Senior Beichuan, take a look at the script I wrote this time."

Zhang Beichuan took it over, and then looked carefully, the plot was indeed very novel, starting from the artificial intelligence of Noah's Ark developed by the genius Hongshu two years ago, and the reasoning was also very good in the duel between Conan and Jack the Ripper.

"How is it?" Imai Green said excitedly.

"It's really a very exciting story." Zhang Beichuan pondered: "But only one line is still too little. You can add a dark line. You can make a line for Conan's father outside, and lay two lines."

Hearing this, Imai Green finally breathed a sigh of relief. This short period of time was really dire, and he was constantly being beaten back to rewrite his confidence. Now there is finally the dawn of completion, and he is naturally very happy.

"It's no problem, I'll make the final changes right away."

"Did you choose a name?" Zhang Beichuan asked.

"Not yet, Senior Beichuan, come and get it." Imai Green replied.

After pondering for a moment, Zhang Beichuan said, "Well, let's call it "The Undead of Baker Street"! How about it."

"Why is it called that?"

"I think it sounds pretty good, and it's more in line with Baker Street, where Sherlock Holmes lives in the plot."

After an afternoon, the script that kept hitting back was finally released.