Full-time Artist

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The man behind Yi An is of course Lin Yuan.

This year, readers from all continents are witty.

If Yi An's little transparent action is slower, he will be swept up by various comments, and there is no chance for Chu Kuang old thief to check the omissions.

This is a rare opportunity to anger the sense of existence.

Lin Yuan would definitely pull Yi An to output as much as he could.

And when various writers commented and interpreted the content of the novel "Suspect X's Devotion", Yi An unexpectedly used a modern poem of good quality as a form of "book review"?

Outstanding!

The drainage was very successful!

The comment area exploded soon!

"This poem must be written by Shishen. Teacher Yi An's literary talent is too high. I love you has nothing to do with you. It is a golden sentence of the year, but it is based on the fact that the other party dislikes himself, so I always feel it when I read it. Very sad."

"Signed get in the circle of friends."

"Yi An deserves to be the author who knows Chu Kuang the most. This poem is so sensible, I read it with my head full of stone gods!"

"Yi An's talent is truly extraordinary!"

"Suddenly remembered that Yi'an commented on Xianyu's movie "The Fantasy Drifting of the Youth Pie", saying that he had a fierce tiger sniffing the rose, and it was also a sharp summary of the protagonist's thoughts."

"Xian Yu is good at ancient poetry."

"Yi'an is best at modern poetry."

"As a golden sentence maker, Yi An's famous words in "The Story of Wukong" are so famous. Looking back, it is still full of enthusiasm!"

"Fans!"

"In the future, what books the old thief publishes, you can read Yi'an's evaluation, it is always so pertinent and literary!"

It's not just Qin Qi, Chuyan, Han Zhaowei.

Even Zhongzhou netizens have had a good impression of Chu Kuang's works because of Yi An's several comments on him.

Because Yi'an's comment is the most special.

Reading these words of Yi'an seems to be able to re-read the book, and even more completely different or deeper insights.

…

at home.

Lin Yuan smiled.

Yi'an successfully clocked in.

Lin Yuan was very satisfied with the effect.

According to the effect of the release of "Suspect X's Devotion", Chu Kuang's rush into the top ten writers should not be a big problem.

December has come.

Unless Master Lu or Teacher Xu can write works of as good as this quality in a short period of time, they can kill themselves and let the old thief roll over.

But the possibility is not high.

It's really impossible to do another short story by myself.

Of course, this is only a short story for Chu Kuang. The so-called short story in the concept of the old thief is at least a novella or even a novel for others.

It's like for ordinary authors, four thousand words are a big chapter.

For a certain eagle, most of the four thousand words are not even half a chapter.

…

The novel is finished.

The next step is to hold a painting exhibition.

Lin Yuan's eyes flickered slightly.

Some time ago, Sun Yaohuo had already called Lin Yuan:

Shadow’s first painting exhibition was set at the Zhongzhou Art Exhibition Hall.

This is the place where Blue Star’s highest-level art exhibition is held, and only the top 50 painters of Blue Star are eligible to hold art exhibitions in this type of place.

The shadow obviously has this qualification.

The specific date is set on December 20th.

However, most painters will personally attend and receive spectators when they hold painting exhibitions. The situation of shadow is obviously not suitable for appearance.

Lin Yuan intends to hand it over to the art gallery to arrange a reception.

As for the specific works to be displayed in the art gallery?

Lin Yuan had already packed everything, and stored it in the shadow studio at the moment.

…

As mentioned earlier, Lin Yuan usually has the habit of painting.

Lin Yuan feels that works that perform well will be preserved;

He generally chooses to destroy works that he feels poorly performed.

Just like everyone likes to destroy their own dark history, Lin Yuan feels that if he doesn't paint well, there is no need to exist.

Rao is so.

Lin Yuan has also accumulated about one hundred paintings.

However, there are generally no rigid requirements for a personal exhibition on how many paintings the artist has to show.

However, dozens of bases are the basis.

Lin Yuan felt that dozens of paintings were too few, so he prepared a total of one hundred paintings, and almost took out the inventory.

These 100 paintings are all following the traditional route.

The so-called traditional route is the traditional Chinese painting of the earth.

The classification of traditional Chinese painting can be said from two angles.

According to techniques, it can be divided into freehand brushwork and fine brushwork.

The former uses rough and concise pen and ink to draw the shape and spirit of the object to express the author's artistic conception;

The latter requires the use of neat, meticulous, and rigorous techniques to describe the object, which is simply more practical.

According to the content, it can be divided into landscape, flowers and birds, characters, etc.

Furthermore, these categories can be divided into subcategories and genres.

For example, according to its materials and expression methods, it can be subdivided into ink painting, heavy color, light crimson, fine brushwork, freehand brushwork, and line drawing.

The first ninety-nine paintings prepared by Lin Yuan can capture all types of Chinese painting in one go.

These paintings are well-deserved masters, and they are worthy of the craftsmanship Lin Yuan obtained from the system.

As for the hundredth painting?

That was naturally the Soul Painting series that Lin Yuan was reluctant to take out easily.

After all, it is the first painting exhibition in the life of the shadow, and it is not too much to bring out a painting of soul level work out of the town.

Lin Yuan had even considered taking out two paintings from the Soul of the Town series, UU Reading at www.uukanshu.com, but after thinking about it, I don’t think it’s necessary. This painting is enough to shock everyone who participates in the exhibition!

This new painting soul series is 33 cm in length and 502 cm in width.

In terms of size, it is undoubtedly an extremely rare large-scale painting, which is consistent with Lin Yuan's previous paintings.

As for the content of this painting?

Then we will talk about our top ten famous paintings in China.

The ten famous paintings of China can be regarded as a monument of the history of oriental art. The masterpiece of Chinese civilization is a flowing history and a silent movement. It carries the unique artistic temperament of the ancient oriental peoples. It records the long history of China that stretches for five thousand years. The beautiful rivers and mountains that stretch across thousands of miles.

For example, "A Picture of Shanghe River on Qingming Festival" is one of them.

And one of the ten famous paintings is called "A Thousand Miles of Rivers and Mountains".

This is a color painting on silk created by Wang Ximeng of the Northern Song Dynasty. It is now collected in the Palace Museum. The size is very close to the former and belongs to a typical freehand painting type.

Lin Yuan's painting soul series is the Blue Star version of "A Thousand Miles of Countryside Pictures"!

It is also a freehand painting, the pursuit of artistic conception is greater than the specific depiction of the scenery!

Although the name and type are the same, of course, the content and the original work cannot be exactly the same. Every painter has his own state of mind.

On the contrary, the two have maintained a considerable degree of consistency in terms of painting ideas.

It also takes the majestic world, mountains and rivers as the theme.

Coupled with the metaphysical mood bonus of the Painting Soul series, this painting can be regarded as the most satisfying work of the shadow at present.

Look!

Picturesque!

—————

ps: The next drawing plot is too difficult to write. After all, the sense of substitution of this thing is not as deep as that of songs and novels. It may take more effort to write in vain.