global actor

Chapter 560 Disagreement

"It's raining again..."

Affected by the temperate maritime climate, Britain has had rainy days for nearly half the year. Lu Ze has long been accustomed to this bad weather, but this long rainy season always makes people feel uncomfortable.

He crossed his legs, held his head in his hands, and sat on a bench at the station, looking at the sky. The cigarette in his mouth would occasionally emit some bright light when it burned.

The rain is getting heavier, and dense water droplets are hitting the dome of the station. The sound is more obvious during the time when there is not much traffic. The unsealed station is facing the wind, and the cold wind that comes with the rain pours in, making the floor tiles

Fine condensation quickly formed, causing unwary passers-by to stumble occasionally.

"Come on man, I don't want to pay the station another day."

Mickey walked in a hurry, and his hands were not idle when he spoke. After helping to push the flight box, he sat behind the monitor with his legs tightly squeezed. It seemed that his body was cold.

After Ze Na grabbed the hand warmer, his frown relaxed and he looked at Lu Ze and tilted his head.

After receiving the instruction, he threw the cigarette butt into the bottomed coffee cup. He stood up and stood at the shooting position. The staff quickly evacuated the venue and made a final inspection of the venue to ensure that there would be no hidden shots.

In front of the audience, Kesha stood behind Lu Ze holding a camera, and the performance officially began.

…

This is the key plot of the encounter between the male and female protagonists. In the empty station, Lu Ze first had to show the coexistence of uneasiness and expectation. There were no lines and no other actors. He had to rely entirely on body movements to show the character's emotions.

If it were an ordinary actor, or according to the thoughts in the audience's mind, this kind of uneasiness and expectation would make the characters uneasy, walking around the edge of the platform to check their WeChat steps, and some actors would even choose some relatively large movements.

, such as putting your hands in your pockets to kick things or sticking your head out to look in the direction of the train. If you still can't express that sense of anxiety, the lowest-end solution is to talk to yourself and forcefully hold back your lines to create an atmosphere.

Lu Ze, relying on his understanding of the character, chose another treatment method that was more in line with the character's psychology. He just leaned on the load-bearing pillar and squatted down, hugging his knees with both hands, and buried his face in it, but his center of gravity fluctuated back and forth.

After leaning forward for a moment like a swing, he hit his back against the wall again.

After about three breaths, he raised his head slightly and looked sideways at the railway track. The lower part of his cheekbones was still buried in his arms, only a pair of eyes were exposed, shining brightly under the black hair touching his eyebrows.

"Lucas, cut to a close-up, slap in the face, move closer to Lu Ze's direction, and zoom out fifteen degrees."

Mickey put on his headphones and communicated with Lucas in the second camera through the microphone. In the monitor, the angle of the camera immediately changed. When the angle of view was turned sideways, nothing could be seen. Now it cuts to the side and rear. Lu Ze is now

The slender body is more obvious, and it is not a little bigger when curled up. When the camera is zoomed in, the black and shiny eyes are more prominent, and the feeling of grievance is much stronger than before.

"Is that so? Do you want to keep this part?"

Zhuang Yu, who was sitting side by side with Mickey, frowned slightly, pulled out his left earphone and asked Mickey.

He doesn't like this kind of subtle close-up to highlight the character's individual temperament or slightly change the emotion created by the actor according to the predetermined plan.

You must know that the lens has a language. Different angles will lead to changes in visual perception. For example, people with different heights will take a scene from two different perspectives. If the scene is more complicated, let others see it, and even

It's possible that people won't recognize that this is the same scene.

Originally, this was supposed to be a big scene, relying on load-bearing pillars to hide Kesha's lens, and to put all the people in the world into the lens. Originally, Zhuang Yu was quite happy about the rain, although he couldn't take any pictures on the glass dome at night.

There are traces of rain, but the raindrops gathering at the train exit in the distance can also deepen the atmosphere. This is Zhuang Yu’s favorite lens language.

The darkness outside the station on a rainy night, the bright light inside the station, the anxious people on the platform, and the load-bearing wall to support the picture. This sense of loneliness and uneasiness is extremely strong. It can be said that it is a very classic atmosphere. But what about Mickey's choice?

First, it cut inward fifteen degrees, directly squeezing the train exit out of the frame. Then it cut to a close-up shot, excluding the load-bearing columns and the slightly condensed ground. It became a shot that highlighted the character's emotions. Fortunately, Lu

The emotions in Ze's eyes are very full, and his face can stand up to this scene. If it were another actor, it would really lack 80% of the flavor.

But the emotional shots of this man are still not what Zhuang Yu thinks. Even according to Lucas's original camera position, the shot footage will most likely only be shown for three to five seconds in the feature film, or even cut out directly. However, Mickey

The shooting method will make this clip a definite choice in the feature film, and even give five to ten seconds to stimulate the audience's emotions, but for Zhuang Yu, if he doesn't like it, he doesn't like it.

Don't look at the slight differences caused by just a few seconds of footage, but it represents the completely different film styles of Mickey and Zhuang Yu. Mickey's style will focus more on the actors, and the performance of the actors will play an important role.

Then the actor's emotions drive the audience's emotions.

Zhuang Yu's style relies on the connection between the characters and the scenery to bring powerful visual shock to the audience. There is no absolute superiority between the two. It's just that Zhuang Yu, who is a photographer, and the director

There is a clear difference between Mickey and his aesthetic choices.

It is precisely because of this that after the movie starring Lu Ze and Zhuang Yu was released, although the reputation was very good, Lu Ze also relied on his hard power to gain a foothold in the title of a capable actor and became a leading young actor.

But it is not like when Lu Ze and Mickey collaborated. What was shown to the audience was the pure vitality of the protagonist on the screen, which made Lu Ze famous internationally and climbed to the top. Compared to Zhuang Yu, Mickey is so good at photographing people.

Wow, especially when shooting Lu Ze, he really has a lot to control.

On the other hand, if there are no excellent sets, the perception of Zhuang Yu's works will drop by 30% or more, and without Mickey's excellent actors, the perception of his works will also drop a lot.

"I will definitely keep it, such a great picture."

Mickey's eyes were fixed on the monitor, and even blinking felt like it was a waste of time. His eyes revealed his absolute appreciation for Lu Ze's performance, and he answered Zhuang Yu's question directly and subconsciously, as if he didn't think through his brain.

Hearing Mickey's answer, Zhuang Yu sighed secretly. For a director, this feeling is very uncomfortable, but there is no way. Who makes him a deputy? It is so uncomfortable that the decision-making power is not in his hands.

However, Zhuang Yu does not intend to give up on the absolutely excellent pictures. In his opinion, adding Mickey's excellent shooting skills to the control of the scene will definitely not cause a rift in style, but will create

A more visually perfect work, and it was for this purpose that he went abroad.

"..."