Game Development Mad God

The next few games have a lot of connections with the plots of the previous games in terms of plots. Among them, it still continues the characteristics of the plots in the previous works, the mysterious religion, the cruel sacrifice ritual, and the many curses that stretched out. You can say this The setting of the basic elements of the game plot makes people feel shuddering.

Although the story itself basically has a good ending at the end of the game, at the beginning of the game, most of the beginnings have a creepy feeling.

The fear that this game plot itself brings to the player makes the player feel desperate. Think about it in a mansion full of evil spirits, the character that the player can control is just a person who has no power to bind the chicken. Young girl, no firearms, no knives, guns and swords, only a broken camera that is not very useful, Lin Yan believes there is really nothing more desperate than this.

Of course, this game itself allows players to find vitality in despair, and it can be said that it is precisely because of such despair that it gives players the greatest sensory stimulation.

Imagine that in such a game, if the protagonist is not a weak girl like Fang Xili, but replaced by a strong man like Kratosqui, then the sense of horror itself will be greatly reduced, even in the setting. There won't be the slightest change, but the player's overall personal experience will undoubtedly be weakened a lot.

Lin Yan had always had a point before, that is, the sense of horror itself is focused on some special crowd settings. Let’s take Kratosquei as an example, that is an existence that can climb back to the surface from hell, even if No matter how full the horror is shaped, the player will not feel horror at all.

Therefore, using women as the absolute heroines in horror games, especially those that do not seem to have much combat ability, is the best choice for this type of game to shape the protagonist.

Therefore, in this game, Lin Yan naturally has to profoundly shape such a protagonist, and still retains those in the previous work, making countless homeboys regarded as the female character settings of dream lovers.

Kurosawa Rei, Crimson, Celestial Cocoon, Amakura Hotaru, Fang Xili, Mizunoyue Liuge and other characters, even in this aspect of the plot, Lin Yan is in the basic structure of the plot. Without changes, the five works represent five story lines in the game.

These five story lines are opened in the order of the previous work, which are zero, the red butterfly, the sound of tattoos, the mask of the eclipse, and the witch of the raven.

Players can only unlock the next storyline after clearing the previous storyline, and so on, to maximize the player's understanding of the plot of the entire game. Of course, it cannot be said that Lin Yan has no one in the plot. The slightest changes, the main changes are still focused on the cohesion of the plot, although the plots of the five in the previous work are independent of each other, they also have a certain degree of connection in the relationship.

At that time, the connection in this relationship was still relatively fragile, and there was even basically no difference between the existence and absence of this connection. This was nothing in the previous life, but there was something in Lin Yan's heart. Feeling uncomfortable, so in this game, Lin Yan strengthened the relationship between several story lines to a certain extent.

Even the protagonist in the previous plot will become a more important role in the later plot. Of course, each story itself has a large time span, and the span of the latter two works has reached more than ten or twenty years. Chengdu, so after the appearance of many characters, they may no longer be the images of young girls before, but mature women, and it may even be said that they may be a little older.

Of course, Lin Yan does not think that such a setting is wrong. After all, these phenomena are inevitable in terms of time. A woman in one era may not be the goddess of the next. This is an inevitable law of social development and also biology. There is no reason for the content of the game itself to violate this law.

Of course, Lin Yan also has a lot of original content in this game. After all, the previous game itself is really excellent. Lin Yan has not made too many changes in the battle settings and basic plot of the game, and the overallity has been improved. It is the picture quality of the game, so that when the game is experienced, it can give the player a more real feeling. The more realistic physical effects can definitely allow the player to enter an immersive state, even if Lin Yan’s game is used If you use AR glasses to experience, the experience on the screen will be even more extreme.

Also in most of the time, Lin Yan still maintains a very cautious design concept. After all, the previous work is already good enough, and if too many changes are made, it may be just superfluous.

Of course, in this game, Lin Yan also has a lot of original things in it. A very simple question is that this game is a Japanese-style game as a whole, but the entire Asian mysterious style of terrifying country is not There is only Japan, and another country with a profoundly mysterious and horrible style is China.

So in this game, Lin Yan will inevitably introduce Chinese elements into it, and there are many things in it. Lin Yan still has to carry out a certain degree of localization design.

In fact, whether it is the big house in the ice room or the village of the gods in the previous work, in essence, it is similar in nature to another traditional horror site in China, that is, the haunted house.

According to the literal interpretation, the haunted house refers to the kind of inauspicious or haunted house. Many people believe that there are some things that do not belong to this world in these places called the haunted house, that is, after the death of human beings. His soul is still lingering in this house.

It seems to be very similar to the karma in the Japanese horror movie "The Grudge", so in fact, the houses with countless grievances in the previous film are real murder houses in Chinese terms.

There are actually many such haunted houses in China, such as Chao Nei No. 81, High Street, etc., all of which can be the basic material for Lin Yan to shape this game. Of course, Lin Yan will not be specific in the game. The place names and so on are just added as the basic material of the game, so that in the game, players can experience the real Chinese characteristics of the game scene.

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