From White Box To Supervision

"Crack!"

The pencil rubbed the sketch to outline the 'scribbled' lines, some of which were even twisted together, but if you look carefully, you can see that this is a complete 'mirror picture', a complete story.

Really supervising the release of self, the original painting cried to death in the toilet.

In the small black room, Kinoshita Castle has a burning look in his eyes, and his hands are constantly drawing on the storyboard. If it is in the animation world now, the momentum of the supervisor at this time is like opening a Super Saiyan.

I don't know how long it took, but when the last stroke was finally finished and the last word 'final' was written, Kixia Seiichi finally breathed a sigh of relief.

Mr. Honda Feng was right behind the supervisor. Hearing the words, he hurriedly took it and looked at it. His arms trembled slightly because he was excited.

"Finally...finally...seeing it, really...finished!" Mr. Honda Feng's voice was a little choked.

"Well, you sighed too much, but Honda, thank you for waiting for me." Kinoshita Shiroichi sighed.

"It's alright, it's fine if you're done. In this way, I can leave with confidence."

"What do you mean!"

......

"What? Mr. Honda Feng, you want to resign?" Zhang Beichuan in the production department was very surprised when he heard the words.

"Well, but I will stay here this year." Honda Feng nodded.

"But why, is there another company recruiting you? Or I'm too tired of production and want to find an ordinary job." Zhang Beichuan asked again.

But at this time, the president suddenly walked in. The president's expression was always smiling, as if nothing could affect him.

"You don't have to ask, Honda is going to work in a cake shop."

"Cake shop? Huh?" Everyone made a surprised voice.

Masato Kawamaru smiled and said, "He said he hesitated for a long time, but finally found the job he wanted."

"Speaking of which, Mr. Honda Feng, you often make cakes for us as condolences." Erica Yano said.

"Well, it's very suitable in appearance."

"Where's the cake shop?"

Honda Feng touched his nose and said, "It's OURLLN nearby."

"Isn't that very close to here?"

"Rather than talking about me, let's hurry up and work. The storyboard is finished, and the final battle is finally over." Mr. Honda Feng said, "Have you finished printing it, Miao Sen?"

"Well, the printing has been completed, and the production will begin immediately."

"Okay, everyone is working hard, let's make a wonderful final sentence."

......

Zhang Beichuan did not expect that Honda Feng would leave. Mr. Honda Feng has taken good care of Zhang Beichuan for the past six months, but he will resign without warning.

Although the mobility of talents in animation is very high, it is possible that one day they are still in the studio, and another day they may be transferred to other companies. It may be that the task is too heavy, or it may be poached by other companies’ funds. , In short, this kind of thing is very common for people working in the animation industry, but Zhang Beichuan sighs too much.

In addition to Mr. Honda, Ochiai has also resigned and left. Ochiai was also poached by other companies. It is a company with the theme of aircraft warfare. It can be said that their construction period is even busier than Musashino. In love, he accepted the invitation.

Mr. Tatsuya Ochiai originally wanted to wait until the end of "EXODUS", but the pressure was too tight, and he left a few days ago after finishing his words.

The two of them left at once. Although Mr. Honda Feng had to stay until this year, it had to make Zhang Beichuan, who was used to the crowd, a little sad.

"Niaosen, the drawing meeting is about to begin." Erica Yano shouted.

"By the way, Beichuan, you should go too."

"Am I going too?" Zhang Beichuan pointed to his nose.

"Aren't you going to help Miao Sen? You'd better sit in on the painting meeting to avoid any mistakes in the future."

"okay."

Zhang Beichuan followed Miyamori Kui to the conference room, where the original artist and supervisor were all waiting.

Probably the reason for Honda to leave. Supervisor Kinoshita doesn't seem to be in good spirits, but that's no wonder, after all, in the company, the best friend with Mr. Honda is Supervisor Kinoshita.

After everyone arrived, Supervisor Kinoshita also got up and started the painting meeting.

"First of all, this CTU, Xiaoqian and the others follow the rhythm of 'one frame in three frames, four frames in the middle', using medium and close-up, so there is no need for an artist to draw up and down displacements, and then run out gorgeously."

Maybe everyone has heard the word frame. Every animation has a number of frames. The animation is based on 24 frames. There are 24 frames per second, that is, there are 24 paintings per second. This is the most natural human eyeball. One of the most fluent standards, UU reading www.uukanshu. com is also one shot at a time.

One shot one means 24 frames need to be drawn, one shot two means only 12 frames are drawn, each picture occupies two frame positions, one shot three means only 8 frames are drawn, and each picture occupies three frame positions.

In fact, in the production of animation, sometimes it is not rigid to use only one, some battles, transformations, or some important words will use one shot to keep the movement smooth, and the rest are based on the needs of supervision. used.

Or just use this shooting technique according to the atmosphere of the plot in the number of words.

Because there are some pictures that do not need to use strict standards such as one shot at all, it is a waste to use it. For example, a turning back action, using one shot one or even less than a few seconds, if the time is extended, it will definitely require a lot of painting, and it is better to Using one shot and two, this can also give a slow-motion close-up, which can increase the atmosphere of the work.

In addition, if the one-shot-one standard is fully used, the pressure on funds is too great, and the cost of one episode itself is now a lot, and it is impossible to earn it back.

At present, the animations in Area 11 all use one shot three, and some one shot two. Of course, sometimes it is not so rigid, and one shot two is mixed with one shot one, or one shot three is mixed with one shot two.

The only animations that use one-shot-one a lot are the theatrical animations from Disney and District 11. The TV version is usually at a climax. The extremely important battle plots use one-shot-one. Small companies are reluctant to use one-shot-one even in battle. a method.

Speaking of which, Zhang Beichuan was also very curious when he was sitting next to him. The only companies that use a lot of one shot in the TV version are probably Jingani and Bone Club.

Because of these two, the action scenes are too smooth, and the pictures are very delicate, each with its own characteristics.

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