Hibiki Higashino briefly described "Your Name" to Yuko Asahina.

This is a story about the encounter between a boy and a girl who lived in distant lands across time and space.

It has a more illusory feel than "Five Centimeters per Second".

Asahina Yuko is very interested and will get ready immediately.

Higashino Hibiki advised her not to be anxious. This animated film is the first practice of "Future Society" and will take three to five years to be carefully crafted.

He himself will not rush the progress, and hopes that Yuko Asahina will do her best.

Asahina Yuko nodded, suppressing her eagerness.

She took a deep breath, "Higashino-kun is right, I have to calm myself down."

Think about "Your Name" with a clear mind.

Among the three animations by Makoto Shinkai, Hibiki Higashino likes "The Garden of Words" the most. In the 45-minute animation time, the camera focus is on the pavilion, the campus, and Yukino's home, completing the story of the encounter and love between the two.

The story is delicate, and Makoto Shinkai describes the progression of the two people's emotions using only the background.

Compared with other animations, there is a layer of desire, such as Yukino's feet in the camera, which adds a sense of reality to the teacher-student love.

Love without desire is a bit thin.

This is missing from "5 Centimeters per Second".

"5 Centimeters per Second" tells a regretful story. Under the power of time, the unbreakable love in the past finally disappeared from reality, leaving only a precious memory.

The tragedy of something beautiful being broken is something readers will remember.

When it comes to "Your Name", it transcends reality, transcends three years, transcends life and death. As long as they still love each other, they will meet again in the end.

"Your Name" is Makoto Shinkai's best-selling work.

The story is still excellent and delicate, and it is more suitable for production than the other two animations.

After Hibiki arranged "Your Name", he watched "Spirited Away" again at his own expense, and with a heart full of temptation, he began to write the storyboards of "Death Note".

Koji Yoshida came to Yoshihiro Togashi's studio.

After pushing the door open, he saw Yoshihiro Togashi lying on the ground.

"Teacher Togashi!" Yoshida quickly ran over and tried to help Togashi up.

"It hurts!" Togashi screamed, and he waved his hand to refuse, "Yoshida-kun, no need, let me lie down here and rest for a while."

Yoshida Koji could only stand aside helplessly.

Togashi sighed, "As I grow older, my back pain becomes more severe. I have to suffer from back pain when I go to the toilet and draw."

"Thank you for your hard work, teacher." Koji Yoshida felt a little sad.

In 2000, "Hunter" serialized 35 episodes and was suspended 13 times, which was much higher than in 1998 when it was suspended only 3 times.

During this period of time as an editor, apart from Yoshihiro Togashi, Koji Yoshida was most familiar with the creation of "Hunter".

He understood Yoshihiro Togashi's love for comics.

Togashi is a cartoonist who constantly explores, tries different styles, and draws his unlimited imagination into comics.

It's a pity that Yoshihiro Togashi has too much energy to draw the ideas in his mind due to his heartache.

"It seems that the Jump 33 issue of "Hunter" can only be suspended again." Togashi sighed to Yoshida.

Yoshida said with concern: "Okay, I will inform the editor. Teacher, please have a good rest."

"Sorry to trouble you, Yoshida-kun."

"What did the teacher say?"

Yoshida felt a little depressed after receiving the bad news.

At this moment, his cell phone rang, and he answered it without looking, "Hello, I'm Koji Yoshida."

"Editor Yoshida, when are you free? Can you come to my studio? I have ideas for new comics." Someone said to him.

Yoshida thought the voice was very familiar. He looked down at the caller ID and exclaimed, "Tori Akino-sensei!"

The ears of Yoshihiro Togashi, who was lying on the ground, twitched.

Yoshida Koji quickly covered his phone and turned sideways. He nodded and said, "Did you draw the beginning of a comic? Yes, yes, I'll be there soon."

There was a burst of ecstasy in his heart, to the point where he was ready to burst out.

It has always been his dream to become Tori Akino's future editor and to complete a national comic with him.

Yoshida waited for Hibiki to hang up the phone and ended the call himself.

He looked at Yoshihiro Togashi and asked impatiently: "Teacher Togashi, do you have anything else? If not, I have to leave first."

"Wait a minute," Yoshihiro Togashi stopped him, "Is Tori Akino ready to start a new series?"

Yoshida was a little embarrassed, "Yes... that's it."

"I think it's time." Togashi thought, "He also took a lot of rest from April to August. I thought there would be news about him in June."

"Why do teachers think so?"

"Tori Akino is a very restless person, and he will definitely be reluctant to put down the comics." Togashi muttered in a low voice, "Just like me before..."

He raised his head slightly and let out a hissing groan. Togashi, who was holding his waist, said to Yoshida: "You can tell Akino Tori for me. You should also pay attention to rest while drawing comics."

"I received."

Koji Yoshida rushed to Tori Akino's studio, where Hibiki Higashino was drawing character designs.

It had been a long time since he drew comics, and he actually felt nostalgic.

In his writing, the gods of death, Luk and Yagami Yue, soon appeared.

Luk has a strange appearance, looking like a beast with long arms and legs, with flaring nostrils, crazy eyes, and black feathers on both sides of his shoulders.

Yagami Yue has brown hair, is tall and thin, and has a handsome appearance.

Before "Death Note" was serialized, Obata Takeru and Oba Tashiru had drawn short comics to test the waters.

It is also a notebook in which people whose names are written will die, but if they are erased with an eraser, the dead people will be resurrected. It is a quite restrained setting.

It can be seen that the duo was still a little worried before drawing "Death Note".

How can extreme core works be accepted on a social level?

Will it lead to mentally retarded children?

Perhaps it was through the editor's guidance that "Death Note" came into being.

Hibiki Higashino kept thinking about the plot of "Death Note" in his mind. The doorbell rang, and he couldn't help but look outside.

"The editor of "Death Note" has arrived."

In the previous world, it was only with the efforts of Yoshida Koji that "Death Note" eliminated obstacles.

Tanaka arrived at the Red Maple Villa according to the address provided by Higashino Hibiki. Just when he was lamenting that the house where Tori Akino lived in the future was getting bigger and bigger, he saw a very handsome man standing at the gate.

He couldn't help but pause and looked at the man from a distance.

"Hello." Yoshida Koji spotted him and waved familiarly.

Tanaka could only walk over.

It happened that Higashino Hibiki knocked on the door and looked over, "You are all here, please come in."

Hibiki Higashi introduced both parties.

Tanaka was a little surprised. Did Mr. Tori Akino change editors?

It's a shame that I can't work with Mr. Sasaki.

However, Tanaka was a little worried because he had to contact an unfamiliar editor.

"I wonder what kind of person Editor Yoshida is?"

Koji Yoshida also looked at Tanaka, feeling a little surprised, "Tori Akino-sensei is really confident. Are you already convinced that he can serialize it?"

The scene fell into a deadlock for a while.

Higashino Hibiki took out the character drawings and asked the two of them: "What was the first impression in your mind when you saw them?"

"The teacher's painting is so good!" Yoshida said involuntarily.

Tanaka raised his eyes and looked at him, "Turns out he is a fan of Tori Akino-sensei."

Hibiki Higashino was helpless, "Yoshida-kun, I'm asking you what you think of these two characters."

Yoshida coughed and his face turned red, "Sorry."

He looked at the painting and pointed at Sui Ke, "It looks crazy and neurotic, the type that doesn't know what it will do. And..."

Yoshida considered it, "It gives me a feeling of fear that the world will not be in chaos, and I like to cause trouble."

Higashino Hibiki nodded with a smile and asked Tanaka, "What about you?"

Tanaka replied: "Me too."

"What about Ye Shenyue?" Dong Yexiang asked again.

"He is very handsome and a well-behaved student," Tanaka covered his forehead and spoke carefully, "with excellent grades and very popular, but as the protagonist of Jump, does he lack characteristics?"

"Where is Yoshida-kun?" Hibiki asked Yoshida Koji.

"Tanaka-san is right. The protagonist of Jump must have flaws. Yagami Yue's demeanor looks perfect."

In the painting, Yagami Yue purses her lips, her hair is neatly styled, and her eyes are bright, giving people the appearance of an elite who is calm and has everything under control.

“It’s easier to develop a story with a hoodlum and a naughty protagonist,” Yoshida said.

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